参与者、观众还是变态？西蒙-沃特斯表演生态系统的（扩展）关系理解

IF 0.3 2区艺术学 0 MUSIC

Contemporary Music Review Pub Date : 2023-12-04 DOI:10.1080/07494467.2023.2283680

Jack Walker

引用次数: 0

摘要

本文探讨了西蒙-沃特斯（Simon Waters）的 "表演生态系统 "理论与尼古拉斯-布里亚德（Nicolas Bourriaud）的 "关系美学 "之间的重叠之处。在汤姆-戴维斯（Tom Davis）先前对这两种观点进行综合的基础上，本文探讨了西蒙-沃特斯的 "表演生态系统 "理论与尼古拉斯-布里亚德的 "关系美学 "之间的重叠。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Participants, Punters or Perverts? An (Expanded) Relational Understanding of Simon Waters’ Performance Ecosystem

This paper examines an overlap between Simon Waters’ theory of the ‘performance ecosystem’ and Nicolas Bourriaud's ‘relational aesthetics’. Grounded on Tom Davis's prior synthesis of the two ideas,...

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.