DANCE RESEARCH JOURNAL最新文献

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Ballet in Ukraine: From Uncertainty to Defiance and Independence 乌克兰芭蕾舞:从不确定到反抗和独立
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000062
A. Nikulina
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引用次数: 0
Editor's Note 编者按
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000190
Nadine George-Graves
{"title":"Editor's Note","authors":"Nadine George-Graves","doi":"10.1017/S0149767723000190","DOIUrl":"https://doi.org/10.1017/S0149767723000190","url":null,"abstract":"This issue of Dance Research Journal has us examining dance in Ukraine, Greece, Israel, the United States (by way of Australia), Germany, and the Yugoslav region. In these pages, the very definition of “Western” dance is thrown open for debate, along with many of our investments in the value of geographic, national, and classed artistic labels in dance studies. In this conversation, we will look at ballet, arguably the most “Western” dance form, differently in the context of the current war in Ukraine as one school navigates their relationship to the past while the country is in the midst of current turmoil. We will consider the argument that “the West” neglects contemporary Greece (while romanticizing ancient Greek culture as Western) thereby leaving this culture under-theorized. We’ll look at the symbolic attempt to connect a fractured Jerusalem by choreographically rising above. We’ll reconsider the choreopolitics of a post-modern African American icon. Film studies provides a means of interrogating ways of reckoning with Germany’s terrorist past through embodied conjuring. And we will look at the impact and uses of choreographic traditions of local and national belonging in a changing post-Yugoslav region. Our notions of “high art,” spectacle, and embodied identity are troubled in each essay, particularly around “Western” dance definitions of “concert” vs. “folk” dance. All of the pieces take on the ways in which broader political forces shape our senses of national belonging through dance (dance for the people, dance for the elite, and dance for the state), especially at times of profound national shifts and crisis.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43444687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 55 issue 1 Cover and Back matter DRJ第55卷第1期封面和封底
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/s0149767723000128
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引用次数: 0
Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino's Suspiria (2018) 从卢卡·瓜达格尼诺的恐怖电影类型回顾德国现代舞的历史
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000177
Wesley Lim
{"title":"Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino's Suspiria (2018)","authors":"Wesley Lim","doi":"10.1017/S0149767723000177","DOIUrl":"https://doi.org/10.1017/S0149767723000177","url":null,"abstract":"Director Luca Guadagnino's film Suspiria (2018) depicts the dancer Susie Bannion joining a dance academy secretly run by a coven of witches in Berlin during the German Autumn of 1977. This article analyzes how Mary Wigman's Hexentanz II, contemporary dance, and horror film practices inform Susie's neo-expressionist movement form, which is also steeped in the discourse surrounding the RAF (Red Army Faction), the West German far-left militant organization, and fascism. I argue that “historical breathing”—breaths and sighs—takes on a sensorial mode by surveying the past and current situation of the dance school. By inhaling, Susie embodies the dance Volk (1948) and can feel its vexed choreographic history—its occult origins and Ausdruckstanz practices. Furthermore, her dance futilely attempts to comes to terms with the Nazi past but inevitably replicates the violence of the RAF.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41526205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editors' Note 编者注
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/s0149767700008317
Svetlana Suveica, Jill Massino
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引用次数: 0
DANCE AND THE CORPOREAL UNCANNY: PHILOSOPHY IN MOTION by Philipa Rothfield. 2021. Abingdon, UK: Routledge. 264 pp., 18 photos. $202.60 hardcover, ISBN: 9780367508425. $62.39 paper, ISBN: 9780367508449. $55.19 e-book, ISBN: 9781003051610. 《舞蹈与不可思议的肉体:运动中的哲学》,作者:菲利普·罗斯菲尔德,2021。阿宾顿,英国:劳特利奇出版社,264页,18张照片。202.60美元精装本,ISBN: 9780367508425。62.39美元纸质版,ISBN: 9780367508449。电子书55.19美元,ISBN: 9781003051610。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000074
Carol Brown
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引用次数: 3
Choreography as Ideology: Dance Heritage, Performance Politics, and the Former Yugoslavia 作为意识形态的编舞:舞蹈传承、表演政治与前南斯拉夫
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000013
Filip Petkovski
{"title":"Choreography as Ideology: Dance Heritage, Performance Politics, and the Former Yugoslavia","authors":"Filip Petkovski","doi":"10.1017/S0149767723000013","DOIUrl":"https://doi.org/10.1017/S0149767723000013","url":null,"abstract":"In this article I discuss the process of choreographing “traditional” and “folk” dances in the former Yugoslavia, aligned with Yugoslav socialist ideologies that glorified the collective cultural authorship of the people, which allowed for these dances to adopt a new dimension as they took the form of a choreographed spectacle. I explain how Yugoslav choreographers utilized archival research to create a repertoire of choreographic representations of Yugoslav identity in constructing what I theorize as heritage choreography. Reflecting on how ideology moved the collective body of the Yugoslav people through choreographed works deemed as heritage, I broaden the understanding of choreographing that differs from Western concert dance practices. Furthermore, I provide alternative examples of dance making that are rooted in local understandings of spectacle, thereby enriching the conversation about what the act of choreographing entails.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42325294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
INFINITE REPERTOIRE: ON DANCE AND URBAN POSSIBILITY IN POSTSOCIALIST GUINEA by Adrienne J. Cohen. 2021. Chicago: University of Chicago Press. 216 pp., 42 illustrations. $105.00 hardcover, ISBN: 9780226762845. $35.00 paper, ISBN: 9780226781020. $34.99 PDF, ISBN: 978022678167 《无限曲目:后社会主义几内亚的舞蹈与城市可能性》,艾德丽安·j·科恩著,2021。芝加哥:芝加哥大学出版社,216页,42幅插图。$105.00精装本,ISBN: 9780226762845。35美元纸质版,ISBN: 9780226781020。34.99美元pdf, isbn: 978022678167
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000098
D. Ross
{"title":"INFINITE REPERTOIRE: ON DANCE AND URBAN POSSIBILITY IN POSTSOCIALIST GUINEA by Adrienne J. Cohen. 2021. Chicago: University of Chicago Press. 216 pp., 42 illustrations. $105.00 hardcover, ISBN: 9780226762845. $35.00 paper, ISBN: 9780226781020. $34.99 PDF, ISBN: 978022678167","authors":"D. Ross","doi":"10.1017/S0149767723000098","DOIUrl":"https://doi.org/10.1017/S0149767723000098","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44990749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Antonia Mercé “La Argentina” in the Philippines: Spanish Dance and Colonial Gesture 菲律宾的“阿根廷”:西班牙舞蹈和殖民姿态
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S014976772200033X
Idoia Murga Castro
{"title":"Antonia Mercé “La Argentina” in the Philippines: Spanish Dance and Colonial Gesture","authors":"Idoia Murga Castro","doi":"10.1017/S014976772200033X","DOIUrl":"https://doi.org/10.1017/S014976772200033X","url":null,"abstract":"This article examines Antonia Mercé La Argentina's stay in Manila in 1929 and the creation of her solo La Cariñosa as a case study to analyze the place of Spanish dance as both colonizing and colonized on the basis of the cultural legacies since Romanticism, when Spanish dance was an exoticized and racialized “Other dance” in relation to the canon and hierarchies of Western dance. La Argentina's supposed homage to the Filipino people in the creation of a solo that stylized their national dance performed for Western audiences continued the exercise of colonial power. The result of those processes of appropriation would be the creation of a repertoire of “Hispanic essences” of that constructed postcolonial “community”; a catalogue equivalent to the rock-hard monumentality of a Hispanidad—the commemoration through Columbus statues and colonial architecture—now celebrated from the body, its performativity, its symbolism, and its gesture.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46456133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 54 issue 3 Cover and Back matter DRJ第54卷第3期封面和封底
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/s0149767722000407
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引用次数: 0
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