{"title":"Improvising Myth and Memory Downtown: Music Venues, Race, and the Potential of Place","authors":"Amanda Scherbenske","doi":"10.1080/07494467.2023.2283274","DOIUrl":"https://doi.org/10.1080/07494467.2023.2283274","url":null,"abstract":"In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Cyborg Hand: Gesture, Technology, Disability and Interdisciplinarity in Whatever Weighs You Down","authors":"Zubin Kanga","doi":"10.1080/07494467.2023.2279357","DOIUrl":"https://doi.org/10.1080/07494467.2023.2279357","url":null,"abstract":"This article examines the collaborative genesis of a new work for solo performer co-composed by Neil Luck and the author, Whatever Weighs You Down (2022), with a focus on the use of MiMU sensor glo...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"108 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Making it Work: Music and Contemporary Art Spaces, Post-2008","authors":"","doi":"10.1080/07494467.2023.2283819","DOIUrl":"https://doi.org/10.1080/07494467.2023.2283819","url":null,"abstract":"Published in Contemporary Music Review (Ahead of Print, 2023)","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"19 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138561144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Participants, Punters or Perverts? An (Expanded) Relational Understanding of Simon Waters’ Performance Ecosystem","authors":"Jack Walker","doi":"10.1080/07494467.2023.2283680","DOIUrl":"https://doi.org/10.1080/07494467.2023.2283680","url":null,"abstract":"This paper examines an overlap between Simon Waters’ theory of the ‘performance ecosystem’ and Nicolas Bourriaud's ‘relational aesthetics’. Grounded on Tom Davis's prior synthesis of the two ideas,...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"3 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138561422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Approaches for Working with the Body in the Design of Electronic Music Performance Systems","authors":"Jenn Kirby","doi":"10.1080/07494467.2023.2277564","DOIUrl":"https://doi.org/10.1080/07494467.2023.2277564","url":null,"abstract":"This article outlines a body-centred focus in the design of performance systems for electronic music. Through a movement-led design process, I discuss the interaction of the body, controllers, data...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"7 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chaos Bells: Instrument Size and Entangled Music Performance","authors":"Lia Mice, Andrew P. McPherson","doi":"10.1080/07494467.2023.2277556","DOIUrl":"https://doi.org/10.1080/07494467.2023.2277556","url":null,"abstract":"There is a current trend in the instrument design industry of scaling down physical dimensions, resulting in smaller and smaller ‘desktop’ instruments, but research conducted with large interfaces ...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"16 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138561138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"DIY Music and Contemporary Art Spaces: Centre for Contemporary Arts, Transmission and the Art-Music Nexus in Glasgow","authors":"Evangelos Chrysagis","doi":"10.1080/07494467.2023.2283821","DOIUrl":"https://doi.org/10.1080/07494467.2023.2283821","url":null,"abstract":"This article examines the relationship between contemporary art spaces and ‘Do-It-Yourself’ (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art practi...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"57 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138538537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘It’s Basically the Same Practice to Organise an Exhibition of Work as it is to Put on a Gig’: Music and Art Sharing DIY Spaces in Scotland","authors":"Timothea Armour","doi":"10.1080/07494467.2023.2283273","DOIUrl":"https://doi.org/10.1080/07494467.2023.2283273","url":null,"abstract":"In Scotland, experimental and non-commercial art and music practices have long shared physical space, with a great deal of crossover between who is making visual art and music, as well as fluidity ...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"52 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Conversation with Jennifer Walshe: Performing with Intelligent Machines","authors":"Mark Dyer, Zubin Kanga, Jennifer Walshe","doi":"10.1080/07494467.2023.2276563","DOIUrl":"https://doi.org/10.1080/07494467.2023.2276563","url":null,"abstract":"In this interview, composer, performer and improviser Jennifer Walshe talks with Mark Dyer and Zubin Kanga about her work performing with machine learning algorithms and other intelligent machines....","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"17 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138538533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Role of Smart, Haptic Wearables in the Performance of Mensura","authors":"Mark Dyer","doi":"10.1080/07494467.2023.2279799","DOIUrl":"https://doi.org/10.1080/07494467.2023.2279799","url":null,"abstract":"This article introduces the concept of ‘wearing-in-performance’, the phenomenon of using digital, wearable technologies in musical performance. The research uses ethnographic methods, analysing int...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"209 ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138505387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}