IT-Information Technology最新文献_第9页

Teatro japonés y religión: dos facetas del rito 日本戏剧与宗教:仪式的两个方面

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2667

Violetta Brázhnikova Tsybizova, F. Lucas

{"title":"Teatro japonés y religión: dos facetas del rito","authors":"Violetta Brázhnikova Tsybizova, F. Lucas","doi":"10.25009/IT.V12I19.2667","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2667","url":null,"abstract":"La danza ritual de la diosa Uzume se considera como la fuente legendaria del teatro nacional japones. La descripcion de como fue creado este genero forma parte de la narrativa del Kojiki, la primera compilacion japonesa de estas caracteristicas, que data del siglo VIII de nuestra era. En este articulo se presta especial atencion a la relacion entre el teatro tradicional japones y el Shintō, la religion autoctona, para hacer asi una aproximacion al origen mitologico de ambos fenomenos. Tambien se indaga en la compenetracion estetica y filosofica entre el teatro japones y las religiones llegadas desde el continente a las islas japonesas en tiempos posteriores. Japanese Theatre and Religion: Two Aspects of the Ritual Abstract Goddess Uzume’s ritual dance is considered the legendary source of Japanese national theatre. The description of how this genre was created is part of the narrative contained in Kojiki, the first Japanese compilation of its kind, from the 8th century A.D. Special attention is paid in this article to the relationship between traditional Japanese theatre and the native Shintō religion, addressing the mythological origin of both. Attention is also paid to the aesthetic and philosophical rapport between Japanese theatre and the religions that travelled from the mainland to the Japanese archipelago. Recibido: 05 de agosto de 2020 Aceptado: 19 de enero de 2021","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81120577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Rogerio Baruch Maldonado

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2661

Carlos Ortega Macías

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Teatro de ayer y hoy a escena, de José Romera Castillo

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2664

Raquel Gutiérrez Estupiñán

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I wonder where the dreams I don’t remember go, de Yoann Bourgeois 我想知道我不记得的梦去了哪里，德·约安·布尔乔亚

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2668

Yaeko Ramírez Tovar

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La ética colaborativa del displazement. La bioética del capitalismo cuestionada por la ética responsiva 错位的合作伦理。响应性伦理学质疑资本主义的生命伦理学

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2673

M. T. Rios, M. Toscano

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La violencia como medida disciplinaria extrema en Las dulces compañías, de Óscar Liera oscar Liera的《甜蜜公司中的暴力作为一种极端纪律措施》

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2666

Santos Javier Velázquez Hernández

{"title":"La violencia como medida disciplinaria extrema en Las dulces compañías, de Óscar Liera","authors":"Santos Javier Velázquez Hernández","doi":"10.25009/IT.V12I19.2666","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2666","url":null,"abstract":"Este articulo analiza dos obras del dramaturgo mexicano Oscar Liera, Bajo el silencio y Un misterioso pacto, desde la perspectiva de la historia cultural, a partir de la teoria en torno al poder de Michel Foucault. Se destaca la forma en que las disposiciones tradicionales emanadas del machismo, a traves de un grado irracional del poder –la modalidad instrumental para preservar el orden moral establecido es sobre todo la violencia fisica, cuando la violencia simbolica ha dejado de funcionar–, ejercen un dominio absoluto sobre el otro, el anormal. Con estas obras, Liera busco renovar tanto estetica como ideologicamente esta tematica en los anos ochenta. Violence as an Extreme Disciplinary Action in Las dulces companias, by Oscar Liera Abstract This article analyzes two works by Mexican playwright Oscar Liera: Bajo el silencio and Un misterioso pacto, from the perspective of cultural history, based on Michel Foucault’s theory on the technologies of power. The way in which the traditional dispositions emanating from “machismo”, through an irrational degree of power –the instrumental modality to preserve the established moral order is above all physical violence, when symbolic violence has ceased to function–, exercise absolute control over the other, the abnormal. With his plays, Liera sought to aesthetically and ideologically renew these topics within theatre of the eighties. Recibido: 25 de agosto de 2020 Aceptado: 10 de diciembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76969293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dramaturgia pandémica: Dos obras

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2676

Florencia A. Davidzon

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En defensa del concepto de “actuación estética” como actuación teatral verosímil 为“审美表演”的概念辩护，认为这是一种可信的戏剧表演

IF 0.9

IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2674

Gina Cima Vallarino, Juan C. González

{"title":"En defensa del concepto de “actuación estética” como actuación teatral verosímil","authors":"Gina Cima Vallarino, Juan C. González","doi":"10.25009/IT.V12I19.2674","DOIUrl":"https://doi.org/10.25009/IT.V12I19.2674","url":null,"abstract":"Este trabajo atane a la experiencia teatral desde la estetica y las ciencias cognitivas. Se defiende la idea de que la actuacion estetica puede ser entendida como actuacion verosimil. Si la experiencia estetica posee tres dimensiones –sensorial, conceptual y hedonista–, la verosimilitud en la actuacion se lograria en terminos de una estrecha y apropiada relacion entre ellas. La experiencia estetica del espectador seria, pues, una consecuencia de lo que este percibe, piensa y siente. A su vez, los estudios empiricos permiten establecer criterios objetivos de evaluacion para juzgar una actuacion como verosimil, tanto por parte del actor como del espectador. In Defense of the Concept of “Aesthetic Performance” as Truthful Theatrical Performance This work concerns Aesthetics and Cognitive Science. Furthermore, deals with theatrical issues, defending the idea that an aesthetic performance can be understood as a truthful performance. If the aesthetic experience has three dimensions –sensory, conceptual and hedonistic–, the truthfulness of the performance would be achieved thanks to a close and appropriate relationship between them. The aesthetic experience of the spectator would thus be a consequence of what he/she perceives, thinks and feels. At the same time, empirical studies allow to establish objective criteria of evaluation for judging the truthfulness of a performance, by both the actor and the spectator. Recibido: 03 de agosto de 2020 Aceptado: 14 de diciembre de 2020","PeriodicalId":43953,"journal":{"name":"IT-Information Technology","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85332570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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El grupo teatral Tepito Arte Acá, proyectos de prevención de la violencia y el delito 戏剧团体Tepito Arte aca，暴力和犯罪预防项目

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2671

Susana Meza Cosme

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Rituales de tinta. Antología de dramaturgas mexicanas 墨水仪式。墨西哥女剧作家选集

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IT-Information Technology Pub Date : 2021-05-23 DOI: 10.25009/IT.V12I19.2670

Gabriela Ynclán

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