{"title":"妥协的男人和有抱负的女人:詹姆斯·凯恩大萧条时期小说中浪漫的宿命","authors":"R. Snyder","doi":"10.7560/tsll63402","DOIUrl":null,"url":null,"abstract":"ABSTRACT:James M. Cain's depiction of changing gender roles in The Postman Always Rings Twice (1934), Double Indemnity (1936), and Mildred Pierce (1941), classics of literary noir, explores the fatality of sentimentalized romance in relation to the Great Depression's erosion of the American Dream. Serenade (1937) is a puzzling deviation from this theme. Despite criticism of the \"iron-hard pattern of necessity\" that underlies his work, Cain's early fiction illuminates the nation's cultural legacy.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Compromised Men and Aspiring Women: The Fatality of Romance in James M. Cain's Depression-Era Novels\",\"authors\":\"R. Snyder\",\"doi\":\"10.7560/tsll63402\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:James M. Cain's depiction of changing gender roles in The Postman Always Rings Twice (1934), Double Indemnity (1936), and Mildred Pierce (1941), classics of literary noir, explores the fatality of sentimentalized romance in relation to the Great Depression's erosion of the American Dream. Serenade (1937) is a puzzling deviation from this theme. Despite criticism of the \\\"iron-hard pattern of necessity\\\" that underlies his work, Cain's early fiction illuminates the nation's cultural legacy.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll63402\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll63402","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
Compromised Men and Aspiring Women: The Fatality of Romance in James M. Cain's Depression-Era Novels
ABSTRACT:James M. Cain's depiction of changing gender roles in The Postman Always Rings Twice (1934), Double Indemnity (1936), and Mildred Pierce (1941), classics of literary noir, explores the fatality of sentimentalized romance in relation to the Great Depression's erosion of the American Dream. Serenade (1937) is a puzzling deviation from this theme. Despite criticism of the "iron-hard pattern of necessity" that underlies his work, Cain's early fiction illuminates the nation's cultural legacy.
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