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A Rite of Finitude: Richard Wilbur’s Hermeneutic Ontology 有限的仪式:理查德·威尔伯的解释学本体论
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-03-01 DOI: 10.7560/tsll64105
William Tate
{"title":"A Rite of Finitude: Richard Wilbur’s Hermeneutic Ontology","authors":"William Tate","doi":"10.7560/tsll64105","DOIUrl":"https://doi.org/10.7560/tsll64105","url":null,"abstract":"abstract:Richard Wilbur’s “All That Is” foregrounds the poet’s thematic interest in ontology: the poem is a meditation on what is and human access to it. Borrowing a phrase from Hans-Georg Gadamer, I characterize the poem’s ontology as a “hermeneutic ontology.” For Gadamer and Wilbur both, human finitude and temporality make it inevitable that our grasp of being can only be hermeneutic—can only be, therefore, both linguistic and dynamic. Wilbur figures all this in the poem’s representation of crossword puzzles.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"64 1","pages":"113 - 89"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44791751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Politics of the Poison Pen: Communism, Caricature, and Scapegoats in Ralph Ellison's Invisible Man 毒笔的政治:拉尔夫·埃里森《看不见的人》中的共产主义、漫画和替罪羊
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-12-01 DOI: 10.7560/tsll63401
Luke Sayers
{"title":"The Politics of the Poison Pen: Communism, Caricature, and Scapegoats in Ralph Ellison's Invisible Man","authors":"Luke Sayers","doi":"10.7560/tsll63401","DOIUrl":"https://doi.org/10.7560/tsll63401","url":null,"abstract":"ABSTRACT:Ralph Ellison's depiction of the Communist Party in Invisible Man has often been criticized as unfair or formulaic. This article, however, argues that Ellison's depiction of the Communist Party can be read productively when considered in light of the novel's use of caricature, violence, and the scapegoat motif. By observing the Invisible Man's role as both victim and perpetrator of violence, the reader becomes aware of the dangerous cycle of scapegoating in the novel.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"341 - 358"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43068743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negotiating the Politics of Chinese Fiction: The Case of Yan Lianke's "Child" 论中国小说的政治:以阎连科的《孩子》为例
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-12-01 DOI: 10.7560/tsll63405
Haiyan Xie
{"title":"Negotiating the Politics of Chinese Fiction: The Case of Yan Lianke's \"Child\"","authors":"Haiyan Xie","doi":"10.7560/tsll63405","DOIUrl":"https://doi.org/10.7560/tsll63405","url":null,"abstract":"ABSTRACT:This article proposes \"literal reading,\" a theoretical concept from Zhang Longxi, with the intent of resisting the reductionist reading of political implications of contemporary Chinese literature in Anglophone discourse. It uses Chinese writer Yan Lianke's novel The Four Books as a case study, investigating how Yan's portrayal of the main character, the Child, has been misread or overinterpreted in English-language scholarship as a representation of the nation's repressive past while his idiosyncratic writing style and use of literary form as content have been glossed over.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"434 - 458"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41763139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dialectics of Barbarous Civilization: Black Transnational Modernism in Claude McKay's Banjo 野蛮文明的辩证法——克劳德·麦凯《班卓》中的黑人跨国现代主义
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-12-01 DOI: 10.7560/tsll63404
Tomohiro Hori
{"title":"The Dialectics of Barbarous Civilization: Black Transnational Modernism in Claude McKay's Banjo","authors":"Tomohiro Hori","doi":"10.7560/tsll63404","DOIUrl":"https://doi.org/10.7560/tsll63404","url":null,"abstract":"ABSTRACT:This essay examines Claude McKay's Banjo in terms of its dialectical critique of civilization. With its radical questioning of the meaning of modernity, McKay's novel of Black life in Marseille aligns with the transnational cultural phenomenon of modernism. Reading Banjo alongside Walter Benjamin's seminal concepts such as the dialectical image reveals how the novel's oft-criticized \"crude realism\" and plotless structure are its integral elements.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"410 - 433"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42961434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Compromised Men and Aspiring Women: The Fatality of Romance in James M. Cain's Depression-Era Novels 妥协的男人和有抱负的女人:詹姆斯·凯恩大萧条时期小说中浪漫的宿命
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-12-01 DOI: 10.7560/tsll63402
R. Snyder
{"title":"Compromised Men and Aspiring Women: The Fatality of Romance in James M. Cain's Depression-Era Novels","authors":"R. Snyder","doi":"10.7560/tsll63402","DOIUrl":"https://doi.org/10.7560/tsll63402","url":null,"abstract":"ABSTRACT:James M. Cain's depiction of changing gender roles in The Postman Always Rings Twice (1934), Double Indemnity (1936), and Mildred Pierce (1941), classics of literary noir, explores the fatality of sentimentalized romance in relation to the Great Depression's erosion of the American Dream. Serenade (1937) is a puzzling deviation from this theme. Despite criticism of the \"iron-hard pattern of necessity\" that underlies his work, Cain's early fiction illuminates the nation's cultural legacy.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"359 - 380"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42740966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silence, Space, and Absence in Joseph Conrad's African Fiction 约瑟夫·康拉德非洲小说中的沉默、空间与缺席
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-12-01 DOI: 10.7560/tsll63403
John G. Peters
{"title":"Silence, Space, and Absence in Joseph Conrad's African Fiction","authors":"John G. Peters","doi":"10.7560/tsll63403","DOIUrl":"https://doi.org/10.7560/tsll63403","url":null,"abstract":"ABSTRACT:In Heart of Darkness and \"An Outpost of Progress,\" Joseph Conrad's characters initially associate African space with silence and absence and European space with sound and fullness. As these tales progress, however, the barriers between empty African space and full European space break down, as Conrad reveals the activity and sound of the West to be merely a surface that obscures its underlying emptiness, an emptiness that reflects a universe absent of order or meaning.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"381 - 409"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47187083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Construction of Teaching Resource Database of Intercultural Communication in Minzu Universities 民族高校跨文化交际教学资源库建设
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-10-26 DOI: 10.3968/12322
Li Xu
{"title":"Construction of Teaching Resource Database of Intercultural Communication in Minzu Universities","authors":"Li Xu","doi":"10.3968/12322","DOIUrl":"https://doi.org/10.3968/12322","url":null,"abstract":"This paper carefully sorts out the current situation of intercultural communication teaching resources, analyzes the existing problems, and aims to put forward the corresponding measures for the construction of resource database in combination with the training objectives of intercultural communication curriculum in Minzu universities.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"28 1","pages":"39-43"},"PeriodicalIF":0.2,"publicationDate":"2021-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74500349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Translating Nonverbal Behaviour in Literature: With Pai-tzu as An Example 文学作品中非语言行为的翻译——以《白子》为例
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-10-26 DOI: 10.3968/12295
Jing Liu
{"title":"Translating Nonverbal Behaviour in Literature: With Pai-tzu as An Example","authors":"Jing Liu","doi":"10.3968/12295","DOIUrl":"https://doi.org/10.3968/12295","url":null,"abstract":"Nonverbal behavior plays an important role in literary work but receives little attention in literary translation. Different use of linguistic devices by translators in representing nonverbal behavior of the source text would portray different images of characters. This paper, taking Chinese writer Shen Congwen’s short story Pai-tzu as an example, compares the translation of nonverbal behavior in its two English versions (by Ching Ti and Hsu Kai-yu). It firstly reviews definition and category of nonverbal behavior by scholars in diverse fields, as well as related theories in literature and translation. It then compares the two versions in dealing with the paralanguage and kinesics of the two characters, and explores how the differences between them lead to different features of the characters. This paper comes to the following conclusion: Ching’s version, by the choice of material or behavioral process and illocutionary verbs indicating voice quality, shapes a louder and more dynamic image of the woman, in contrast with a static image in Hsu’s version; the image Pai-tzu is vividly portrayed by Hsu due to the use of marked vocabulary and addition of chronemics and proxemics elements, in contrast with core vocabulary and word omission in Ching’s version; in dealing with body parts as agent metonyms, Ching’s version is closer to the style of the original due to the choice of agent metonyms and material process, while Hsu opts for mental process with human agent.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"81 1","pages":"33-38"},"PeriodicalIF":0.2,"publicationDate":"2021-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85238075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Critical Interpretation on Language and Power 语言与权力的批判性解读
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-10-26 DOI: 10.3968/12269
Jing Xia
{"title":"A Critical Interpretation on Language and Power","authors":"Jing Xia","doi":"10.3968/12269","DOIUrl":"https://doi.org/10.3968/12269","url":null,"abstract":"There is a growing tendency among Chinese students to apply concrete theories by scholars with different backgrounds and predilections in Critical Discourse Analysis (hereinafter referred to as CDA) to conduct academic research. Seen from a general picture, CDA regards “language as social practice” (Fairclough & Wodak, 1997) and takes consideration of the context of language use to be crucial (Wodak, 2000). More importantly, CDA takes a particular interest in the relation between language and power. This paper intends to offer a basic overview of the constituent content in the landmark masterpiece Language and Power in CDA’s programme as well as a critical view on this influential book.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"24 1","pages":"23-36"},"PeriodicalIF":0.2,"publicationDate":"2021-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81375785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review and Prospect of Multimodal Metaphor Research 多模态隐喻研究回顾与展望
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-10-26 DOI: 10.3968/12202
Youwen Yang
{"title":"Review and Prospect of Multimodal Metaphor Research","authors":"Youwen Yang","doi":"10.3968/12202","DOIUrl":"https://doi.org/10.3968/12202","url":null,"abstract":"Multimodal metaphor, pushing the study of metaphor in the language level into other fields and pouring more cultural implications for it, has become one of the hot spots in current linguistic research. This study reviews the origin, current situation, the approach of multimodal metaphor and talks about its research prospects, which is conducive to providing thinking inspiration and paradigm reference for following researches.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"69 1","pages":"1-6"},"PeriodicalIF":0.2,"publicationDate":"2021-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73694223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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