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La pensee musicale dans l’interpretation et son role dans l’execution expressive 诠释中的音乐思维及其在表现力执行中的作用
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.15
Ana Szilagyi
{"title":"La pensee musicale dans l’interpretation et son role dans l’execution expressive","authors":"Ana Szilagyi","doi":"10.31926/but.pa.2023.16.65.2.15","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.15","url":null,"abstract":"On sait que la deviation d’un parametre (intensite, agogique, touche) apporte un plus d’expressivite, qui, a son tour, eveille des emotions pour celui qui ecoute. L’article se propose d’analyser systematiquement chaque parametre musical (l’hauteur, la duree, l’intensite, le timbre, la forme) et apres le rapporter au style et au caractere d’une piece, en soulignant les deviations face a ce qui est ecrit dans la partition, avec la justification musicale, psycho-acoustique et la liaison entre le langage et la musique. Pour demontrer ceux qui sont exposes, on a fait une analyse des deux fragments appartenant a deux epoques stylistiques differentes: le classicisme et le romantisme (Mozart – La Sonate op. 570 et Chopin – La Nocturne op.9, nr.2). Bien que dans cet article on ne se refere pas a un certain instrument, on a choisi deux oeuvres pour le piano, parce-que le piano, etant un instrument plus pauvre en possibilites d’expression, demande specialement que l’intensite et le timbre – parametres plus sommairement notes dans la partition – soient crees par l’interprete.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"2 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139440254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aurel Stroe - Morphogenetic conception on music (dissipative structures) 奥雷尔-斯特罗 - 关于音乐的形态发生概念（耗散结构）
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.3
Petruța-Maria Coroiu
{"title":"Aurel Stroe - Morphogenetic conception on music (dissipative structures)","authors":"Petruța-Maria Coroiu","doi":"10.31926/but.pa.2023.16.65.2.3","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.3","url":null,"abstract":"Aurel Stroe is one of the greatest composers and thinkers of Romanian musical art in the post-Enescu period. Shaper of musical consciousness, author of great originality, he can be placed – in music and thinking – at the border between science and art, between art and music, between philosophy and mathematics. His art is infused with concepts taken over from all of these fields, out of which we will deal here with the ones connected to dissipative and morphogenetic structures.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"81 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139440464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recycling as creation in postmodern music 后现代音乐中作为创作的再循环
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.6
Muhu Iliescu
{"title":"Recycling as creation in postmodern music","authors":"Muhu Iliescu","doi":"10.31926/but.pa.2023.16.65.2.6","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.6","url":null,"abstract":"Recycling music from the past has a long history and takes many forms: transcription, paraphrase, parody, simple allusion, quoting, sampling, borrowing, rewriting, recomposing... These practices have changed considerably with the emergence of the postmodern paradigm. Rewriting musical works may now be seen as a way of expressing creativity relegated to distortions and comments on “found objects”. Postmodern composers thus produce infinitely recyclable and adjustable artifacts, perfectly suited to wander the planetary networks and nourish the soundscapes of the future virtual universes set to supplant, if not to the real world.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"80 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139440533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonic Spectra. Retrofuturism of Vinyl Record 声谱黑胶唱片的复古主义
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.7
M. Kopec, C. Tutu
{"title":"Sonic Spectra. Retrofuturism of Vinyl Record","authors":"M. Kopec, C. Tutu","doi":"10.31926/but.pa.2023.16.65.2.7","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.7","url":null,"abstract":"This article explores the concept of retrofuturism in the context of vinyl records, focusing on their role as artifacts of retrofuturistic aesthetics in today’s digital age. It examines the enduring appeal of vinyl, emphasizing its materiality, collectible nature, and sensory richness, which offer a distinct connection to music. Drawing upon the concept of hauntology, initially introduced by Jacques Derrida and subsequently developed by Mark Fisher, the article delves into the universal yearning for „lost futures” of modernism within contemporary culture. By examining the lasting impact of vinyl records within a broader landscape of retrofuturistic culture, this article suggests that hauntological undercurrents associated with vinyl are essential for understanding its continued allure and significance in a world increasingly shaped by digital media.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"13 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139439736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Manners of maintaining the cultural identity of the Greeks, Aromanians, Lipovans and Dobrogean Tatars and their effects in musical practice 保持希腊人、阿罗门人、利波瓦人和多布罗根鞑靼人文化特性的方式及其在音乐实践中的影响
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.8
M. Kozlovsky
{"title":"Manners of maintaining the cultural identity of the Greeks, Aromanians, Lipovans and Dobrogean Tatars and their effects in musical practice","authors":"M. Kozlovsky","doi":"10.31926/but.pa.2023.16.65.2.8","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.8","url":null,"abstract":"This study presents the mutual conditioning between the social dynamics and the traditions of the ethnic communities of Dobrogea, as well as the ways of maintaining the cultural identity of the Greeks, Aromanians, Lipovans, and Tatars in the full era of globalization. For a clearer understanding, we will highlight how the evolution of Romanian society deeply and irreversibly affected the musical and choreographic repertoire of the four ethnic groups. Our perception of collective human identity is also shaped by the way traditional music is perceived, knowing that it has a very strong connection with ethnicity and origin, and that is why traditional musical creation constitutes a true identity brand.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"84 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139440754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Symphonic Ornaments in Parametric Architecture through Music 参数化建筑中的交响装饰音乐
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.12
E. Ronagh, M. Mahdavinejad, S. Farhoodfar
{"title":"Symphonic Ornaments in Parametric Architecture through Music","authors":"E. Ronagh, M. Mahdavinejad, S. Farhoodfar","doi":"10.31926/but.pa.2023.16.65.2.12","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.12","url":null,"abstract":"The research explores a pioneering approach to intertwining music and architecture through the development of reliefs with musical identities, inspired by Goethe's perspective that music and architecture are intrinsically linked. By employing augmented reality (AR) and QR code technology, the initiative enables a synchronized visual and auditory narrative. The methodology encompasses three pivotal sections: Firstly, Generative Design, which leverages artificial intelligence-optimized algorithms to morph numerical musical outputs into 3D geometrical patterns. Secondly, technology application, employing Pure Javascript for QR code scanning and utilizing Asp.Net 6 and Kestrel for streaming audio information. Thirdly, AR Interaction, which utilizes AR technology to offer an immersive visual and auditory experience via mobile devices. This innovative integration of music, architecture, and technology not only pioneers a new experiential journey through form and melody but also delivers an interactive, dynamic user experience.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"2 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139439123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Richard Strauss’ Komponist: the journey of a role, from soprano to mezzo 理查德-施特劳斯的《作曲家》：从女高音到女中音的角色之旅
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.4
Adriana Festeu
{"title":"Richard Strauss’ Komponist: the journey of a role, from soprano to mezzo","authors":"Adriana Festeu","doi":"10.31926/but.pa.2023.16.65.2.4","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.4","url":null,"abstract":"This article examines the changes in the casting of the role of Komponist in Richard Strauss’ Ariadne auf Naxos. The article aims to establish the timeline of when this original soprano role became a staple of the mezzo-soprano category. The research involves an examination of the historical archives of international opera houses such as the Metropolitan Opera in New York, the Vienna State Opera, the Teatro alla Scala in Milan, and the Royal Opera House in London. The conclusion reveals that the shift in voice type took place gradually between the 1960s and 1970s. The conclusion also proposes that the reason for this change lies in the development of the mezzo-soprano’s subcategories, which coincides with this period in the late 20th century.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139438889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Some opportunities of developing reflectivity and lesson observing of beginner folk music teachers 培养初学民间音乐教师反思和观课能力的一些机会
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.10
Reka Polocz
{"title":"Some opportunities of developing reflectivity and lesson observing of beginner folk music teachers","authors":"Reka Polocz","doi":"10.31926/but.pa.2023.16.65.2.10","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.10","url":null,"abstract":"The purpose of this article is to present the experience of using the five-step lesson observation method in the development of novice teacher reflectivity. For the last year of their studies, the folk music teachers have a reflective seminary to help them develop their reflectivity. The main problem was that the students were shy if they were observed but they were judgemental being observers. Usually observing someone’s lesson we have feelings and judgments for the first time. To help professional pedagogical conversations we set a five-step method of objective observing. This method can be used when we observe each other’s lessons, even if we look back at our lessons from video recordings. We made qualitative research on how the beginner teachers attitudes change before and after using the five-step method.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"2 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139439704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How can singing voice practice change the spoken voice for actors - A case study 歌唱发声练习如何改变演员的口语发声 - 案例研究
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.13
M. Santos
{"title":"How can singing voice practice change the spoken voice for actors - A case study","authors":"M. Santos","doi":"10.31926/but.pa.2023.16.65.2.13","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.13","url":null,"abstract":"Acting is a skill that demands the correct use of the voice. The voice of an actor should be clear, resonant, and full so that the audience can understand the interpretation. A well-projected voice for actors is what this study is about. As it is known, the singing voice has many common aspects with the spoken voice. This article describes a study performed with a group of students from the Drama Department of the University of Évora to understand if the practice of singing voice would help the projection of spoken voice and consequently the interpretation of young actors.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"2 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139440291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sergei Rachmaninoff a Paganini of the piano. Analysis of the lied Spring waters (Весенние воды- op.14, no.11) 谢尔盖-拉赫玛尼诺夫（Sergei Rachmaninoff）是钢琴界的帕格尼尼。春水》（Весенние воды- 作品 14，第 11 号）的分析
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-10 DOI: 10.31926/but.pa.2023.16.65.2.1
M. Bourceanu, B. Szocs
{"title":"Sergei Rachmaninoff a Paganini of the piano. Analysis of the lied Spring waters (Весенние воды- op.14, no.11)","authors":"M. Bourceanu, B. Szocs","doi":"10.31926/but.pa.2023.16.65.2.1","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.2.1","url":null,"abstract":"Vesennye vody (Весенние воды) is a composition through which the poem offers a reflection on the arrival of spring and the melting of winter snow, symbolizing the renewal of nature and the human spirit. The composition is characterized by its lyrical and expressive melody, which is a sign characteristic of Sergei Rachmaninoff's style. The vocal miniature is relatively short, but it evokes and captures the beauty and emotions associated with the arrival of the spring season. The article requires special attention to the complex analysis of the Vesennie vody lied, a musical-literary analysis as well as a Schenkerian analysis, which is represented by the aspects of voice leadership, by identifying the tonal functions and their role in the overall harmonic structure. The detailed analysis within the lie is carried out for the deep understanding of the structural relationships and provides valuable information on the intentions of the composer, by identifying the different structural levels, by the melodic line and the text. \u0000","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139441308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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