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Aisthesis. Pratiche, linguaggi e saperi dell’estetico最新文献

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Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-15144
Aa.Vv. Aavv
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引用次数: 0
From allegory to figure and back again 从寓言到人物再到寓言
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14634
Daniele Guastini
{"title":"From allegory to figure and back again","authors":"Daniele Guastini","doi":"10.36253/aisthesis-14634","DOIUrl":"https://doi.org/10.36253/aisthesis-14634","url":null,"abstract":"The aim of the article is to clarify the basic perspective that Immagini cristiane e cultura antica adopted to read the relationship between early Christian iconographic production – the main subject of the book – and the development of the forms of later figurative art, as well as the path leading to modern aesthetics.For this purpose, the article compares the positions of Auerbach – that had an explicit influence on the book – with those of Benjamin, regarding the different ways in which the two Berliner authors interpreted the meaning and the function of allegory. In Auerbach, allegory is understood as the past of the figura whose logic, according to Immagini cristiane e cultura antica, underlies not only the Christian literary production of the first centuries, but also the figurative one. In Benjamin, conversely, allegory is understood as the future of the figura, followed to the definitive crisis of Christian messianism.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"88 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139802088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Warfare is a specialised variety of hunting” "战争是一种专门的狩猎活动
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14759
Maria Filomena Molder
{"title":"“Warfare is a specialised variety of hunting”","authors":"Maria Filomena Molder","doi":"10.36253/aisthesis-14759","DOIUrl":"https://doi.org/10.36253/aisthesis-14759","url":null,"abstract":"The Ukrainian war pervades – as a token for deciphering the ruins of our present – the lines of this interview. That deciphering implies both refusing to be subjected to the devastation of the cities as an inevitable fate and trying to unfold the possibilities of rediscovering a «poetry of the city» (Fabrizio Desideri). We risk falling into incontrollable mistakes and mystifications if we hide from ourselves life’s violence. Philosophically speaking, the most beautiful victory is the one in which we defeat ourselves (Plato). But the role of art, the only human activity able to tear off the masque to violence (Giorgio Colli) is irreplaceable: from Greek tragedy to contemporary cinema.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"299 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139799443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi 模仿与表达。Giacinto Scelsi 认为音乐中的不真实性
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14296
Quentin Gailhac
{"title":"Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi","authors":"Quentin Gailhac","doi":"10.36253/aisthesis-14296","DOIUrl":"https://doi.org/10.36253/aisthesis-14296","url":null,"abstract":"This article focuses on the consequences of a little-known work by Giacinto Scelsi, Rotativa (1930), for the concepts of imitation and expression in music. Critical of the mechanization of art peculiar to the Futurism of his time, the Italian composer allows us to think, against the pseudo-photographic reproduction of objects by sound forms, the limits of musical imitation by revealing, from the historicity of his own piece, the inauthenticity of a certain modernism.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"41 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139801139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A vertiginous polemology. Around the motif of war in Roger Caillois 令人眩晕的论战围绕罗杰-凯洛斯的战争主题
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14808
Luigi Azzariti-Fumaroli
{"title":"A vertiginous polemology. Around the motif of war in Roger Caillois","authors":"Luigi Azzariti-Fumaroli","doi":"10.36253/aisthesis-14808","DOIUrl":"https://doi.org/10.36253/aisthesis-14808","url":null,"abstract":"The essay is dedicated to war considered through the reflections of Roger Caillois and in particular through certain motifs – feast, sacred, vertigo – that allow us to grasp its ‘metaphysical’ intention, i.e. capable of looking at war as the point of chiasmatic reversibility of life and death.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"99 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139801209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The war behind this war 这场战争背后的战争
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14453
Francesco Valagussa
{"title":"The war behind this war","authors":"Francesco Valagussa","doi":"10.36253/aisthesis-14453","DOIUrl":"https://doi.org/10.36253/aisthesis-14453","url":null,"abstract":"This article intends to read the profound dynamics that characterise the current war in the light of certain classical philosophical categories such as the relationship established by Hegel between substance and subject, the difference between the concept of substance and the concept of function as it was discussed by Cassirer, and finally the binomial power over life and right of death reread by Foucault in a biopolitical key. In the light of these polarities, it is in fact possible to identify two opposing worldviews – on which depend two completely different ways of understanding the function of the state, the weight to be ascribed to rights, and even two different ways of conceiving and conducting war – that do not necessarily coincide with the two opposing sides in the field.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"103 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139802073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The war behind this war 这场战争背后的战争
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14453
Francesco Valagussa
{"title":"The war behind this war","authors":"Francesco Valagussa","doi":"10.36253/aisthesis-14453","DOIUrl":"https://doi.org/10.36253/aisthesis-14453","url":null,"abstract":"This article intends to read the profound dynamics that characterise the current war in the light of certain classical philosophical categories such as the relationship established by Hegel between substance and subject, the difference between the concept of substance and the concept of function as it was discussed by Cassirer, and finally the binomial power over life and right of death reread by Foucault in a biopolitical key. In the light of these polarities, it is in fact possible to identify two opposing worldviews – on which depend two completely different ways of understanding the function of the state, the weight to be ascribed to rights, and even two different ways of conceiving and conducting war – that do not necessarily coincide with the two opposing sides in the field.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"11 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
War, image, art: From vision to judgement 战争、图像、艺术：从视觉到判断
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14461
Alessio Fransoni
{"title":"War, image, art: From vision to judgement","authors":"Alessio Fransoni","doi":"10.36253/aisthesis-14461","DOIUrl":"https://doi.org/10.36253/aisthesis-14461","url":null,"abstract":"There are excellent research papers in the field of visual studies that examine the relationship between war and images. This paper has other and additional aims. The first is to examine not so much how war is transferred from the ground to image production, but how war, as intrusion of the real, forces a general reflection on image techniques. The second is to examine whether there is an instance of art that is somehow different from the instance of the mere image, which is always related to something that manifests itself in war, and which, especially on the occasion of a war, invites a broader reflection on existence, judgement and the world. The paths taken for these investigations are rooted in the idea that a (political) theory of art cannot be reduced to an internal classification of image theory, since it investigates aspects that go beyond the definition of the image itself.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"24 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139798407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’art de mettre à part. Autour d’un affect guerrier 与众不同的艺术。围绕战争的影响
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-15141
Déborah Brosteaux
{"title":"L’art de mettre à part. Autour d’un affect guerrier","authors":"Déborah Brosteaux","doi":"10.36253/aisthesis-15141","DOIUrl":"https://doi.org/10.36253/aisthesis-15141","url":null,"abstract":"This article explores a certain type of affect that accompanied the post-1945 European dream: the feeling that an impassable distance separates us from worlds at war. Starting with the interplay between protected spaces and devastated territories, the article seeks to trace the operations that give life to this affect of distance. How does this distance play a part in our ways of being at war? And what kind of agentivity is at work, which makes it possible not to feel involved? Drawing on Martha Rosler’s montages of images and a fragment of Simone Weil, the article unravels the tortuous mechanisms that allow us to be at war, while at the same time setting war apart.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"35 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139798515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The secularizing nature of Christian choice for images 基督教选择图像的世俗化性质
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14707
Graziano Lingua
{"title":"The secularizing nature of Christian choice for images","authors":"Graziano Lingua","doi":"10.36253/aisthesis-14707","DOIUrl":"https://doi.org/10.36253/aisthesis-14707","url":null,"abstract":"Daniele Guastini’s book Immagini cristiane e cultura antica is one of the most significant contributions to the current debate on the role of Christian images. The choice of images made by Christianity since the third century – this is the main thesis of the work – represents one of the generative moments of the long-lasting process of secularization that came to characterize Western culture. This essay aims to discuss this thesis, contextualizing it both from a theological point of view and in relation to its philosophical and cultural-historical significance. I then dwell on two questions more directly related to the interpretation of the Christian image in the first millennium: the relationship that the iconographic practice of the Christian origins has with the Jewish and pagan context, and the role that the interpretation of the “Byzantine turn” plays in the overall structure of the Guastini’s book.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"4 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139800670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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