{"title":"裴新浩舞台音乐笔记:对戏剧与音乐对话的贡献","authors":"Francisco Pessanha de Meneses","doi":"10.1080/07494467.2023.2246315","DOIUrl":null,"url":null,"abstract":"ABSTRACT Jorge Peixinho (1940–1995) was one of the most significant Portuguese composers of the second half of the twentieth century. His work encompasses several genres but focuses, in particular, on avant-garde chamber music. Between 1964 and 1993, Peixinho collaborated with several theatre directors, composing music for their productions, as well as writing music for other genres such as performance art, ‘happenings’, and some of the most innovative mixed-media experiments in Portugal at the time. During this period, avant-garde theatre and music were two worlds that were mutually unaware of each other. Avant-garde theatrical productions sought to be in line with what was happening in Europe, but the musical accompaniment was neglected, just as it was in opera. In the Portuguese context, Jorge Peixinho’s contribution sought to fill this gap. This article seeks to contextualise Jorge Peixinho’s stage work and to compile a list of the shows for which the composer wrote music.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Notes on the Stage Music of Jorge Peixinho: Contributions Towards a Dialogue Between Theatre and Music\",\"authors\":\"Francisco Pessanha de Meneses\",\"doi\":\"10.1080/07494467.2023.2246315\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Jorge Peixinho (1940–1995) was one of the most significant Portuguese composers of the second half of the twentieth century. His work encompasses several genres but focuses, in particular, on avant-garde chamber music. Between 1964 and 1993, Peixinho collaborated with several theatre directors, composing music for their productions, as well as writing music for other genres such as performance art, ‘happenings’, and some of the most innovative mixed-media experiments in Portugal at the time. During this period, avant-garde theatre and music were two worlds that were mutually unaware of each other. Avant-garde theatrical productions sought to be in line with what was happening in Europe, but the musical accompaniment was neglected, just as it was in opera. In the Portuguese context, Jorge Peixinho’s contribution sought to fill this gap. This article seeks to contextualise Jorge Peixinho’s stage work and to compile a list of the shows for which the composer wrote music.\",\"PeriodicalId\":44746,\"journal\":{\"name\":\"Contemporary Music Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/07494467.2023.2246315\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2023.2246315","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Notes on the Stage Music of Jorge Peixinho: Contributions Towards a Dialogue Between Theatre and Music
ABSTRACT Jorge Peixinho (1940–1995) was one of the most significant Portuguese composers of the second half of the twentieth century. His work encompasses several genres but focuses, in particular, on avant-garde chamber music. Between 1964 and 1993, Peixinho collaborated with several theatre directors, composing music for their productions, as well as writing music for other genres such as performance art, ‘happenings’, and some of the most innovative mixed-media experiments in Portugal at the time. During this period, avant-garde theatre and music were two worlds that were mutually unaware of each other. Avant-garde theatrical productions sought to be in line with what was happening in Europe, but the musical accompaniment was neglected, just as it was in opera. In the Portuguese context, Jorge Peixinho’s contribution sought to fill this gap. This article seeks to contextualise Jorge Peixinho’s stage work and to compile a list of the shows for which the composer wrote music.
期刊介绍:
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.