Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique

IF 0.3 2区艺术学 0 MUSIC

Contemporary Music Review Pub Date : 2024-05-07 DOI:10.1080/07494467.2024.2348272

Daniel Silliman

引用次数: 0

Abstract

This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...

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存在与缺失：关于 Éliane Radigue 的 ARP 2500 合成器技术的笔记

这篇文章探讨了 Éliane Radigue 使用 ARP 2500 模块化合成器工作的各个方面，分析了草图、录音和有关其乐器的技术信息。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.