弗罗茨瓦夫大师托拜厄斯·夏尔的福音书封面上的图像的图像学

Kateryna Kostiuchenko
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引用次数: 0

摘要

图像识别的问题与今天相关,因为它将有助于重新思考教堂珠宝上的一些情节构图。本文提供了诸如“升天”、“变形”、“新约三位一体”和“万军之神”等图像的图像学信息。对欧洲大师的图像进行了比较分析,包括弗罗茨瓦夫大师Tobias Shire的福音书封面上的图像,该图像在乌克兰国家历史博物馆的宝库中展出。对弗罗茨瓦夫大师托比亚斯·希尔的《福音书》封面的史学研究进行了分析。作者强调有必要进一步研究弗罗茨瓦夫大师托比亚斯·夏尔的《福音书》封面上的图像,以便更好地理解其构成,促进精神文化。本文还着重讨论了进入现代乌克兰领土的教堂珠宝图像的识别问题。与会者强调,有必要确认弗罗茨瓦夫大师托拜厄斯·希尔的《福音书》封面上的图像。本文阐述了作者对教堂首饰图像鉴定的思考,并对解决现代乌克兰境内珍贵教堂器物的研究问题提出了一些看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Iconography of the Images on the Cover of the Gospel Book by Wroclaw Master Tobias Shire
The problem of image identification is relevant today, as it will be useful for rethinking some of the plot compositions on the church jewelry. The paper provides information on the iconography of such images as: “Ascension”, “Transfiguration”, “New Testament Trinity” and “God of Hosts.” A comparative analysis of the images of European masters was carried out, including the images on the cover of the Gospel Book of the Wroclaw master Tobias Shire, which is exhibited in the Treasury of the National Museum of History of Ukraine. The historiography of the study of the cover of the Gospel Book of the Wroclaw master Tobias Schire was analyzed. The author emphasizes the need for further study of the iconography of images on the cover of the Gospel Book of Wroclaw master Tobias Shire in order to reach a better understanding of its composition and promote spiritual culture. The paper also focuses on the problem of identification of images on church jewelry that came to the territory of modern Ukraine. The need to identify the images on the cover of the Gospel Book of Wroclaw master Tobias Shir was emphasized. The author’s considerations on the identification of images on church jewelry were presented in the paper, as well as some ideas for solving the problems of research of precious church utensils that were brought to the territory of modern Ukraine.
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