{"title":"New Music Activity in Yogyakarta, Indonesia 2000–2020 (History and Network)","authors":"Erie Setiawan","doi":"10.1080/07494467.2024.2391151","DOIUrl":"https://doi.org/10.1080/07494467.2024.2391151","url":null,"abstract":"In the last two decades (2000–2020), new music activity in Yogyakarta has grown rapidly, due to the emergence of various creative forums/spaces that have accommodated the works of composers. The em...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"16 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142180136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Voicing Papua: The Resonance of Rituals","authors":"Nyak Ina Raseuki","doi":"10.1080/07494467.2024.2391157","DOIUrl":"https://doi.org/10.1080/07494467.2024.2391157","url":null,"abstract":"Indonesia’s new music, alive in some parts of the archipelago from Sumatra in the west to Papua in the east, can be seen as a musical expression, both in verbal and abstract sound form, resulting f...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"59 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142180137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Radiant Exterior: Lionel Marchetti performing Éliane Radigue","authors":"Lionel Marchetti, Cat Hope, Charlotte Mackay","doi":"10.1080/07494467.2024.2348273","DOIUrl":"https://doi.org/10.1080/07494467.2024.2348273","url":null,"abstract":"Musique concrète composer Lionel Marchetti is the principal artist diffusing the electronic works of Éliane Radigue in concert settings. Based in Lyon, France, Marchetti has delivered Radigue’s mus...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"70 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141255936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Radiguian Explorations","authors":"François J. Bonnet (translated by Robin Mackay)","doi":"10.1080/07494467.2024.2348270","DOIUrl":"https://doi.org/10.1080/07494467.2024.2348270","url":null,"abstract":"In this text, I explore aspects of Éliane Radigue’s electronic works. Based on long standing exchanges and collaboration with Radigue herself, and 20 years of experience and involvement in the fiel...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"159 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140935022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique","authors":"Daniel Silliman","doi":"10.1080/07494467.2024.2348272","DOIUrl":"https://doi.org/10.1080/07494467.2024.2348272","url":null,"abstract":"This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"221 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140935434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Translating Silence: OCCAM X as a Radical Act of Catastrophe","authors":"Nate Wooley","doi":"10.1080/07494467.2024.2348275","DOIUrl":"https://doi.org/10.1080/07494467.2024.2348275","url":null,"abstract":"Using Anne Carson’s concepts of ‘cliché’, ‘catastrophe’, ‘silence’, and ‘translation’ as a framework, I will trace the ways in which my collaboration with Éliane Radigue on her composition OCCAM X ...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"31 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140935026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Statement of Retraction: “A Diptych of Eidetic Imagery and an Acoustic Essay on Time: The Road to Damascus and The First Eastern Dream”, by Ivana Stefanovic","authors":"","doi":"10.1080/07494467.2024.2331927","DOIUrl":"https://doi.org/10.1080/07494467.2024.2331927","url":null,"abstract":"Published in Contemporary Music Review (Ahead of Print, 2024)","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"2 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140577654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Old Police House (TOPH): Treatise","authors":"Mariam Rezaei, Adam Denton","doi":"10.1080/07494467.2023.2300022","DOIUrl":"https://doi.org/10.1080/07494467.2023.2300022","url":null,"abstract":"In the thick of austerity, small arts communities are tested to the brink. The Arts in the North of England had been hit with staggered funding cuts, almost halving resources available from arts fu...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"13 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139589592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Difficult Women: Joyce, Burns, and the Radical Passivity of Listening","authors":"Shantam Goyal","doi":"10.1080/07494467.2024.2302274","DOIUrl":"https://doi.org/10.1080/07494467.2024.2302274","url":null,"abstract":"Literary texts often considered difficult or challenging present formidable hindrances to literature classrooms founded on ideas of mastery and understanding. This mastery is facilitated through th...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"61 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139459531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Liberation upon Hearing in the Intermediate State","authors":"Lorena Muñoz-Alonso","doi":"10.1080/07494467.2023.2295635","DOIUrl":"https://doi.org/10.1080/07494467.2023.2295635","url":null,"abstract":"‘On the Liberation upon Hearing in the Intermediate State’ is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her composition Kyema was played at St. Ste...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"5 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139374137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}