{"title":"“你工作的表面”:《可食用的女人》中的自我异化和自恋文化","authors":"Cailin Flannery Roles","doi":"10.7560/tsll63303","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Margaret Atwood’s The Edible Woman traces the increasing self-alienation and inability to eat of the protagonist, Marian. Her identity as a young, single working woman is contextualized in 1960s Toronto, a culture marked by competitive individualism where consumption itself is a way of life, per Christopher Lasch. I argue Marian regains agency by reading through and empathizing with the material realities of commodities, ultimately recognizing her own position as a commodity unwilling to be consumed.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The Surface on Which You Work”: Self-Alienation and the Culture of Narcissism in The Edible Woman\",\"authors\":\"Cailin Flannery Roles\",\"doi\":\"10.7560/tsll63303\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Margaret Atwood’s The Edible Woman traces the increasing self-alienation and inability to eat of the protagonist, Marian. Her identity as a young, single working woman is contextualized in 1960s Toronto, a culture marked by competitive individualism where consumption itself is a way of life, per Christopher Lasch. I argue Marian regains agency by reading through and empathizing with the material realities of commodities, ultimately recognizing her own position as a commodity unwilling to be consumed.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll63303\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll63303","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“The Surface on Which You Work”: Self-Alienation and the Culture of Narcissism in The Edible Woman
ABSTRACT:Margaret Atwood’s The Edible Woman traces the increasing self-alienation and inability to eat of the protagonist, Marian. Her identity as a young, single working woman is contextualized in 1960s Toronto, a culture marked by competitive individualism where consumption itself is a way of life, per Christopher Lasch. I argue Marian regains agency by reading through and empathizing with the material realities of commodities, ultimately recognizing her own position as a commodity unwilling to be consumed.
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