{"title":"Miguel and Paula Azguime and the New Op-Era","authors":"Andreia Nogueira","doi":"10.1080/07494467.2023.2234182","DOIUrl":null,"url":null,"abstract":"ABSTRACT Miguel and Paula Azguime are prominent figures in the contemporary art realm with a significant track record of interconnecting sound, text, poetry, movement, video, and live electronics. Together, they founded a new concept/project entitled New Op-Era that introduced a multimedia and creative collaboration in which the music and text of Miguel Azguime coexist with the staging and video composition of Paula Azguime in a truly symbiotic and innovative format. This paper examines whether the New Op-Era concept constitutes a new form of music theatre by reflecting upon the multimedia and electroacoustic opera Salt Itinerary created by Miguel and Paula Azguime between 1999 and 2006. This one-hour-long piece combines live audio and video processing along with an artistic, vocal, and theatrical performance by the composer himself to produce an extraordinary visual and sound experience that transcends traditional artistic conventions and crosses the boundaries prevailing between music, theatre, opera, performance, new media art, and sound poetry.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2023.2234182","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Miguel and Paula Azguime are prominent figures in the contemporary art realm with a significant track record of interconnecting sound, text, poetry, movement, video, and live electronics. Together, they founded a new concept/project entitled New Op-Era that introduced a multimedia and creative collaboration in which the music and text of Miguel Azguime coexist with the staging and video composition of Paula Azguime in a truly symbiotic and innovative format. This paper examines whether the New Op-Era concept constitutes a new form of music theatre by reflecting upon the multimedia and electroacoustic opera Salt Itinerary created by Miguel and Paula Azguime between 1999 and 2006. This one-hour-long piece combines live audio and video processing along with an artistic, vocal, and theatrical performance by the composer himself to produce an extraordinary visual and sound experience that transcends traditional artistic conventions and crosses the boundaries prevailing between music, theatre, opera, performance, new media art, and sound poetry.
期刊介绍:
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.