Contemporary Music Review最新文献_第4页

Notes on the Stage Music of Jorge Peixinho: Contributions Towards a Dialogue Between Theatre and Music 裴新浩舞台音乐笔记:对戏剧与音乐对话的贡献

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-09-01 DOI: 10.1080/07494467.2023.2246315

Francisco Pessanha de Meneses

引用次数: 2

The Piano in the Portuguese Experimental Music Scene: Approaches, Contexts, and Practices 钢琴在葡萄牙实验音乐场景:方法，背景和实践

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-08-12 DOI: 10.1080/07494467.2023.2243101

Alfonso Benetti, Francisco Monteiro

{"title":"The Piano in the Portuguese Experimental Music Scene: Approaches, Contexts, and Practices","authors":"Alfonso Benetti, Francisco Monteiro","doi":"10.1080/07494467.2023.2243101","DOIUrl":"https://doi.org/10.1080/07494467.2023.2243101","url":null,"abstract":"ABSTRACT In Portugal, the avant-garde experimental approaches of the 1960s were fruitful for the emancipation of the sound potential of musical instruments and non-instruments. Since then, prepared techniques—the use of objects as sound producers, or in the context of extended techniques, electronics, and other processes of sound engagement—brought along the potential for rethinking and reformulating the piano and relationships between musical bodies. These prepared (extended) techniques were then acculturated, integrated, and somehow accommodated as a new normalisation, becoming in certain musical spheres the ‘new normal’. Connected to these approaches, new perspectives on experimentation with regard to the piano seem to be taking shape in Portugal, encompassing significant aesthetic, creative, and technical differences from the previous experimental vanguards. This study addresses the piano as a disruptive element in the current Portuguese experimental context, with regard to approaches, contexts, and practices. These disruptions are marked by an association with digital media resources, innovative performative perspectives, and the creation of different aesthetic outputs. However, this is an unconventional disruption—not a disruption related to the past, but an occasional disruption with the past. The objectives of the present study are to identify how the piano is treated by past experimentalists and as a contemporary technological artefact—including influences, techniques, languages, writing/recording materials, and the role of the performer—verifying the impact of its production, new conceptual transmutations, mapping composers and representative works, repertoires and formations, and the different roles assumed by the instrument.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48714906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Meticulous Irreverence of José Lopes e Silva: Some Comments on Two Staged Works 约瑟夫·洛佩斯·席尔瓦的一丝不苟的不敬——评两部舞台作品

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-08-12 DOI: 10.1080/07494467.2023.2239681

Isabel Pires

{"title":"The Meticulous Irreverence of José Lopes e Silva: Some Comments on Two Staged Works","authors":"Isabel Pires","doi":"10.1080/07494467.2023.2239681","DOIUrl":"https://doi.org/10.1080/07494467.2023.2239681","url":null,"abstract":"ABSTRACT This paper aims to highlight the originality and irreverence of José Lopes e Silva’s (1937–2019) music theatre works. Lopes e Silva was an exceptionally talented guitarist and an extremely inventive composer. However, while his work as a guitarist has received wide international recognition, his work as a composer has been largely overlooked and seems to be somewhat forgotten. Drawing on documents from the Lopes e Silva collection, we will discuss some of his compositional practices by focusing on two of his music theatre works, No Jardim das Delícias (1991–92) and Canticum Joviale (1993). These works belong to a trilogy inspired by a Hieronymus Bosch triptych. The first work, Tentações (1990), appears to be lost. We will examine in particular Lopes e Silva’s complex compositional strategies for articulating the various elements of these music theatre works. These elements include an electroacoustic layer that works as a general script, and to which everything is related (instrumental music, choreography, lighting, and so on); texts (poetry and prose) written by Lopes e Silva himself; different types of music reservoirs; meticulous instructions for improvisation; detailed schemes for dancing and acting; graphic scripts and scores.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45444134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Practices and Educational Affordances of Sound in the Postcolonial Hong Kong Protests 后殖民香港抗议活动中声音的实践与教育启示

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-08-04 DOI: 10.1080/07494467.2023.2241236

Lee-Ching Cheng, I. Mcgregor

引用次数: 0

Soviet Sounds, Communist Pedagogy: Lessons for Today’s Musicians, Organisers, Educators 苏联的声音，共产主义的教育学：给今天的音乐家、组织者和教育家的教训

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-08-02 DOI: 10.1080/07494467.2023.2238157

Noah Leininger

引用次数: 0

Miguel and Paula Azguime and the New Op-Era 米格尔和宝拉·阿兹吉梅和新op时代

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-08-01 DOI: 10.1080/07494467.2023.2234182

Andreia Nogueira

引用次数: 0

Deine Zauber binden wieder, was die Mode streng geteilt … Conducting Beethoven’s Ninth as a Case of Public Music Education 指挥贝多芬的第九交响曲——以公共音乐教育为例

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-04-17 DOI: 10.1080/07494467.2023.2196649

Wiebe Koopal, Thomas De Baets, J. Vlieghe

引用次数: 0

Reading Queer Continuums in Gymnopédie No. 3: A Conversation with Satie, and Cage, and Me (and You) 阅读《体操运动员》中的酷儿连续体第3期:与萨蒂、凯奇和我(还有你)的对话

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-02-16 DOI: 10.1080/07494467.2023.2165766

Simone Sparks

引用次数: 0

Problem as Possibility: A Dialogue about Performance and Analysis with Lucia Dlugoszewski’s Experimental Notation as Case Study 作为可能性的问题：关于表现与分析的对话——以Lucia Dlugoszewski的实验符号为例

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-01-02 DOI: 10.1080/07494467.2023.2193090

K. Doyle, Agnese Toniutti

{"title":"Problem as Possibility: A Dialogue about Performance and Analysis with Lucia Dlugoszewski’s Experimental Notation as Case Study","authors":"K. Doyle, Agnese Toniutti","doi":"10.1080/07494467.2023.2193090","DOIUrl":"https://doi.org/10.1080/07494467.2023.2193090","url":null,"abstract":"ABSTRACT The musical score can be a site for dynamic exchange between performance and analysis, a place for conversation about material and meaning. As is typical in conversation, conundrums or disagreements generate new ideas and new forms; problems become possibilities. Such is the case in navigating the scores of Lucia Dlugoszewski, who sought radical ways to produce and notate sound forms from around 1950 until her death in 2000. This article is not intended to serve as a survey of Dlugoszewski’s work but to document an exploration of the role that dialogue plays when performing and analysing musical repertoires. Its two authors will perform an excerpt of an ongoing dialogue about the challenges of navigating Dlugoszewski’s innovative scores. A circularity emerges as every potential solution is performed, evaluated, and questioned anew; through this cycle, analysis and performance become a unified, continual process. A thesis emerges from the dialogue: Dlugoszewski’s scores are a documentation of logic that is not present as much as one that is, a kind of notation in reverse, an ideal realised through performance at the edge of practical execution.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"42 1","pages":"100 - 113"},"PeriodicalIF":0.4,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43376635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performing Corporate Culture: Analysing Meta-Narratives and Online Interactivity Through Quigital 表演企业文化：通过Quidigital分析元叙事和在线互动

IF 0.4 2区艺术学

Contemporary Music Review Pub Date : 2023-01-02 DOI: 10.1080/07494467.2023.2228601

Eliot Britton, David Arbez, P. Hart, Kevin McPhillips

{"title":"Performing Corporate Culture: Analysing Meta-Narratives and Online Interactivity Through Quigital","authors":"Eliot Britton, David Arbez, P. Hart, Kevin McPhillips","doi":"10.1080/07494467.2023.2228601","DOIUrl":"https://doi.org/10.1080/07494467.2023.2228601","url":null,"abstract":"ABSTRACT Home Comfort Advisor is a collaborative composition for online choir, presented by the fictional corporation ‘Quigital’. This paper details the work's co-opting of corporate aesthetics, analysis, productivity, design strategies and their implications in musical language, collaboration, performer agency and audience reception. The resulting choir performance masquerades as an interactive online product launch, making unconventional analytical demands on individual choir members as singers, community members, distributed decision makers and content creators. To manage the logistical challenges presented by an interdisciplinary collaboration featuring 70 agents and a creative development team, linear approaches to composition were replaced by a modified iterative design loop. (Collaborative creation analysis (re)-interpretation interactive audience engagement: repeat/deploy:). More specifically, this paper examines emergent materials, structures and processes used to amplify collaboration. Home Comfort Advisor's deeply embedded corporate aesthetic and technological infrastructure reveals novel interactions between the score, text, code, design assets, analysist and performer. An analysis of the non-linear, collaborative relationships provides a model for creating similar data-driven, interdisciplinary collaborations. Quigital's manipulation of a mutually understood code hidden in plain sight approaches what Limor Shifman refers to as hypersignification. This cultivation of technologically amplified, collaborative metanarrative lies at the heart of Quigital's success and its ability to be both approachable, subversive and deeply disturbing.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"42 1","pages":"22 - 46"},"PeriodicalIF":0.4,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49553366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0