IT-Information Technology最新文献_第10页

En defensa del concepto de “actuación estética” como actuación teatral verosímil 为“审美表演”的概念辩护，认为这是一种可信的戏剧表演

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2674

Gina Cima Vallarino, Juan C. González

{"title":"En defensa del concepto de “actuación estética” como actuación teatral verosímil","authors":"Gina Cima Vallarino, Juan C. González","doi":"10.25009/IT.V12I19.2674","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2674","url":null,"abstract":"Este trabajo atane a la experiencia teatral desde la estetica y las ciencias cognitivas. Se defiende la idea de que la actuacion estetica puede ser entendida como actuacion verosimil. Si la experiencia estetica posee tres dimensiones –sensorial, conceptual y hedonista–, la verosimilitud en la actuacion se lograria en terminos de una estrecha y apropiada relacion entre ellas. La experiencia estetica del espectador seria, pues, una consecuencia de lo que este percibe, piensa y siente. A su vez, los estudios empiricos permiten establecer criterios objetivos de evaluacion para juzgar una actuacion como verosimil, tanto por parte del actor como del espectador. In Defense of the Concept of “Aesthetic Performance” as Truthful Theatrical Performance This work concerns Aesthetics and Cognitive Science. Furthermore, deals with theatrical issues, defending the idea that an aesthetic performance can be understood as a truthful performance. If the aesthetic experience has three dimensions –sensory, conceptual and hedonistic–, the truthfulness of the performance would be achieved thanks to a close and appropriate relationship between them. The aesthetic experience of the spectator would thus be a consequence of what he/she perceives, thinks and feels. At the same time, empirical studies allow to establish objective criteria of evaluation for judging the truthfulness of a performance, by both the actor and the spectator. Recibido: 03 de agosto de 2020 Aceptado: 14 de diciembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"585 1","pages":"79-97"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85332570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

El teatro como ejercicio terapéutico en Todos somos el rey Lear, de Guillermo Schmidhuber 在吉列尔莫·施米德胡伯的《我们都是李尔王》中，戏剧作为一种治疗练习

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2669

Lourdes Betanzos

{"title":"El teatro como ejercicio terapéutico en Todos somos el rey Lear, de Guillermo Schmidhuber","authors":"Lourdes Betanzos","doi":"10.25009/IT.V12I19.2669","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2669","url":null,"abstract":"En Todos somos el rey Lear, escrita en 1979 y publicada en 1982, el dramaturgo mexicano Guillermo Schmidhuber de la Mora plantea clara intertextualidad con William Shakespeare. El presente estudio es una exploracion de como Schmidhuber teatraliza la creacion de hiperrealidad como proceso terapeutico no solo para ciertos personajes de la obra, sino tambien para el publico e, incluso, para el dramaturgo mismo. Con esta finalidad se emplean los conceptos de Jean Baudrillard sobre la hiperrealidad y el simulacro, las afirmaciones del mismo Schmidhuber sobre la dramaturgia, asi como tambien los conceptos psicologicos de Phil Jones sobre la drama-terapia y los efectos transformativos de este ejercicio teatral. Por medio de este proceso que resulta terapeutico, los personajes Millonario verdadero y Alvaro intentan enmendar los conflictos vitales que inquietan a ambos, a la par que el autor mismo negocia su identidad como dramaturgo. Theather as therapeutic exercise in We are all King Lear from Guillermo Schmidhuber Abstract In We are all King Lear, written in 1979 and published in 1982, the Mexican playwright Guillermo Schmidhuber de la Mora clearly lays out an intertextuality exercise in front of William Shakespeare’s work. This study is an exploration of how Schmidhuber dramatizes the creation of hyperreality as a therapeutic process not only for certain characters of the play, but also for the audience and even for the playwright himself. To carry out this exploration, the paper applies Baudrillard’s concepts of hyperreality and simulation, as well as some affirmations from Schmidhuber himself about dramaturgy, and some of Phil Jones’ psychological concepts regarding drama therapy and its transformative effects as a theatrical exercise. Through this therapeutic process, the characters Real Millionaire and Alvaro attempt to rectify the vital conflicts that unsettle them both, while the author himself negotiates his identity as a playwright. Recibido: 05 de octubre de 2020 Aceptado: 01 de febrero de 2021","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"567 1","pages":"44-61"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80563688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cuatro cuerpos para la construcción de personajes en la danza escénica 在舞台舞蹈中构建角色的四个身体

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2675

Sarahí Lay Trigo

{"title":"Cuatro cuerpos para la construcción de personajes en la danza escénica","authors":"Sarahí Lay Trigo","doi":"10.25009/IT.V12I19.2675","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2675","url":null,"abstract":"Construir un personaje en la danza escenica, en particular en la danza clasica, no es solo interpretar tecnicamente con el movimiento un personaje como Julieta, Odile, Giselle, Romeo, Oneguin o Albrecht. Para interpretar hay que ir mas alla. Profundizar en las emociones, expresar, comunicar, construir un aura especial de fluencia escenica. Por eso, el bailarin ha de aprender a fluir en el escenario junto con aquello que le toca personificar. Para lograr esa fluencia escenica, este trabajo propone el desarrollo y formacion de cuatro cuerpos que han de entrenarse para vivir plenamente la danza. Estos son: cuerpo fisico (mente-cuerpo), cuerpo emocional, cuerpo escenico y cuerpo escindido o “magico”. Four Bodies for Creating Characters in Dance Performing a characters in dance, specifically in classical dance, is not just setting a characters such as Juliet, Giselle, or Romeo in motion. To create a character in dance is an entirely different matter. Technical perfection is not enough, the dancer has to go further: become a channel of communication, go deeper into her emotions, to create an auric channel to stage-flow. This way, the person who dances can give shape to what she is personifying through her multicorporality. To accomplish such a process, this work proposes the development and training of four bodies: the physical body (mind-body), the emotional body, the stage body and the split or “magical” body. Recibido: 17 de abril de 2020 Aceptado: 23 de noviembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"23 1","pages":"98-118"},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84530229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Angélica Liddell: autonomía de la palabra y pensamiento trágico contemporáneo angelica里德尔:文字的自主性和当代悲剧思想

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2662

Fernanda del Monte Martínez

引用次数: 0

Rituales de tinta. Antología de dramaturgas mexicanas 墨水仪式。墨西哥女剧作家选集

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2670

Gabriela Ynclán

引用次数: 0

GeniePutt: Augmenting human motor skills through electrical muscle stimulation GeniePutt:通过肌肉电刺激增强人类运动技能

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IT-Information Technology Pub Date : 2021-05-22 DOI: 10.1515/itit-2020-0035

S. Faltaous, Aya Abdulmaksoud, Markus Kempe, Florian Alt, Stefan Schneegass

引用次数: 4

Features Application of the Dissection-Placing Method for Secure Data Storage in External Data Warehouses 解剖放置法在外部数据仓库安全存储中的应用

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IT-Information Technology Pub Date : 2021-05-18 DOI: 10.17587/IT.27.259-266

L. Arshinskiy, G. Shurkhovetsky

引用次数: 0

Multistage Open-Shop-Problem: Schedules for N Tasks on K Machines with Different Technical Characteristics for an Arbitrary order of Tasks 多阶段开放车间问题:K台不同技术特性机器上N个任务的任意顺序调度

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IT-Information Technology Pub Date : 2021-05-18 DOI: 10.17587/IT.27.249-258

Yu. A. Zack

{"title":"Multistage Open-Shop-Problem: Schedules for N Tasks on K Machines with Different Technical Characteristics for an Arbitrary order of Tasks","authors":"Yu. A. Zack","doi":"10.17587/IT.27.249-258","DOIUrl":"https://doi.org/10.17587/IT.27.249-258","url":null,"abstract":"The statements and mathematical models of the open — shop-problem are considered: performing N tasks on K machines with an arbitrary order of processing each task on all machines. Unlike most publications on solving this problem, the task posed is solved in a multi-stage formulation under the conditions of a sequential chain of sections and workshops of the enterprise, as well as in the presence of restrictions on the start and end times of tasks and the permissible operating times of machines. In addition, for scheduling systems of enterprises, it is extremely important to consider this task in a multi-stage setting, i.e. in a sequential chain of plots and workshops. The properties of admissible and optimal schedules, as well as algorithms of exact and approximate methods for solving these problems by successive optimization algorithms are investigated. At the early stages of solving the problem, the fact of incompatibility of the system of constraints of the task and the definition of a subset of tasks or resources, the time range of which should be expanded, is established. The described algorithms for solving the problem are illustrated by numerical examples.","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":"57 1","pages":"249-258"},"PeriodicalIF":0.9,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85240153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Object-Attribute Approach for Semantic Analysis of Natural Language 自然语言语义分析的对象-属性方法

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IT-Information Technology Pub Date : 2021-05-18 DOI: 10.17587/IT.27.267-274

S. Salibekyan

引用次数: 0

Optimization of Multi-Criterial Selection Algorithm with a Dynamically Filled Large Set of Alternatives 动态填充大备选项集的多准则选择算法优化

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IT-Information Technology Pub Date : 2021-05-18 DOI: 10.17587/IT.27.235-241

S. Kolesnikova, S. A. Karavanova

引用次数: 0