General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta

Titiana Mirita
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Abstract

Romanian film music of the 20th century was a very well-developed field, especially in terms of symphonic music. However, research and musicology studies on this cinematic period are at the beginning, as there is little information on this area. Dumitru Capoianu is among the composers with an already established career in concert music who have also taken the step towards film music. Its adaptability to the script was realized in soundscapes of extended durations or in melodic themes that became a sound exponent of the characters and the action, transposing in them moral valences, particularities of age, tensions and also musical illustrations of the video landscape. All these qualities and the compositional patterns that he and other Romanian composers followed can also be observed in the feature film Adventures in the Danube Delta (1973), part of the particularities of the musical language elements used closely related to the script being presented and analyzed in this article.
故事片《多瑙河三角洲历险记》中杜米特鲁-卡波阿努音乐的总体情况
20 世纪的罗马尼亚电影音乐是一个非常发达的领域,尤其是在交响乐方面。然而,对这一电影时期的研究和音乐学研究还处于起步阶段,因为这方面的资料很少。杜米特鲁-卡波亚努(Dumitru Capoianu)是在音乐会音乐方面已经有一定成就的作曲家之一,他也迈出了电影音乐的一步。其对剧本的适应性体现在延长的音景或旋律主题中,这些音景或旋律主题成为人物和动作的声音表达者,将道德价值、时代特征、紧张关系以及视频景观的音乐图解融入其中。在故事片《多瑙河三角洲历险记》(1973 年)中,我们也可以看到他和其他罗马尼亚作曲家遵循的所有这些特质和作曲模式,本文介绍和分析的音乐语言元素与剧本密切相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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