Artistic Culture Topical Issues最新文献_第2页

Double Bass in the Twentieth-Century Chamber Instrumental Music: Development of Double Bass Solo Performance 二十世纪室内器乐中的低音提琴:低音提琴独奏演奏的发展

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260390

Kateryna Polianska, S. Bilousov

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Just playing: Valera and Natasha Cherkashin 只是玩玩:Valera和Natasha Cherkashin

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260444

N. Chekh

{"title":"Just playing: Valera and Natasha Cherkashin","authors":"N. Chekh","doi":"10.31500/1992-5514.18(1).2022.260444","DOIUrl":"https://doi.org/10.31500/1992-5514.18(1).2022.260444","url":null,"abstract":"The paper outlines the game preconditions of artistic creativity of the artist Valera Cherkashin (Valery T.Cherkashenko, was born 1948 in Liptsy village, Kharkiv region, USSR) during the 1960s–1980s, as well asthe first period of his collaboration with Natasha Cherkashin (Natalia S. Polyakova, born 1958 in Damascus, Syria). From the first half of the 1960s to the 1980s, V.Cherkashin organized a number of art events in Kharkiv, using elements of Soviet and Western mass culture. Cherkashin’s artworks blur the boundaries between traditional genres and styles in the visual arts. While experimenting with the art form, Cherkashins in addition to the language of art action have been using the language of photography, of cinema, painting, graphics and video. Artists continue to create art in different media. Currently, Cherkashin’s artworks are in the collections of the leading museums and corporate collections around the world. The aim of the research is to reveal the ontological, methodological and axiological bases of Cherkashin’s artistic creativity. During the analysis the playing preconditions in Cherkashins’ creativity. Feelings of tension and joy, as well as sense of otherness are inherent in all the artistic work of the Cherkashins. V.Cherkashin creates a new conceptual meaning—the image of the “other” in the early photographic series of 1965–1966 and the image of a social outcast who is between two worlds in 1972. During Cherkashin’s play, the seriousness is eliminated, it becomes funny. The funny side of Cherkashins’ artworks is rooted in harmless nonsense. Artists turn ideological and verbal codes and images into “funny nothing”. Joyful life-affirming laughter in the Cherkashins’ works is the second “actor,” along with the ‘new plasticity.’ Biographical, conceptual, descriptive-phenomenological methods of analysis, comparative studies and hermeneutics were used during the research.","PeriodicalId":440942,"journal":{"name":"Artistic Culture Topical Issues","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115730747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Iconography of the Images on the Cover of the Gospel Book by Wroclaw Master Tobias Shire 弗罗茨瓦夫大师托拜厄斯·夏尔的福音书封面上的图像的图像学

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260439

Kateryna Kostiuchenko

{"title":"Iconography of the Images on the Cover of the Gospel Book by Wroclaw Master Tobias Shire","authors":"Kateryna Kostiuchenko","doi":"10.31500/1992-5514.18(1).2022.260439","DOIUrl":"https://doi.org/10.31500/1992-5514.18(1).2022.260439","url":null,"abstract":"The problem of image identification is relevant today, as it will be useful for rethinking some of the plot compositions on the church jewelry. The paper provides information on the iconography of such images as: “Ascension”, “Transfiguration”, “New Testament Trinity” and “God of Hosts.” A comparative analysis of the images of European masters was carried out, including the images on the cover of the Gospel Book of the Wroclaw master Tobias Shire, which is exhibited in the Treasury of the National Museum of History of Ukraine. The historiography of the study of the cover of the Gospel Book of the Wroclaw master Tobias Schire was analyzed. The author emphasizes the need for further study of the iconography of images on the cover of the Gospel Book of Wroclaw master Tobias Shire in order to reach a better understanding of its composition and promote spiritual culture. The paper also focuses on the problem of identification of images on church jewelry that came to the territory of modern Ukraine. The need to identify the images on the cover of the Gospel Book of Wroclaw master Tobias Shir was emphasized. The author’s considerations on the identification of images on church jewelry were presented in the paper, as well as some ideas for solving the problems of research of precious church utensils that were brought to the territory of modern Ukraine.","PeriodicalId":440942,"journal":{"name":"Artistic Culture Topical Issues","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129831487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Anatomical Collection of the Office of Plastic Anatomy at the National Academy of Fine Art and Architecture 国家美术与建筑学院整形解剖办公室解剖收藏

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260418

Anastasiia Melnychuk

{"title":"Anatomical Collection of the Office of Plastic Anatomy at the National Academy of Fine Art and Architecture","authors":"Anastasiia Melnychuk","doi":"10.31500/1992-5514.18(1).2022.260418","DOIUrl":"https://doi.org/10.31500/1992-5514.18(1).2022.260418","url":null,"abstract":"The paper examines the historical development of the anatomical collection of the office of plastic anatomy at the National Academy of Fine Art and Architecture as a component of methodological support of the discipline. The classification of this collection is provided, namely: anatomical models, écorchés, skeletons, anatomical manuals, atlases, tables, slides, anatomical drawings, etc. Its cultural and historical significance was highlighted. These visual materials and models helped the anatomy teachers to develop their own methods of teaching the anatomical drawing, which corresponded to the programs of other departments, namely, the Department of Drawing and Sculpture. The influence of this methodological support on the students’ educational activities in the NAFAA plastic anatomy room is indisputable, the requirements to practical tasks during the anatomical drawing from anatomical preparations and manuals are formulated. The aim of the study was to outline the history of creation and replenishment of the anatomical collection in the office of plastic anatomy at the National Academy of Fine Art and Architecture, which isimportant both for methodological support of educational process of art education and is a significant component in teaching the discipline of plastic anatomy. Archival and private sources, electronic resources and interviews, visual aids and manuals on plastic anatomy were used in the literature review. Based on the analysis of this investigation, labels were found that list the place and year of manufacture. Today the anatomical collection in the plastic anatomy room of the National Academy of Fine Art and Architecture is the largest in comparison with other art institutions of Ukraine, and can be the subject of a separate art historical study.","PeriodicalId":440942,"journal":{"name":"Artistic Culture Topical Issues","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128325847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Casus Turkeltaub: An Objectivity Ratio Casus Turkeltaub:客观性比率

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260433

O. Klekovkin

引用次数: 0

Poetics of the Opera Genre 歌剧体裁诗学

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260385

M. Cherkashyna-Hubarenko

{"title":"Poetics of the Opera Genre","authors":"M. Cherkashyna-Hubarenko","doi":"10.31500/1992-5514.18(1).2022.260385","DOIUrl":"https://doi.org/10.31500/1992-5514.18(1).2022.260385","url":null,"abstract":"The paper considers the poetics of opera as a factor in ensuring genre self-identification during over four centuries of opera history. It focuses on the root sources of opera related to the system of musical and theatrical genres. With the emergence of opera at the turn of the seventeenth century, its poetics was formed simultaneously in two versions: in the verbal texts and explanations and in the system of linguistic and expressive means of the works. The idea of the conditional existence of three different stories of opera is suggested. Each system is built depending on which components are the main focus when considering the historical material. There is opera as a “chanted drama”, opera as a genre of vocal-instrumental music, and finally, opera as one of the independent types of theatrical art. The three main elements of opera poetics and the functions of each of them are revealed on the example of the analysis of the sixth work in the history of the genre and the first truly classical example, the opera L’Orfeo byClaudio Monteverdi. If the opera characteristic vocal language and sung dialogues became a purely operatic innovation, two other elements of opera poetics used in this opera were actively developed throughout history: instrumental music, as well as choral and ensemble scenes. Thus, opera poetics is associated with constant flexible interaction of the laws of dramatic, musical, and theatrical arts.","PeriodicalId":440942,"journal":{"name":"Artistic Culture Topical Issues","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127114320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Development of Volyn Competition-Festival Movement: Search for Cultural Identity Volyn竞赛节运动的发展:文化认同的寻找

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260386

O. Ivanova

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Women’s Bandura Ensembles. Aspects of Working with Small Vocal Ensembles 女子班杜拉乐团。与小合唱团合作的各个方面

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260413

Liudmyla Larikova

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Nostalgia as a cultural factor in the creation of S. Rachmaninoff ’s prelude Op. 32 No. 10 in B minor (1910) in the context of impressions from A. Böcklin’s painting Returning Home 在a . Böcklin绘画《返乡》的印象背景下，怀旧作为s .拉赫玛尼诺夫B小调前奏曲Op. 32 No. 10(1910)创作中的文化因素

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260441

Maiia Kirdeieva

{"title":"Nostalgia as a cultural factor in the creation of S. Rachmaninoff ’s prelude Op. 32 No. 10 in B minor (1910) in the context of impressions from A. Böcklin’s painting Returning Home","authors":"Maiia Kirdeieva","doi":"10.31500/1992-5514.18(1).2022.260441","DOIUrl":"https://doi.org/10.31500/1992-5514.18(1).2022.260441","url":null,"abstract":"The paper analyzes the memoirs of B. Moiseiwitsch, a pianist, S. Rachmaninoff ’s contemporary and friend, and examines the musical work which was first discovered and introduced in the art history—Prelude Op. 32 No. 10 in B minor (1910)—composed under the impression from A. Böcklin’s painting Returning Home (1887). Nostalgia isstudied as a cultural factor in the creation of the musical work by S. Rachmaninoff in the context of impressions from A. Böcklin’s painting. The fact that awork by S. Rachmaninoff based on the B. Moiseiwitsch’s memoirs about one of his meetings with S. Rachmaninoff was discovered and introduced in musicology. This constitutes the academic and theoretical novelty of the paper. Therefore, academic inquiry is interdisciplinary, overlapping with cultural studies. The understanding of a correlation between fine and musical arts and historical period, which allows to explain certain phenomena in culture, was expanded. The notions of nostalgia, mirror metaphor, artist biography, and romantic wanderings were substantiated. The aim of the work is to consider nostalgia as a cultural factor in the creation of S. Rachmaninoff ’s Prelude No. 10 in B minor. The subject matter of research is the S. Rachmaninoff ’s nostalgia that was projected on the writing of this musical work. Comparative approach revealed common and distinct features in the content, imagery, and mood of A. Böcklin’s painting and S. Rachmaninoff ’s prelude. In addition, the issues of romantic wanderings were considered, revealing the approaches to romantic interpretation of the eternal mythologeme of the journey: travel as a path to knowledge, wanderings as a curse, exile or travel as an approach to new artistic horizons. This musical piece is closely linked to religious and philosophical ideas of life, death and immortality, of sin, redemption and forgiveness, and to the prevailing idea of transfiguration.","PeriodicalId":440942,"journal":{"name":"Artistic Culture Topical Issues","volume":"354 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134439071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Institutional Aspects of the Export of Ukrainian art during the Stagnation Era: The Activity of Y. Nakamura and the Gekkoso Gallery ( Japan) 停滞时期乌克兰艺术输出的制度层面:Y. Nakamura和Gekkoso画廊的活动(日本)

Artistic Culture Topical Issues Pub Date : 2022-05-31 DOI: 10.31500/1992-5514.18(1).2022.260440

Maryna Poliakova

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