AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0016
Alex J Wolfson
{"title":"Potentiality and Uncovering: The Impenetrability of the Unconscious","authors":"Alex J Wolfson","doi":"10.1353/aim.2021.0016","DOIUrl":"https://doi.org/10.1353/aim.2021.0016","url":null,"abstract":"Abstract:This article uses the concept of archeology as a means to understand the problem of the inaccessibility of the unconscious. If unconscious material is absolutely barred from consciousness, as Freud repeatedly maintains, then this rupture is due not only to its impermissible content but simultaneously its form of thinking. This article posits the relationship between the unconscious and conscious not as one between two systems or entities, but rather one regulated through potentialities. In readings of Gradiva and the Orvieto Parapraxis, the work of archeology is positioned as a means to explore the relations between unconscious and conscious thought through the framework of potentiality.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"367 - 387"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47859662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0015
Vered Lev Kenaan
{"title":"Digging with Freud: From Hysteria to the Birth of a New Philology","authors":"Vered Lev Kenaan","doi":"10.1353/aim.2021.0015","DOIUrl":"https://doi.org/10.1353/aim.2021.0015","url":null,"abstract":"Abstract:Feminist and postcolonial studies have often criticized Freudian psychoanalysis for staging the analysis of the hysterical, female patient through the metaphor of conquering terra incognita. Freud, in these perspectives, undermines the credibility of her speech by characterizing it as \"enigmatic, ungrammatical, disjointed, fragmented and polylingual.\" Freud also has been often criticized for employing scientific positivism, whose underlying assumption is that the analyst knows better than the woman/analysand. In recent years, however, the return to Freud has engaged new feminist and postcolonial readings which interpret his text against its historical constraints. Thus, Freud's Eurocentric worldview appears to be more fragile and less homogeneous as we revisit it today. Moreover, the feminine figure of terra incognita triggers defensive (hysterical) responses from its various explorers: the psychoanalyst, the archeologist and the philologist. This essay offers a reading of Freud's metaphor of archeology. It uncovers symptoms of fragility and ambivalence underlying the scientific efforts to preserve the distinction between the objective analyst and the hysterical patient, as well as the distinction between modernity and antiquity so central to the disciplines of archeology and philology.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"341 - 366"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46265040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0014
Mary Bergstein
{"title":"Eros in Vienna: Dreams/Archaeology/Photography/Film","authors":"Mary Bergstein","doi":"10.1353/aim.2021.0014","DOIUrl":"https://doi.org/10.1353/aim.2021.0014","url":null,"abstract":"Abstract:The female nude in photography has a complex history in Freud's Vienna. This paper examines photographic images of nude women and girls in the published art-historical studies of classical sculpture. Books on the \"sciences\" of health and well-being by authors like Carl Heinrich Stratz and Paul Schultze-Naumberg reproduced many photographs of nude women and children, especially young girls. Such visual material comes to bear on Freud's case-history of \"Dora\" as well as other contemporary writings on psychoanalysis.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"307 - 339"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66819396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0010
Frederika Tevebring, Alex J Wolfson
{"title":"Freud's Archaeology: A Conversation Between Excavation and Analysis","authors":"Frederika Tevebring, Alex J Wolfson","doi":"10.1353/aim.2021.0010","DOIUrl":"https://doi.org/10.1353/aim.2021.0010","url":null,"abstract":"","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"203 - 213"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45531004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0013
Frederika Tevebring
{"title":"Mythological Parallels and Visual Compulsions: The Matriarchal Subtext to Freud's Archaeology","authors":"Frederika Tevebring","doi":"10.1353/aim.2021.0013","DOIUrl":"https://doi.org/10.1353/aim.2021.0013","url":null,"abstract":"Abstract:In a short text published 1916, Freud discusses his patient's neurotic obsession to imagine his intimidating father without a head and with a face on his belly. Freud notes that the hallucination reminds him of the iconography of the ancient myth of Baubo, who is said to have lifted her skirts and exposed herself to the goddess Demeter. Being up to date on archaeological literature, Freud knew that, since 1904, the name had been associated with the peculiar iconography of a group of Hellenistic votive figurines discovered at Priene, modern-day Turkey. What does it mean for Freudto match a turn-of-the-century paternal hang-up \"exactly\" to ancient figurines showing a grotesque female body? Freud's fits the patient's obsession squarely within his Oedipal master-myth but appeals to a little-known myth about female exhibitionism in order to illustrate it. This paradoxical parallel prompts us to reconsider the relationships within his work between the individual and the general, the ancient and contemporary, and analysis and archaeology-and what role gender plays in all of these. The following essay reads Freud's text in the context of contemporary archaeological debates on Baubo and female obscenity and draws attention to the investments archaeology and psychoanalysis shared in understanding themselves as inheritors of ancient (and implicitly male) rationality. Taking up Freud's interest in J. J. Bachofen's theories of early matriarchies, the essay further suggest that Freud's \"Parallel\"-essay mobilizes what he himself and many of his contemporaries considered an irrational and female way of thinking as part of a new scientific approach to the past.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"275 - 305"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48117192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0011
Richard H. Armstrong
{"title":"From Iconography to Archaeology: Freud after Charcot","authors":"Richard H. Armstrong","doi":"10.1353/aim.2021.0011","DOIUrl":"https://doi.org/10.1353/aim.2021.0011","url":null,"abstract":"Abstract:This work explores Freud's archaeology as a departure from Charcot's iconography of hysteria. It begins with a comparison between two grotesque figures that appear in the men's work, which reveal in their analyses a characteristic approach to the hysterical symptom (Charcot) and the neurotic compulsion (Freud). The article then proceeds to detail Charcot's dependence upon historical iconography to shore up his construction of grand hysteria, and how Freud, though at first in agreement, gradually came to distance himself from it. Then Freud's 1922 study of a demonic possession is explored as Freud's final \"deferred disobedience\" from Charcot on the matter of \"retrospective medicine.\"","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"215 - 243"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45542811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-08-28DOI: 10.1353/aim.2021.0008
M. Katz
{"title":"Great is the Parable of Diana of the Ephesians!","authors":"M. Katz","doi":"10.1353/aim.2021.0008","DOIUrl":"https://doi.org/10.1353/aim.2021.0008","url":null,"abstract":"Abstract:Freud's untitled four-paragraph text known as \"Great is Diana of the Ephesians\" has belied categorization and befuddled scholars to this day, reflecting broader issues in scholarly approaches to Freud's writings on the history of religion. Scholars generally agree that the essay represents Freud's first foray into the cult of the mother goddess but have failed to arrive at a consensus on what literary form his analysis takes, whether quotation, summary, review, commentary, criticism, or history. This paper explores how misleading assumptions about the content of the essay have obscured Freud's original authorial intentions, which I recover by solving the riddle of the essay's form.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"389 - 418"},"PeriodicalIF":0.8,"publicationDate":"2021-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49130340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-04-22DOI: 10.1353/aim.2021.0004
Jamil Mustafa
{"title":"Obsessional Neurosis, the Paranoid-Schizoid Position, and the Bourgeois Family in Shirley Jackson's We Have Always Lived in the Castle","authors":"Jamil Mustafa","doi":"10.1353/aim.2021.0004","DOIUrl":"https://doi.org/10.1353/aim.2021.0004","url":null,"abstract":"Abstract:This paper is a psychoanalytic analysis of Shirley Jackson's We Have Always Lived in the Castle as an exploration of obsessional neurosis, the paranoid-schizoid position and the bourgeois family.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"131 - 154"},"PeriodicalIF":0.8,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/aim.2021.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47166149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-04-22DOI: 10.1353/aim.2021.0000
D. Rancour-Laferriere
{"title":"Death Imagined: From Mother Earth to Dust and Ashes in the Mind of Job","authors":"D. Rancour-Laferriere","doi":"10.1353/aim.2021.0000","DOIUrl":"https://doi.org/10.1353/aim.2021.0000","url":null,"abstract":"Abstract:Early in the Book of Job the hero's future death is represented as a return to the \"womb\" of a maternalized earth. However, this metaphor of uterine regression–a cross-cultural commonplace which has been studied by Otto Rank (1929)–is not what it seems to be at first glance. Job desperately wishes to go down into the earth not in order to rest in peace, but in order to escape the persecutory God who has deprived him of his ten children, his vast properties, and his health. Unable to complete grieving the deaths of his children, Job succumbs to major depressive disorder. He even threatens to commit suicide by entering Sheol, the ancient Israelite underworld of no return. Multiple passages in the book have Job imagining that he enters Sheol, the Pit, the grave, the dust, etc.–but none of these imaginings is actually ever carried out because God is really quite fond of Job, and had arranged in advance with the satan (his agent) that Job's life be spared. For his part, Job is truly devoted to God, and wants to argue his case against God in a court of law. Such hubris, however, results in Job having a vision of God who mocks him with a thundering voice from out of a whirlwind. This divine harangue forces Job to submit. The submission is not an act of moral masochism, as Dan Merkur (2004) demonstrates, but is the result of the awe which overwhelms Job, as Jack Kahn (1975) had discovered in the only book-length psychoanalytic study of Job's illness ever written. Recent research findings by biblical scholars on Job's final words accepting his future status as \"dust and ashes\" (the alliterative 'āpār wā'ēper) are quite similar to Kahn's findings. Some personal Ash Wednesday reminiscences by the author of this article also support Job's new view of himself as mere \"dust and ashes\" in the wide natural universe. The article ends with an explanation of why Job's experience of awe also transformed him into a generous person.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"1 - 53"},"PeriodicalIF":0.8,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/aim.2021.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44765419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AMERICAN IMAGOPub Date : 2021-04-22DOI: 10.1353/aim.2021.0005
J. Meyers
{"title":"Intimacy and Revenge: The Psychological Dynamics of Literary Widows","authors":"J. Meyers","doi":"10.1353/aim.2021.0005","DOIUrl":"https://doi.org/10.1353/aim.2021.0005","url":null,"abstract":"Abstract:This essay examines eleven memoirs written by literary widows and published between 1926 and 2010. They range from adoring to bitter. Their major themes are the conflicts in marriage, the struggle for dominance and submission, the suffering from infidelity and alcoholism, the expression of resentment and anger. They all define themselves in relation to their husbands, yet need to break away, regain their own identity and tell their own story. Some emphasize the writer's personal faults at the expense of his artistic achievement, and their literary efforts were inevitably criticized by reviewers for exploiting the author's name or for failing to recognize his artistic value. The best memoirs—by Frieda Lawrence, Eileen Simpson and Claire Bloom—have style, insight and compassion.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"78 1","pages":"155 - 184"},"PeriodicalIF":0.8,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/aim.2021.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49111523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}