发布求助
文献互助 智能选刊 最新文献

DANCE RESEARCH JOURNAL最新文献

筛选
英文 中文
Averting the Gaze: Censoring Women’s Zar Dance Performances on Kuwaiti Television 回避的目光：审查妇女Zar舞蹈表演在科威特电视
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-09-02 DOI: 10.1017/s0149767724000214
Najat Alsheridah
{"title":"Averting the Gaze: Censoring Women’s Zar Dance Performances on Kuwaiti Television","authors":"Najat Alsheridah","doi":"10.1017/s0149767724000214","DOIUrl":"https://doi.org/10.1017/s0149767724000214","url":null,"abstract":"<p>In Kuwait, women are prohibited from dancing in public; however, dancing in private spaces is allowed. As a result of government censorship, socio-cultural values, and commercial marketability examples of women dancing in Kuwaiti film and television are exceedingly rare. However, recently, Manaf Abdal’s steaming television series <span>Mohammed Ali Road</span> (2020) included representations of Kuwaiti women performing a zar dance. Although the scene was shown in other countries throughout the Middle East and North Africa (MENA) region, the scene was censored by the Kuwaiti Ministry of Information. Following the censorship of the zar dance featured in <span>Mohammed Ali Road</span>, the actress, Hessa Al-Nabhan, who performed the dance, noted that while she respected the decision to censor the scene, she felt that the dance “has nothing to do with ethics or moral issues” (in Alelah 2020). Her father, a well-established Kuwaiti actor, Jassim Al-Nabhan, publicly expressed that the decision to censor the zar dance scene in <span>Mohammed Ali Road</span> was “a disappointment” and stated that, “not showing [the dance] means that we are not showing the historical events accordingly with credibility. It’s a scratch for the history” (Al-Marsd News 2020).</p>","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"23 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144928213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crossover and Commercial Dance: Race, Class and Capitalism on The Jacksons Variety Show 跨界和商业舞蹈：杰克逊综艺节目中的种族、阶级和资本主义
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-02-07 DOI: 10.1017/s0149767724000068
Elizabeth June Bergman
{"title":"Crossover and Commercial Dance: Race, Class and Capitalism on The Jacksons Variety Show","authors":"Elizabeth June Bergman","doi":"10.1017/s0149767724000068","DOIUrl":"https://doi.org/10.1017/s0149767724000068","url":null,"abstract":"<p>This article argues that “crossover”– a recording artist's movement across the racialized boundaries of commercial music genres and the attainment of a broader consumer base– is central to the history and production logic of the U.S. commercial dance industry. By framing the televised variety show <span>The Jacksons</span> (1976–1977) as a formative production experience for Michael and Janet Jackson and situating it within a genealogy of popular dance on commercial television, I examine how racial and class signifiers were used to appeal to different demographics, highlighting the historical lineages and capitalist foundations of the U.S. commercial dance industry.</p>","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"14 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143258468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contemporary Dance on Native Land: Indigenous Solidarity in the Choreography of Ananya Dance Theatre 乡土上的当代舞蹈：阿南亚舞蹈剧院编舞中的土著团结
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-02-07 DOI: 10.1017/s014976772400007x
Alessandra Lebea Williams
{"title":"Contemporary Dance on Native Land: Indigenous Solidarity in the Choreography of Ananya Dance Theatre","authors":"Alessandra Lebea Williams","doi":"10.1017/s014976772400007x","DOIUrl":"https://doi.org/10.1017/s014976772400007x","url":null,"abstract":"<p>Ananya Dance Theatre generates a framework for “contemporary dance” as choreography which enacts its solidarity with the land of Native peoples. Artistic director Ananya Chatterjea mobilizes her contemporary aesthetic, “Yorchhā,” through the company's alliance with Indigenous peoples’ worldviews on land and water protection, especially through their relations with Dakota and Anishinaabe persons. Dance analysis of the pieces “Moreechika: Season of Mirage” (2012), “Shaatranga: Women Weaving Worlds” (2018), and “Shyamali: Sprouting Words” (2017) shapes contemporary dance through its engagement with Native persons’ caretaking labor for the environment and the position of these relations in the choreography. A practice of humility emerges as the cornerstone of solidarity in contemporary dance due to the necessity for longstanding Native invitation and engagement, Indigenous narratives and embodiment in the dance pieces, and lessons learned from the pitfalls in intersecting techniques such as Ananya Dance Theatre's with Native people's lifeways and knowledges.</p>","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"16 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143258424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Choreographing Deportation in David Herrera's TOUCH 在大卫·埃雷拉的《触碰》中编排驱逐出境
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-02-07 DOI: 10.1017/s0149767724000123
Juan Manuel Aldape Muñoz
{"title":"Choreographing Deportation in David Herrera's TOUCH","authors":"Juan Manuel Aldape Muñoz","doi":"10.1017/s0149767724000123","DOIUrl":"https://doi.org/10.1017/s0149767724000123","url":null,"abstract":"<p>Deportations and the threat of removal are choreographic strategies of the nation-state's ever-growing monopoly of movement through border securitization and immigration enforcement, which persists into the twenty-first century. While literature and the visual arts have received critical and popular attention by considering forced family separations, dance remains overlooked. Analyzing dance performances that relate directly to deportation teaches us not only about the painful impact of forced removal: it instructs us to decode, move and maintain relationships as aliens and citizens amid the increasing control of motion in the United States and the cruel joke offered by a nation of immigrants.</p>","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"163 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143258351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuban-style Salsa: Intersections of Tourism-led Entrepreneurship and Dancing Personal Development 古巴式萨尔萨舞：以旅游业为主导的创业与舞蹈个人发展的交叉点
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-02-07 DOI: 10.1017/s0149767724000019
Ruxandra Ana
{"title":"Cuban-style Salsa: Intersections of Tourism-led Entrepreneurship and Dancing Personal Development","authors":"Ruxandra Ana","doi":"10.1017/s0149767724000019","DOIUrl":"https://doi.org/10.1017/s0149767724000019","url":null,"abstract":"<p>This article is an anthropological exploration of the role of dance in tourism-led entrepreneurship and tourism-led mobilities in Cuba. Based on ethnographic research and employing an autoethnographic lens, the article examines the imaginaries and gendered performances of Cubanness that play out in touristic settings as part of dance trips organized on the island for international tourists. Women are the main target audience for these dance programs, which oftentimes reveal the reproduction of racial stereotypes that contributed to the growing popularity of Cuba as a tourist destination. Dance teachers come to establish a broad spectrum of relations that are influenced by inequalities of resources and unequal access to mobility, since it is the (usually) white European and North American dancing tourists who take up space as central dancing figures, co-creating the cultural script that fetishizes Cuban Black bodies, especially in settings such as salsa schools or popular dance venues.</p>","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"79 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143258423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
KNOWING AS MOVING: PERCEPTION, MEMORY, PLACE by Susan Leigh Foster. 2025. Durham and London: Duke University Press. 176 pp. $23.95. Paper ISBN: 978-1-4780-3214-4 / Hardcover ISBN: 978-1-4780-2890-1 / eISBN: 978-1-4780-6110-6. DOI: https://doi.org/10.1215/9781478061106 《移动的认知：感知、记忆、地点》，苏珊·利·福斯特著，2025年。达勒姆和伦敦：杜克大学出版社，176页，23.95美元。纸质ISBN: 978-1-4780-3214-4 /精装ISBN: 978-1-4780-2890-1 / eISBN: 978-1-4780-6110-6。DOI: https://doi.org/10.1215/9781478061106
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-01-01 DOI: 10.1017/s0149767726100989
Rachel Fensham
{"title":"KNOWING AS MOVING: PERCEPTION, MEMORY, PLACE by Susan Leigh Foster. 2025. Durham and London: Duke University Press. 176 pp. $23.95. Paper ISBN: 978-1-4780-3214-4 / Hardcover ISBN: 978-1-4780-2890-1 / eISBN: 978-1-4780-6110-6. DOI: https://doi.org/10.1215/9781478061106","authors":"Rachel Fensham","doi":"10.1017/s0149767726100989","DOIUrl":"https://doi.org/10.1017/s0149767726100989","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"5 1","pages":"274-277"},"PeriodicalIF":0.6,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149281629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DANCING ON THE FAULT LINES OF HISTORY: SELECTED ESSAYS by Susan Manning. 2025. Ann Arbor: University of Michigan Press. 332 pp., 30 illustrations. $39.95 paper. ISBN: 9780472054374 (print). ISBN: 9780472074372 (hardback). ISBN: 9780472904846 (open access). 《在历史的断层线上跳舞：苏珊·曼宁文集选集》，2025年出版。安娜堡：密歇根大学出版社，332页，30幅插图。39.95美元。ISBN: 9780472054374（印刷）。ISBN: 9780472074372（精装本）。ISBN: 9780472904846（开放获取）。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-01-01 DOI: 10.1017/s0149767726100965
Doria E. Charlson
{"title":"DANCING ON THE FAULT LINES OF HISTORY: SELECTED ESSAYS by Susan Manning. 2025. Ann Arbor: University of Michigan Press. 332 pp., 30 illustrations. $39.95 paper. ISBN: 9780472054374 (print). ISBN: 9780472074372 (hardback). ISBN: 9780472904846 (open access).","authors":"Doria E. Charlson","doi":"10.1017/s0149767726100965","DOIUrl":"https://doi.org/10.1017/s0149767726100965","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"8 1","pages":"271-273"},"PeriodicalIF":0.6,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149281628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editor’s Note 编辑器’的注意,
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-01-01 DOI: 10.1017/s0149767726101028
{"title":"Editor’s Note","authors":"","doi":"10.1017/s0149767726101028","DOIUrl":"https://doi.org/10.1017/s0149767726101028","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"17 1","pages":"220-221"},"PeriodicalIF":0.6,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149281685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 57 issue 3 Cover DRJ第57卷第3期封面
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-01-01 DOI: 10.1017/s0149767726101016
{"title":"DRJ volume 57 issue 3 Cover","authors":"","doi":"10.1017/s0149767726101016","DOIUrl":"https://doi.org/10.1017/s0149767726101016","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"16 1","pages":"f1-f1"},"PeriodicalIF":0.6,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149281627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spectacular Suffering: Holocaust Representation in Competition Dance – CORRIGENDUM 壮观的苦难：大屠杀在比赛舞蹈中的表现-勘误表
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2025-01-01 DOI: 10.1017/s0149767726101004
{"title":"Spectacular Suffering: Holocaust Representation in Competition Dance – CORRIGENDUM","authors":"","doi":"10.1017/s0149767726101004","DOIUrl":"https://doi.org/10.1017/s0149767726101004","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"15 1","pages":"279-279"},"PeriodicalIF":0.6,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149281626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书