DANCE RESEARCH JOURNAL最新文献

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Beyoncé's Super Bowl Spectacles and Choreographies of Black Power in the Movement 4 Black Lives 碧昂斯的超级碗表演和黑人生命运动中黑人权力的舞蹈
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/S0149767721000231
Raquel Monroe
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引用次数: 0
“Look At My Arms!” – Editor's Note “看我的胳膊!”——编者注
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/s0149767721000310
Nadine George-Graves
{"title":"“Look At My Arms!” – Editor's Note","authors":"Nadine George-Graves","doi":"10.1017/s0149767721000310","DOIUrl":"https://doi.org/10.1017/s0149767721000310","url":null,"abstract":"It has been my honor to work with the scholars, artists, and artist-scholars for this special-topics issue of Dance Research Journal. A number of intellectual, creative, and personal conversations inspired me to propose this intervention at the intersection of dance, race, and gender. It is a continuation of my larger intellectual mission to help us better understand the importance of work by Black women in the arts and in the world through the arts. We must attend to all of the nuanced particulars of these and other negotiations. This curation builds on my participation in conference panels, seminar room discussions, artistic collaborations, and scholarly working groups, where participants dive deeply into this intellectual history. This process is necessarily embodied knowledge— written on, with, and through the body.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"1 - 6"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42458405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Myself, Dancing: Choreographies of Black Womanhood in US Dance and History 《舞蹈:美国舞蹈与历史中黑人女性的编舞》
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/S0149767721000140
Ariel Nereson
{"title":"Myself, Dancing: Choreographies of Black Womanhood in US Dance and History","authors":"Ariel Nereson","doi":"10.1017/S0149767721000140","DOIUrl":"https://doi.org/10.1017/S0149767721000140","url":null,"abstract":"Abstract This essay analyzes Bill T. Jones/Arnie Zane Company's 2009 work Fondly Do We Hope…Fervently Do We Pray and its centering of Black women in US American history and contemporary choreographic practices. While the work's revisionist representation of national history could be understood as activist in terms of its desire to activate the spectator, this essay centers what performance might do for Black women performers and their personal practices of artistry and activism over what impulses toward social justice Black women's performances might galvanize in their audiences. Attributing FDWH's transformative potential to its aesthetic combination of postmodernism and sentimentalism and its erotic historiography, I theorize the work as a choreohistory, a mode of cultural production wherein the ordering of movement and the ordering of the past interanimate one another.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"49 - 66"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43168490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
DRJ volume 53 issue 2 Cover and Front matter DRJ第53卷第2期封面和封面问题
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/s0149767721000322
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引用次数: 1
Super Fluid/Super Black: Translations and Teachings in Transembodied Metaphysics 超流体/超黑:超形体形而上学的翻译和教导
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1007/978-981-15-7880-9_9
Ni'Ja Whitson
{"title":"Super Fluid/Super Black: Translations and Teachings in Transembodied Metaphysics","authors":"Ni'Ja Whitson","doi":"10.1007/978-981-15-7880-9_9","DOIUrl":"https://doi.org/10.1007/978-981-15-7880-9_9","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"88 - 97"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48916617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Street Dance Activism Global Dance Meditation for Black Liberation Radical Embodied Dialogue August 19, 2020 Recorded over Zoom 街舞激进主义全球黑人解放舞蹈沉思激进对话2020年8月19日通过Zoom录制
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/s0149767721000243
D. McIntyre, Marlies Yearby, Grace Jun, Shamell Bell, MiRi Park
{"title":"Street Dance Activism Global Dance Meditation for Black Liberation Radical Embodied Dialogue August 19, 2020 Recorded over Zoom","authors":"D. McIntyre, Marlies Yearby, Grace Jun, Shamell Bell, MiRi Park","doi":"10.1017/s0149767721000243","DOIUrl":"https://doi.org/10.1017/s0149767721000243","url":null,"abstract":"Abstract Global Dance Meditation for Black Liberation began with Dr. Shamell Bell's dream, a clear vision of people around the world heeding a call, at the same time, to the same rhythm, in a collective resonance. It has grown into a conversation, a community, a journey, and a call to action. This Radical Embodied Dialogue was created to honor Black dance artists and their legacies. As part of the Street Dance Activism Global Dance Meditation for Black Liberation twenty-eight-day collective healing project, we invited Marlies Yearby and Dianne McIntyre to share their stories and their shared histories. The pandemic, coupled with use of technology, opened up and provided alternative methods to host a gathering and listen to their experiences that have too often been excluded from dance history texts. This resulting documentation of some of the work of these artists restores the significance of their work to American dance history.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"143 - 160"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47607238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
HEAT AND ALTERITY IN CONTEMPORARY DANCE: SOUTH-SOUTH CHOREOGRAPHIES by Ananya Chatterjea. 2020. London: Palgrave Macmillan. 305 pp. $89.99 hardcover. ISBN: 978-3-030-43912-8. $69.99 e-book. ISBN 978-3-030-43912-5. 当代舞蹈中的激情与激情:南苏舞蹈。2020.伦敦:1002麦克米伦。305页,精装本89.99美元。ISBN:978-3-030-43912-8$69.99电子书。ISBN 978-3-030-43912-5。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/S0149767721000280
Preethi Ramaprasad
{"title":"HEAT AND ALTERITY IN CONTEMPORARY DANCE: SOUTH-SOUTH CHOREOGRAPHIES by Ananya Chatterjea. 2020. London: Palgrave Macmillan. 305 pp. $89.99 hardcover. ISBN: 978-3-030-43912-8. $69.99 e-book. ISBN 978-3-030-43912-5.","authors":"Preethi Ramaprasad","doi":"10.1017/S0149767721000280","DOIUrl":"https://doi.org/10.1017/S0149767721000280","url":null,"abstract":"offering multiple options of what could be. This text is a valuable resource for scholars interested in analyzing pop culture. The in-depth analysis and contemporary conversations are also great for students seeking to understand better the culture they are experiencing. The discussion of pop culture and memorable events make the advanced theoretical conversations relevant and approachable. By writing Black people and their contributions into the written record, this text helps to correct the whitewashed Blackness that fuels popular culture.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"180 - 182"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47850667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Black Feminist Rumba Pedagogies 黑人女权主义伦巴教育学
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/S014976772100019X
Maya J. Berry
{"title":"Black Feminist Rumba Pedagogies","authors":"Maya J. Berry","doi":"10.1017/S014976772100019X","DOIUrl":"https://doi.org/10.1017/S014976772100019X","url":null,"abstract":"Abstract Rumba guaguancó, a sub-genre of Afro-Cuban popular dance, has been widely defined as a dance of courtship, characterized as a male pursuit of a woman's sex. The article analyzes alternative meanings of the sub-genre articulated in the pedagogical practices of black women rumba dancers. Insights were gleaned from the author's own dance training in Havana while conducting original ethnographic research between 2009 and 2018. What the author terms “a black feminist choreographic aptitude” taught by rumberas (women rumba dancers) speaks to the pointedly gendered valances of worsening racialized class inequality in contemporary Cuba. Building on Blanco Borelli's theory of “hip(g)nosis,” the article interrogates the racialized and gendered discourses historically reproduced through dominant definitions of rumba, limiting women of African descent to sexual objects. The study argues for increased critical attention to pedagogy as a hermeneutical tool, centering those subjects historically marginalized from the production of knowledge about their bodies.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"27 - 48"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45558922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Choreographing Social Change: Reflections on Dancing in Blackness 编舞社会变迁:对黑暗中舞蹈的思考
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/S0149767721000218
Halifu Osumare
{"title":"Choreographing Social Change: Reflections on Dancing in Blackness","authors":"Halifu Osumare","doi":"10.1017/S0149767721000218","DOIUrl":"https://doi.org/10.1017/S0149767721000218","url":null,"abstract":"Abstract This autoethnography explores a dance scholar's previous choreographic trajectory, positioning the author's career within the sixties and seventies Black Arts Movement for social change. I explore several iterations of my dance lecture-demonstration in particular, which was produced over two decades and three continents, demonstrating how temporal and spatial shifts affect the content and context of a choreographic work. Additionally, I explore my shift into arts producing through my national dance initiative that helped define the work of eighties Black choreographers in the postmodern dance movement. The result is a consideration of how being Black, female, and a dancer provides a particular sociohistorical lens.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"130 - 142"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44709979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 53 issue 2 Cover and Back matter DRJ第53卷第2期封面和封底
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI: 10.1017/s0149767721000334
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引用次数: 0
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