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Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude” 在土地与定居者主体性之间——凯瑟琳·曼斯菲尔德《序曲》中的现代主义动物领地
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-09-01 DOI: 10.7560/tsll64301
Anushka Sen
{"title":"Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude”","authors":"Anushka Sen","doi":"10.7560/tsll64301","DOIUrl":"https://doi.org/10.7560/tsll64301","url":null,"abstract":"ABSTRACT:This essay examines animal presence in Katherine Mansfield’s “Prelude,” demonstrating how the text’s aesthetics of animacy—the way different beings in the story undergo creaturely transformations and brim with an uncontainable vitality—cannot be read in isolation from the settler colonial environment of rural New Zealand. In establishing this connection, the essay argues that the dreamlike world of “Prelude” indicates the makings of an emergent settler territory.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49513478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Howard Jacobson’s Shylock Is My Name and the Badiou-Agamben Debate on Paul the Apostle 霍华德·雅各布森的《夏洛克是我的名字》和巴迪欧-阿甘本关于使徒保罗的辩论
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-09-01 DOI: 10.7560/tsll64304
Jaecheol Kim
{"title":"Howard Jacobson’s Shylock Is My Name and the Badiou-Agamben Debate on Paul the Apostle","authors":"Jaecheol Kim","doi":"10.7560/tsll64304","DOIUrl":"https://doi.org/10.7560/tsll64304","url":null,"abstract":"ABSTRACT:This essay analyzes Howard Jacobson’s Shylock Is My Name in light of theoretical debates on Paul the Apostle between Alain Badiou and Giorgio Agamben. Badiou argues that with his debate on the Jewish laws Paul tackled the exclusive Jewish identity by creating a radical universality. However, like Agamben, Jacobson emphasizes that Paul’s theology does not resolve the irreducible differences that reside in Jewish identity, along with the Jews’ own right to exist in their own distinctive ways.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43639711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit “无魔法”：《女王的甘比特》中的象棋、艺术情感与主体发展
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-09-01 DOI: 10.7560/tsll64305
P. H. Schmidt
{"title":"“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit","authors":"P. H. Schmidt","doi":"10.7560/tsll64305","DOIUrl":"https://doi.org/10.7560/tsll64305","url":null,"abstract":"ABSTRACT:In this essay, I claim that The Queen’s Gambit examines the sources of excellence in creative work and describes a practice for organizing a durable selfhood. Following the rise of an orphan (Beth Harmon) in the world of 1960s international chess, the novel suggests, I argue, allegorical correspondences between chess and other forms of artistic and intellectual endeavor. I further contend that in learning to play chess, Beth develops a capacity to live an ethical life in a hostile world.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47241860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide 保罗·劳伦斯·邓巴和自然主义/方言诗歌的分裂
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-09-01 DOI: 10.7560/tsll64303
Patricia Chaudron
{"title":"Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide","authors":"Patricia Chaudron","doi":"10.7560/tsll64303","DOIUrl":"https://doi.org/10.7560/tsll64303","url":null,"abstract":"ABSTRACT:Paul Laurence Dunbar’s dialect poems are often read as the negative, stereotype-laden other of his naturalist prose. This article, however, argues that Dunbar’s poetry complements his prose and provides a more holistic picture of Dunbar’s anti-racist naturalism. Whereas Dunbar’s prose diversifies African American stories, his dialect poetry emphasizes the illegibility of Blackness. The poetry’s focus on the process of meaning-making deconstructs stereotypes as expansive sites of paradox.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42895954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Daughter’s Paradox: Filial Piety and Rebellion in Three Chinese Mother-Daughter Narratives 女儿的悖论:三种中国母女叙事中的孝道与叛逆
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-09-01 DOI: 10.7560/tsll64302
Lan Wang
{"title":"The Daughter’s Paradox: Filial Piety and Rebellion in Three Chinese Mother-Daughter Narratives","authors":"Lan Wang","doi":"10.7560/tsll64302","DOIUrl":"https://doi.org/10.7560/tsll64302","url":null,"abstract":"","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47145961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transnational Intimacy in Israel Potter 以色列的跨国亲密关系，波特
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-06-01 DOI: 10.7560/tsll64202
Yoshiaki Furui
{"title":"Transnational Intimacy in Israel Potter","authors":"Yoshiaki Furui","doi":"10.7560/tsll64202","DOIUrl":"https://doi.org/10.7560/tsll64202","url":null,"abstract":"abstract:This essay reads Herman Melville's Israel Potter by attending to the eponymous character's feeling of loneliness as an exile, which compels an examination of the relationship between individual and community. Building on Jean-Luc Nancy's concept of \"inoperative community,\" which emerges between the dead and the living, I argue that the community proposed in Israel Potter is informed by the belatedness that escapes containment by a political institution.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44943522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Owning a Sense of Perversity in Ellen Wood's East Lynne 在艾伦·伍德的《东林恩》中拥有一种变态感
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-06-01 DOI: 10.7560/tsll64204
Sun Jai Kim
{"title":"Owning a Sense of Perversity in Ellen Wood's East Lynne","authors":"Sun Jai Kim","doi":"10.7560/tsll64204","DOIUrl":"https://doi.org/10.7560/tsll64204","url":null,"abstract":"abstract:This essay contends that Ellen Wood's East Lynne reveals a surprising spatial relationship that a woman can have with a property outside the legal restrictions outlined by mid-nineteenth-century married women's property law. Isabel Vane, the main character, cultivates a sense of perversity in orienting herself in the object world as a response to the fundamental deprivation of the property in question, East Lynne. Isabel's misunderstanding of the ownership of her paraphernalia, sentimental overvaluation of East Lynne, and intentional propagation of disfigurement all constitute her perverse relation with the object world.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49497233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between Transgression and Conviviality: Everyday Urban Space and the Carnivalesque Strategies in The Lonely Londoners 在越轨与欢乐之间:《孤独的伦敦人》中的日常城市空间与狂欢策略
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-06-01 DOI: 10.7560/tsll64203
B. Jeon
{"title":"Between Transgression and Conviviality: Everyday Urban Space and the Carnivalesque Strategies in The Lonely Londoners","authors":"B. Jeon","doi":"10.7560/tsll64203","DOIUrl":"https://doi.org/10.7560/tsll64203","url":null,"abstract":"abstract:This article examines how the everyday space of postwar London in Sam Selvon's The Lonely Londoners is reimagined by Caribbean migrants, whose resilience generates comedy and the spirit of the carnival. I argue that Selvon uses his depictions of the city to show his Black Londoners at play as culturally assertive and sexually eccentric types who counter the adversity in the host society. While discussing how the novel's portrayal of the carnivalesque allows for the expression of immigrant agency, I stress the convivial nature of sex and comedy as a central model of their cultural negotiation.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47402728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"The Moon Slides Down the Stair / To See Who's There": The Poetics of the Crossword and the Cross Words of Poetics “月亮滑下楼梯/看谁在那里”:填字游戏的诗学和诗学的交叉词
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-06-01 DOI: 10.7560/tsll64201
David Ben-Merre
{"title":"\"The Moon Slides Down the Stair / To See Who's There\": The Poetics of the Crossword and the Cross Words of Poetics","authors":"David Ben-Merre","doi":"10.7560/tsll64201","DOIUrl":"https://doi.org/10.7560/tsll64201","url":null,"abstract":"abstract:This article explores the understudied formal, experiential, and historical relationships between crosswords and poetry. Using an illuminating coincidence of names (the poet James Merrill and crossword constructor Patrick Merrell) as indicative of a fundamental experience of language—arbitrariness within a communicative code—I reconsider how the creative impulses and pleasure derived from the cultural and intellectual work of crosswords and poetry touch upon a deeper social consciousness.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48967237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jiujitsu of the Spirit: Trueblood, His Audience, and Lyrical Subversion in Ralph Ellison’s Invisible Man 精神的柔术：真实的血液、他的观众和拉尔夫·埃里森《看不见的人》中的抒情颠覆
IF 0.2 3区 文学
TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-03-01 DOI: 10.7560/tsll64102
Joel B. Peckham
{"title":"Jiujitsu of the Spirit: Trueblood, His Audience, and Lyrical Subversion in Ralph Ellison’s Invisible Man","authors":"Joel B. Peckham","doi":"10.7560/tsll64102","DOIUrl":"https://doi.org/10.7560/tsll64102","url":null,"abstract":"abstract:The Trueblood passage in Invisible Man is one of Ellison’s most controversial pieces of writing. Who is Jim Trueblood—an incestuous rapist or a savvy trickster playing on white prejudice for his own advantage? Contextualizing Trueblood in the tradition of African American storytelling and Ellison’s essays on race in America, this article explores the relationship between Trueblood and his audience (both Black and white) to understand the power dynamics at play and how Ellison manipulates them.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44797543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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