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IF 0.2
Book History Pub Date : 2019-01-01 DOI: 10.1353/bh.2019.0014
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引用次数: 0
Between Autograph and Copy: Writing as Thinking on Papyrus 在签名与抄写之间:纸莎草上的书写与思考
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0000
Rachel Yuen-Collingridge
{"title":"Between Autograph and Copy: Writing as Thinking on Papyrus","authors":"Rachel Yuen-Collingridge","doi":"10.1353/BH.2018.0000","DOIUrl":"https://doi.org/10.1353/BH.2018.0000","url":null,"abstract":"Abstract:This paper examines at the physical traces of cognition left on papyrus manuscripts from Graeco-Roman Egypt. It borrows from theories developed in the cognitive sciences and philosophy which extend cognition beyond the brain to view it as a cooperation between mind and environment. Examined from this perspective, the classic opposition between scribe as wilful editor and scribe as pure medium for transmission breaks down. The invective of literary sources against the scribe as corruptor of text sits awkwardly with papyrus evidence which shows scribes acting as trusted allies in composition. This binary way of thinking of the scribal contribution to the transmission of knowledge might be alleviated by thinking of scribal practice as a cognitively rich collaboration between material and mind and by attending to physical traces of this engagement. In particular, this paper suggests that patterns of re-inking the stylus may correspond to sense breaks if the scribe is particularly conscious of or invested in a manuscript's content. If such is true, an examination of re-inking patterns may offer papyrologists a new technique to track scribal engagement in the content they produce.","PeriodicalId":43753,"journal":{"name":"Book History","volume":"21 1","pages":"1 - 28"},"PeriodicalIF":0.2,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/BH.2018.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43944504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Pilgrim’s Progress in the Huguenot Diaspora: French Protestants and the Transnational Commodification of English Nationalism 胡格诺派移民的朝圣历程:法国新教徒与英国民族主义的跨国商品化
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0001
Jeffrey R. Harris
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引用次数: 2
Marketing Maria Sibylla Merian, 1720–1800: Book Auctions, Gender, and Reading Culture in the Dutch Republic 玛丽亚·西比拉·梅里安,1720-1800:荷兰共和国的图书拍卖、性别和阅读文化
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0002
A. Montoya, R. Jagersma
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引用次数: 2
Composition as Explanation of Moby-Dick 作文对《白鲸》的阐释
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0004
Jerome McGann
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引用次数: 5
Lewis Carroll’s Taxonomy of Reading 刘易斯·卡罗尔的阅读分类
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0006
Katherine Wakely-Mulroney
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引用次数: 2
Mary Elizabeth Braddon at the Antipodes: Cosmopolitan Cultural Transfers and the Restructuring of the Nineteenth-Century Book Industry 玛丽·伊丽莎白·布莱登在两极:世界性的文化转移和19世纪图书工业的重组
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0005
A. Gabriele
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引用次数: 2
Photographs, Pens, and Print: William Morris and the Technologies of Typography 照片、笔和印刷:威廉·莫里斯和印刷技术
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0008
Anna A Wager
{"title":"Photographs, Pens, and Print: William Morris and the Technologies of Typography","authors":"Anna A Wager","doi":"10.1353/BH.2018.0008","DOIUrl":"https://doi.org/10.1353/BH.2018.0008","url":null,"abstract":"Abstract:In November 1888, influential printer and engraver Emery Walker gave a lecture on historical typefaces to the Arts and Crafts Exhibition Society, which featured lantern slide enlargements of early printed typographic examples. These enlargements prompted William Morris to try his hand at type design. This article reconsiders Morris’s turn to typography and printing through a focus on both the scale at which he designed, and the combined luxuries of intensive study and contemporary technology that allowed him to do so. In examining both the enlargement technologies that made Morris’s designs possible, and the vital role of handwriting in his type design, the interdependence of craft and technology at the Kelmscott Press emerges.","PeriodicalId":43753,"journal":{"name":"Book History","volume":"21 1","pages":"245 - 277"},"PeriodicalIF":0.2,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/BH.2018.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47136810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Publishing Jews at Knopf 在克诺夫出版犹太人
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0011
Josh Lambert
{"title":"Publishing Jews at Knopf","authors":"Josh Lambert","doi":"10.1353/BH.2018.0011","DOIUrl":"https://doi.org/10.1353/BH.2018.0011","url":null,"abstract":"Abstract:Alfred A. Knopf, Inc. is one of the most prestigious and influential publishing houses in the United States—and it was founded and has been largely staffed by Jews. These Knopf, Inc. staff members were regularly faced with the question of what kind of books about Jews should be published by a nonsectarian house like theirs, with famously high artistic and commercial standards. Thus the extensive Knopf, Inc. editorial records constitute an extraordinary archive reflecting the shaping of the “horizon of the publishable,” in this case in terms of representations of Jews in America. Knopf, Inc. editors envisioned a specifically Jewish market for books, which they saw as one they could and should address. They understood that Jewish market not through data but through personal experience, and consequently published European Jewish literature in translation while remaining skeptical of works treating Jewish life in America. References to Alfred Knopf’s Jewishness also served as a defense for authors accused of anti-Semitism, including H. L. Mencken and Raymond Chandler. As a whole, the case of Knopf, Inc. begins to answer the question of how and why it matters that throughout the twentieth century, Jews became increasingly prominent in the field of American publishing.","PeriodicalId":43753,"journal":{"name":"Book History","volume":"21 1","pages":"343 - 369"},"PeriodicalIF":0.2,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/BH.2018.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48825662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Some Assembly Required: Suspending and Extending the Book with Cavafy’s Collections 需要一些组装:用Cavafy的收藏品悬挂和扩展这本书
IF 0.2
Book History Pub Date : 2018-12-04 DOI: 10.1353/BH.2018.0009
William Stroebel
{"title":"Some Assembly Required: Suspending and Extending the Book with Cavafy’s Collections","authors":"William Stroebel","doi":"10.1353/BH.2018.0009","DOIUrl":"https://doi.org/10.1353/BH.2018.0009","url":null,"abstract":"Abstract:Constantine Cavafy, who identified as “Hellenic” but lived in Egypt, never published a commercial book. Instead, he circulated hundreds of copies of a dozen different hand-made editions whose assemblage was radically fluid: they utilized multiple bindings, drew together multiple media, experimented with alternative orderings of the poems, and shifted through multiple imprints and revisions within each copy of each edition. This fluidity continued without any aim of final consolidation until Cavafy’s death. Only thirty years later, in the early 1960s, did the philologist George Savidis publish what we now call the complete edition, yet it stands as a false witness to the nature of Cavafy’s own editions. Through a combination of close reading, analytical bibliography, and historical contextualization, the present paper argues that Cavafy’s books functioned not as closed objects but open-ended assemblages, suspending consolidation and extending composition indefinitely. This suspension and extension occurred even as the books circulated. This last point is crucial, for in this way Cavafy’s assemblages subtly invited other agents, such as printers, binders, and readers, to join the process of creation and revision. Their agencies have remained unexplored by Cavafy scholarship, where the figure of the author looms large.","PeriodicalId":43753,"journal":{"name":"Book History","volume":"21 1","pages":"278 - 316"},"PeriodicalIF":0.2,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/BH.2018.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46872491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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