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Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts最新文献

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Training the musical attention: Towards a new generation of methods in music education 训练音乐注意力：迈向新一代音乐教育方法
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.24
Laszlo Stacho
{"title":"Training the musical attention: Towards a new generation of methods in music education","authors":"Laszlo Stacho","doi":"10.31926/but.pa.2023.16.65.3.24","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.24","url":null,"abstract":"A crucial aspect of musical ability is a music-specific empathic capacity that enables the performer to uncover subjective meanings from musical materials and fully feel them during performance. Based on insights from both theoretical and empirical research into the psychology of music performance and from pedagogical practice, this capacity is thought to rely on a more general empathic ability and can be nurtured easily in most people, including those scoring rather poor on standard musical aptitude tests measuring “melodic”, “rhythmic”, or “harmonic” skills. In my paper, I present the theoretical bases of a new pedagogical approach for nurturing in musicians the capacity of feeling the elements of musical meaning in real time (in the act of performance): I introduce a new theory of musical expressiveness by defining, from a psychological point of view and from the perspective of the performer’s phenomenology, the various layers of musical meaning (the “what” system) and the temporal-attentional abilities that enable to express them in real time (the “how” system). The paper concludes with a short introduction to a novel implementation of the above model of performer’s phenomenological processes into performance teaching: a full training of musical attention called “Practice Methodology”.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"847 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140474327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Composition Techniques Specific to the Arabic Musical Language in Kareem Roustom's Violin Concerto No. 1 卡里姆-鲁斯托姆《第一小提琴协奏曲》中阿拉伯音乐语言特有的作曲技巧
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.26
M. Suciu, S. Dragulin
{"title":"Composition Techniques Specific to the Arabic Musical Language in Kareem Roustom's Violin Concerto No. 1","authors":"M. Suciu, S. Dragulin","doi":"10.31926/but.pa.2023.16.65.3.26","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.26","url":null,"abstract":"The Violin Concerto by K. Roustom stands out as a distinctive fusion of compositional styles, positioning itself uniquely within contemporary violin compositions. Rather than eliminating precedents, the concerto embraces a convergence of structurally and ideatically diverse directions, resulting in a harmonious and unified end product. The creative process, starting from seemingly unrelated hypotheses and concluding in a cohesive manner, finds precedent in various musical examples across different eras. The concerto's complex profile, revealed through analysis, reflects a mixture of elements that resist facile extraction or definition. The diversity of languages interwoven into the works' architecture lends them significant value, offering interpretive richness from initial reception to deep analytical exploration. Simultaneously, the imperative of originality underscores the nature and implementation of the directions within the concerto. Complemented by the composers' mastery, educational backgrounds, and intellectual capacities, the concerto exemplifies authenticity and value, contributing to the evolving landscape of contemporary creative expressions.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"402 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140473416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elements for a lesson: Beethoven Sonata op. 53 „Waldstein” 课程要素：贝多芬奏鸣曲作品 53 "瓦尔斯坦"
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.23
Constantin Sandu
{"title":"Elements for a lesson: Beethoven Sonata op. 53 „Waldstein”","authors":"Constantin Sandu","doi":"10.31926/but.pa.2023.16.65.3.23","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.23","url":null,"abstract":"Beethoven Sonata op. 53 \"Waldstein\" serves as a pretext for the analysis of some elements of interpretation, normally used in the pedagogical process: the formal conception, the tempo, the logical organization of the musical material, the pedal and the orchestral sonority of the composer's piano music. Exploring my experience of more than four decades, both as a pedagogue and as a performer, the text tries to bring readers closer to the stylistic characteristics of Beethoven's piano music and to my personal conception of the interpretation of these works.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"194 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140472266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contexts for integrating classical music in vulnerable educational environments 将古典音乐融入脆弱教育环境的背景
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.18
Gelu Neagu
{"title":"Contexts for integrating classical music in vulnerable educational environments","authors":"Gelu Neagu","doi":"10.31926/but.pa.2023.16.65.3.18","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.18","url":null,"abstract":"Intersectional intervention on educational policies in 21st century society is noted as a viable alternative in disadvantaged educational settings. In this direction, a well-reasoned educational policy facilitates access to education and knowledge for a significant number of students. The vision of each teacher, and in general of an educator, must be aimed at comprehensive educational policies, consistent with educational ideals and the agreed school curriculum, the skills of each educator being evident in the way they can adapt and apply classical or modern educational strategies or concepts, capable of producing much needed change in the evolution and school performance of the beneficiaries of this social service. The involvement of music education in the formation of the modern pupil's personality can be the foundation on which to build an equitable and inclusive education system, providing pupils with valuable opportunities to develop cognitive, social and emotional skills.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"337 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140473484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Co(ho)quet(us) for two flutes by Diana Rotaru: Performing Peculiarities 戴安娜-罗塔鲁为两支长笛创作的《Co(ho)quet(us)表演的特殊性
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.9
Anastasia Gusarova
{"title":"Co(ho)quet(us) for two flutes by Diana Rotaru: Performing Peculiarities","authors":"Anastasia Gusarova","doi":"10.31926/but.pa.2023.16.65.3.9","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.9","url":null,"abstract":"This article is dedicated to the analysis of the piece “Co(ho)quet(us) for two flutes” written by Diana Rotaru, a young-generation Romanian composer, in 2011. It examines the new methods of sound production on the flute, linking them with musical language, the architectonics of the piece, as well as the composer's explanations and remarks about the flute's role in her oeuvre, the significance of these new sound production methods, and her relationships with famous contemporary flute performers. Emphasis is given to modern flute playing techniques such as Aeolian sounds, slap-tongue, and tongue-ram.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"312 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140475093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Leonardo dreams of his flying machine” - stylistic aspects. Inside Eric Whitacre’s fascinating musical world "莱昂纳多梦想着他的飞行器"--风格方面。走进埃里克-惠塔克迷人的音乐世界
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.14
A.M. Melinte, M. Ionescu, M. Matei
{"title":"“Leonardo dreams of his flying machine” - stylistic aspects. Inside Eric Whitacre’s fascinating musical world","authors":"A.M. Melinte, M. Ionescu, M. Matei","doi":"10.31926/but.pa.2023.16.65.3.14","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.14","url":null,"abstract":"Grammy Award-winning composer and conductor Eric Whitacre is among today’s most popular musicians. Born in Nevada in 1970, Eric is a graduate of the prestigious Juilliard School of Music (New York). Charles Alan Sylvestri’s poem “Leonardo dreams of his flying machine” is a dramatic story of hope and optimism that takes the listener on a great adventure into the great unknown. Leonardo functions as the agonist of the poem who is “tormented” by his need to fly and touch the sky. Leonardo da Vinci was certainly the definition of a true \"Renaissance man\". Da Vinci is also regarded as one of the greatest inventors to have ever lived; his notebooks are filled with sketches and notes for inventions that were far ahead of his time. What must have been going through his mind when he was coming up with these revolutionary ideas? That is the question that composer Eric Whitacre and poet Charles Anthony Silvestri attempt to answer in this piece, “Leonardo Dreams of His Flying Machine”.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"266 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140473802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beethoven’s Italian Concerto (Piano Concerto No. 4 in G major, Op. 58) 贝多芬的意大利协奏曲（G 大调第四钢琴协奏曲，作品 58）
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.25
Dinu-Mihai Stefan
{"title":"Beethoven’s Italian Concerto (Piano Concerto No. 4 in G major, Op. 58)","authors":"Dinu-Mihai Stefan","doi":"10.31926/but.pa.2023.16.65.3.25","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.25","url":null,"abstract":"We know that composers from all times have found inspiration sources in either popular music or in music written by their predecessors or their colleagues and that no music has been completely isolated within a geographical boundary because the whole purpose of it was to be shared with the public and to convey a wide range of emotions and interesting reactions from people who were more or less familiar with the performing side of this art. There were times, from the 15th to the 18th and even the 19th century in Europe, both Western and Central, when even the news of the day was brought in through music, being sung and performed in front of ordinary people by different versions of minstrels or troubadours who also used very basic instruments in conveying their messages. Is it possible that Beethoven used Vivaldi’s Four Seasons as an inspiration source when writing his Piano Concerto No. 4 in G major, Op. 58? I will endeavour to show some similarities between the works which could be credited for such an act of translation or transforming existing musical material into innovation.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"797 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140474380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aurel Stroe: Morphogenetic Conception on Music (The Entropic Uncertainty and the “Death” of Musical Structures) 奥雷尔-斯特罗关于音乐的形态发生学概念（音乐结构的熵不确定性和 "死亡"）)
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.6
Petruța-Maria Coroiu
{"title":"Aurel Stroe: Morphogenetic Conception on Music (The Entropic Uncertainty and the “Death” of Musical Structures)","authors":"Petruța-Maria Coroiu","doi":"10.31926/but.pa.2023.16.65.3.6","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.6","url":null,"abstract":"Aurel Stroe is one of the greatest composers and thinkers of the Romanian musical art in the post-Enescu period. Shaper of musical consciousness, author of great originality, he can be placed – in music and thinking – at the border between science and art, between art and music, between philosophy and mathematics. His art is infused by concepts taken over from all of these fields, out of which we will deal here with the ones connected to uncertainty, entropy and poeticism.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140479094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta 故事片《多瑙河三角洲历险记》中杜米特鲁-卡波阿努音乐的总体情况
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.17
Titiana Mirita
{"title":"General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta","authors":"Titiana Mirita","doi":"10.31926/but.pa.2023.16.65.3.17","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.17","url":null,"abstract":"Romanian film music of the 20th century was a very well-developed field, especially in terms of symphonic music. However, research and musicology studies on this cinematic period are at the beginning, as there is little information on this area. Dumitru Capoianu is among the composers with an already established career in concert music who have also taken the step towards film music. Its adaptability to the script was realized in soundscapes of extended durations or in melodic themes that became a sound exponent of the characters and the action, transposing in them moral valences, particularities of age, tensions and also musical illustrations of the video landscape. All these qualities and the compositional patterns that he and other Romanian composers followed can also be observed in the feature film Adventures in the Danube Delta (1973), part of the particularities of the musical language elements used closely related to the script being presented and analyzed in this article.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"608 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140479713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical Interpretation / Performance as Spiritual and Educational Phenomenon 作为精神和教育现象的音乐诠释/表演
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2024-01-31 DOI: 10.31926/but.pa.2023.16.65.3.16
Manuela Mihailescu
{"title":"Musical Interpretation / Performance as Spiritual and Educational Phenomenon","authors":"Manuela Mihailescu","doi":"10.31926/but.pa.2023.16.65.3.16","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.3.16","url":null,"abstract":"The interpretive act is a phenomenon per se, for which the performer invests all his energy from the desire to express the meanings of musical creations. If we relate the musical phenomenon to silence, we undoubtedly observe that it lives its own existence as a spiritual autonomous construction, being an entity that we integrate through experience, through listening, thus fulfilling, in us, even a purifying role. The performing musician goes through a real spiritual itinerary, starting from decoding the score to perceiving its musical meaning, then working to sculpt the sound image that he wants to reproduce. Performing a concert with an audience is the continuation of the initiatory path, this time also for the audience. The importance of musical interpretation is thus revealed both on the level of higher cognition, training for the performer, and on the level of educating the public in the spirit of perceiving higher levels of consciousness.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"407 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140474337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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