《舞蹈:美国舞蹈与历史中黑人女性的编舞》

IF 0.4 2区艺术学 0 DANCE

DANCE RESEARCH JOURNAL Pub Date : 2021-08-01 DOI:10.1017/S0149767721000140

Ariel Nereson

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引用次数: 1

摘要

本文分析了比尔·琼斯/阿尼·赞恩公司2009年的作品《我们满怀希望，我们热切祈祷》及其在美国历史和当代舞蹈实践中对黑人女性的关注。虽然该作品对国家历史的修正主义再现可以被理解为激活观众的积极分子，但本文关注的是表演对黑人女性表演者和她们的个人艺术实践和激进主义的影响，而不是黑人女性表演可能激发观众对社会正义的冲动。我将FDWH的变革潜力归因于后现代主义和感怀主义的美学结合，以及它的情色史学，我将这部作品理论化为编舞史，这是一种文化生产模式，其中运动的秩序和过去的秩序相互作用。

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Myself, Dancing: Choreographies of Black Womanhood in US Dance and History

Abstract This essay analyzes Bill T. Jones/Arnie Zane Company's 2009 work Fondly Do We Hope…Fervently Do We Pray and its centering of Black women in US American history and contemporary choreographic practices. While the work's revisionist representation of national history could be understood as activist in terms of its desire to activate the spectator, this essay centers what performance might do for Black women performers and their personal practices of artistry and activism over what impulses toward social justice Black women's performances might galvanize in their audiences. Attributing FDWH's transformative potential to its aesthetic combination of postmodernism and sentimentalism and its erotic historiography, I theorize the work as a choreohistory, a mode of cultural production wherein the ordering of movement and the ordering of the past interanimate one another.

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来源期刊

DANCE RESEARCH JOURNAL DANCE-

CiteScore

1.20

自引率

0.00%

发文量

期刊介绍： Dance Research Journal is the longest running, peer reviewed journal in its field, and has become one of the foremost international outlets for dance research scholarship. The journal carries scholarly articles, book reviews, and a list of books and journals received.