谢尔盖-拉赫玛尼诺夫(Sergei Rachmaninoff)是钢琴界的帕格尼尼。春水》(Весенние воды- 作品 14,第 11 号)的分析

M. Bourceanu, B. Szocs
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引用次数: 0

摘要

Vesennye vody》(Весенние воды)是一首诗歌作品,诗中对春天的到来和冬雪的融化进行了思考,象征着自然和人类精神的新生。这首作品的特点是旋律抒情而富有表现力,这也是谢尔盖-拉赫玛尼诺夫的风格特征。这首声乐小品的篇幅相对较短,但却唤起并抓住了与春天到来有关的美好和情感。文章需要特别注意对《Vesennie vody lied》的复杂分析,即音乐文学分析和申克分析,申克分析体现在声部领导方面,通过确定调性功能及其在整体和声结构中的作用。对谎言内部的详细分析是为了深入理解结构关系,并通过识别不同的结构层次、旋律线和文本,为作曲家的意图提供有价值的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sergei Rachmaninoff a Paganini of the piano. Analysis of the lied Spring waters (Весенние воды- op.14, no.11)
Vesennye vody (Весенние воды) is a composition through which the poem offers a reflection on the arrival of spring and the melting of winter snow, symbolizing the renewal of nature and the human spirit. The composition is characterized by its lyrical and expressive melody, which is a sign characteristic of Sergei Rachmaninoff's style. The vocal miniature is relatively short, but it evokes and captures the beauty and emotions associated with the arrival of the spring season. The article requires special attention to the complex analysis of the Vesennie vody lied, a musical-literary analysis as well as a Schenkerian analysis, which is represented by the aspects of voice leadership, by identifying the tonal functions and their role in the overall harmonic structure. The detailed analysis within the lie is carried out for the deep understanding of the structural relationships and provides valuable information on the intentions of the composer, by identifying the different structural levels, by the melodic line and the text.
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