从肖像学到考古学:沙科特之后的弗洛伊德

IF 0.1 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

AMERICAN IMAGO Pub Date : 2021-08-28 DOI:10.1353/aim.2021.0011

Richard H. Armstrong

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引用次数: 0

摘要

摘要:本作品探讨了弗洛伊德的考古学，作为对夏可歇斯底里意象学的背离。首先是对两人作品中出现的两个怪诞人物的比较，这揭示了他们对歇斯底里症状(夏可)和神经症强迫(弗洛伊德)的分析方法的特点。文章接着详细描述了沙可对历史肖像学的依赖，以支持他对大歇斯底里症的建构，以及弗洛伊德是如何在一开始同意的情况下逐渐与之保持距离的。然后弗洛伊德1922年对恶魔附身的研究作为弗洛伊德在“回顾性医学”问题上对夏可的最后“延期抗命”进行了探讨。

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From Iconography to Archaeology: Freud after Charcot

Abstract:This work explores Freud's archaeology as a departure from Charcot's iconography of hysteria. It begins with a comparison between two grotesque figures that appear in the men's work, which reveal in their analyses a characteristic approach to the hysterical symptom (Charcot) and the neurotic compulsion (Freud). The article then proceeds to detail Charcot's dependence upon historical iconography to shore up his construction of grand hysteria, and how Freud, though at first in agreement, gradually came to distance himself from it. Then Freud's 1922 study of a demonic possession is explored as Freud's final "deferred disobedience" from Charcot on the matter of "retrospective medicine."

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来源期刊

AMERICAN IMAGO HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.00

自引率

0.00%

发文量

期刊介绍： Founded in 1939 by Sigmund Freud and Hanns Sachs, AMERICAN IMAGO is the preeminent scholarly journal of psychoanalysis. Appearing quarterly, AMERICAN IMAGO publishes innovative articles on the history and theory of psychoanalysis as well as on the reciprocal relations between psychoanalysis and the broad range of disciplines that constitute the human sciences. Since 2001, the journal has been edited by Peter L. Rudnytsky, who has made each issue a "special issue" and introduced a topical book review section, with a guest editor for every Fall issue.