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Aisthesis. Pratiche, linguaggi e saperi dell’estetico最新文献

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L’art de mettre à part. Autour d’un affect guerrier 与众不同的艺术。围绕战争的影响
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-15141
Déborah Brosteaux
{"title":"L’art de mettre à part. Autour d’un affect guerrier","authors":"Déborah Brosteaux","doi":"10.36253/aisthesis-15141","DOIUrl":"https://doi.org/10.36253/aisthesis-15141","url":null,"abstract":"This article explores a certain type of affect that accompanied the post-1945 European dream: the feeling that an impassable distance separates us from worlds at war. Starting with the interplay between protected spaces and devastated territories, the article seeks to trace the operations that give life to this affect of distance. How does this distance play a part in our ways of being at war? And what kind of agentivity is at work, which makes it possible not to feel involved? Drawing on Martha Rosler’s montages of images and a fragment of Simone Weil, the article unravels the tortuous mechanisms that allow us to be at war, while at the same time setting war apart.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"70 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139858374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Lay it into the open wounds». Art at war in Maria Kulikovska’s performative sculpture "把它放在伤口上"。玛丽亚-库里科夫斯卡的行为雕塑中的战争艺术
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14455
Alice Iacobone
{"title":"«Lay it into the open wounds». Art at war in Maria Kulikovska’s performative sculpture","authors":"Alice Iacobone","doi":"10.36253/aisthesis-14455","DOIUrl":"https://doi.org/10.36253/aisthesis-14455","url":null,"abstract":"The paper addresses the work of Ukrainian artist Maria Kulikovska, who resorts to military equipment as artistic materials and to destruction as an artistic method. In the first section, I contextualize Kulikovska’s performative sculpture within art history, claiming that it can be regarded as Destruction Art. In the second section, I turn to Catherine Malabou’s concept of “destructive plasticity” as a philosophical tool of an aesthetics of war, which offers a sound theoretical framework to further understand the implications of Kulikovska’s artistic activity. In the third section, I focus on the main material adopted by Kulikovska, ballistic soap, showing how the artist materially deconstructs inherited dichotomies that keep informing our understanding of wars. By considering the artistic practice of a feminist artist (M. Kulikovska) through the lens of feminist scholarship (K. Stiles, C. Malabou, J. Butler), the paper investigates the relations between war and the arts from a situated perspective.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"490 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139860272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Lay it into the open wounds». Art at war in Maria Kulikovska’s performative sculpture "把它放在伤口上"。玛丽亚-库里科夫斯卡的行为雕塑中的战争艺术
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14455
Alice Iacobone
{"title":"«Lay it into the open wounds». Art at war in Maria Kulikovska’s performative sculpture","authors":"Alice Iacobone","doi":"10.36253/aisthesis-14455","DOIUrl":"https://doi.org/10.36253/aisthesis-14455","url":null,"abstract":"The paper addresses the work of Ukrainian artist Maria Kulikovska, who resorts to military equipment as artistic materials and to destruction as an artistic method. In the first section, I contextualize Kulikovska’s performative sculpture within art history, claiming that it can be regarded as Destruction Art. In the second section, I turn to Catherine Malabou’s concept of “destructive plasticity” as a philosophical tool of an aesthetics of war, which offers a sound theoretical framework to further understand the implications of Kulikovska’s artistic activity. In the third section, I focus on the main material adopted by Kulikovska, ballistic soap, showing how the artist materially deconstructs inherited dichotomies that keep informing our understanding of wars. By considering the artistic practice of a feminist artist (M. Kulikovska) through the lens of feminist scholarship (K. Stiles, C. Malabou, J. Butler), the paper investigates the relations between war and the arts from a situated perspective.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"22 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139800298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi 模仿与表达。Giacinto Scelsi 认为音乐中的不真实性
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14296
Quentin Gailhac
{"title":"Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi","authors":"Quentin Gailhac","doi":"10.36253/aisthesis-14296","DOIUrl":"https://doi.org/10.36253/aisthesis-14296","url":null,"abstract":"This article focuses on the consequences of a little-known work by Giacinto Scelsi, Rotativa (1930), for the concepts of imitation and expression in music. Critical of the mechanization of art peculiar to the Futurism of his time, the Italian composer allows us to think, against the pseudo-photographic reproduction of objects by sound forms, the limits of musical imitation by revealing, from the historicity of his own piece, the inauthenticity of a certain modernism.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"13 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Some aspects of Pólemos and catastrophe according to Ernst Jünger and Simone Weil 恩斯特-荣格和西蒙娜-魏尔眼中的波勒莫斯和灾难的某些方面
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14428
Antonio Dall'Igna
{"title":"Some aspects of Pólemos and catastrophe according to Ernst Jünger and Simone Weil","authors":"Antonio Dall'Igna","doi":"10.36253/aisthesis-14428","DOIUrl":"https://doi.org/10.36253/aisthesis-14428","url":null,"abstract":"The present paper analyses the relationship between the figures of the Arbeiter and the Krieger, described by Ernst Jünger, and their metaphysical context, that is, the becoming in which the catastrophe of war takes place. The analysis is conducted through a theoretical comparison with Simone Weil’s thought, in which war is considered as an extreme case of malheur, i.e., the manifestation of divinity as pure grace devoid of power. Two useful paradigms are thus outlined to explain the condition of the human being in the becoming: the paradigm of dominion (Jünger) and the paradigm of waiting (Weil). In the second part of the paper, those two options are associated with two art pieces, in order to visually represent the characteristics of dominion and waiting, showing the dramatic issue of the choice for dominion in the face of the catastrophe produced by technology.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"41 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mathematical beauty: On the aesthetic qualities of formal language 数学之美论形式语言的美学特质
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14790
Deborah De Rosa
{"title":"Mathematical beauty: On the aesthetic qualities of formal language","authors":"Deborah De Rosa","doi":"10.36253/aisthesis-14790","DOIUrl":"https://doi.org/10.36253/aisthesis-14790","url":null,"abstract":"The paper proposes a reflection on mathematical beauty, considering the possibility of aesthetic qualities for formal language. Through a concise overview of the way this question is understood by some famous scientists and mathematicians, we turn our attention to Gian-Carlo Rota’s theoretical proposal: his reflections as a mathematician and philosopher offer a perspective, of phenomenological matrix, fruitful for looking at the question. Rota’s contribution allows us to focus on the role of competence, acquired through effort, sedimentation and habit of repetition, in cultivating the potential to recognise the aesthetic quality of formal language. Finally, we draw on some contributions from Gestalt theory, closely connected to twentieth-century phenomenology for chronological and conceptual reasons, applying the idea of gestalt wholeness to the mathematical product and proposing some reflections that may help to clarify some of the dynamics underlying the attribution of qualities of beauty to formulas or the detection of its lack.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"31 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139798402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back and forth around critique. Some notes on Horst Bredekamp, between history and theory 在批判中来回穿梭。关于霍斯特-布雷德坎普的一些笔记，介于历史与理论之间
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14438
Davide Mogetta
{"title":"Back and forth around critique. Some notes on Horst Bredekamp, between history and theory","authors":"Davide Mogetta","doi":"10.36253/aisthesis-14438","DOIUrl":"https://doi.org/10.36253/aisthesis-14438","url":null,"abstract":"This paper sets forth some hypotheses on Horst Bredekamp’s research. Bredekamp’s Bildwissenschaft has a peculiar thought dynamic that was initially developed in his art historiographical efforts. These show a relevant entanglement of present interest and past issues, research method and research object. I will show this with a focus on his research on the Kunstkammer. This dynamic developed later in Bredekamp’s research on the image act in a theoretical way. It is transformed here in the attempt to develop a thought which is not overcome by, and does not destroy, the energy which lies at the core of the image act. The peculiar connections between these dimensions are discussed as the effects of the problematic urges that the different developments of his method and theory try to address always anew. It will be shown that a hidden, vital core of his work is a striving towards critique.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"74 S4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139802288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Note e recensioni 说明和评论
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-15144
Aa.Vv. Aavv
{"title":"Note e recensioni","authors":"Aa.Vv. Aavv","doi":"10.36253/aisthesis-15144","DOIUrl":"https://doi.org/10.36253/aisthesis-15144","url":null,"abstract":"","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"31 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139859304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bernard Stiegler’s postfoundational aesthetics and gestural apparatuses for a memory to come 伯纳德-斯蒂格勒的后基础美学与未来记忆的姿态装置
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14746
Luis Guerra Miranda
{"title":"Bernard Stiegler’s postfoundational aesthetics and gestural apparatuses for a memory to come","authors":"Luis Guerra Miranda","doi":"10.36253/aisthesis-14746","DOIUrl":"https://doi.org/10.36253/aisthesis-14746","url":null,"abstract":"This article explores Bernard Stiegler’s philosophical approach to culture in dialogue with Oliver Marchart’s postfoundational framework and conflictual aesthetics. Through the exposition of two different cases of gestural devices, it exposes Stiegler’s potential postfoundational aesthetics as an attempt to establish the necessary conditions for re-thinking the grounded-ungrounded existing relationship between humans, technical objects, and the composition of potential realities to grasp from an autopoietic relationship. These artistic and cultural examples are considered critical concepts that enhance and interrupt the philosophical discourse. The article argues that Stiegler’s aesthetics is committed to the capacity that art, as a technology of the spirit, can contribute as agency in shaping public power, even when these agents are not directly in conflict and develop lesser and fragile performative technics through which a memory becomes present again.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"41 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A vertiginous polemology. Around the motif of war in Roger Caillois 令人眩晕的论战围绕罗杰-凯洛斯的战争主题
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2024-02-06 DOI: 10.36253/aisthesis-14808
Luigi Azzariti-Fumaroli
{"title":"A vertiginous polemology. Around the motif of war in Roger Caillois","authors":"Luigi Azzariti-Fumaroli","doi":"10.36253/aisthesis-14808","DOIUrl":"https://doi.org/10.36253/aisthesis-14808","url":null,"abstract":"The essay is dedicated to war considered through the reflections of Roger Caillois and in particular through certain motifs – feast, sacred, vertigo – that allow us to grasp its ‘metaphysical’ intention, i.e. capable of looking at war as the point of chiasmatic reversibility of life and death.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"69 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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