{"title":"照片、笔和印刷:威廉·莫里斯和印刷技术","authors":"Anna A Wager","doi":"10.1353/BH.2018.0008","DOIUrl":null,"url":null,"abstract":"Abstract:In November 1888, influential printer and engraver Emery Walker gave a lecture on historical typefaces to the Arts and Crafts Exhibition Society, which featured lantern slide enlargements of early printed typographic examples. These enlargements prompted William Morris to try his hand at type design. This article reconsiders Morris’s turn to typography and printing through a focus on both the scale at which he designed, and the combined luxuries of intensive study and contemporary technology that allowed him to do so. In examining both the enlargement technologies that made Morris’s designs possible, and the vital role of handwriting in his type design, the interdependence of craft and technology at the Kelmscott Press emerges.","PeriodicalId":43753,"journal":{"name":"Book History","volume":"21 1","pages":"245 - 277"},"PeriodicalIF":0.5000,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/BH.2018.0008","citationCount":"1","resultStr":"{\"title\":\"Photographs, Pens, and Print: William Morris and the Technologies of Typography\",\"authors\":\"Anna A Wager\",\"doi\":\"10.1353/BH.2018.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In November 1888, influential printer and engraver Emery Walker gave a lecture on historical typefaces to the Arts and Crafts Exhibition Society, which featured lantern slide enlargements of early printed typographic examples. These enlargements prompted William Morris to try his hand at type design. This article reconsiders Morris’s turn to typography and printing through a focus on both the scale at which he designed, and the combined luxuries of intensive study and contemporary technology that allowed him to do so. In examining both the enlargement technologies that made Morris’s designs possible, and the vital role of handwriting in his type design, the interdependence of craft and technology at the Kelmscott Press emerges.\",\"PeriodicalId\":43753,\"journal\":{\"name\":\"Book History\",\"volume\":\"21 1\",\"pages\":\"245 - 277\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2018-12-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/BH.2018.0008\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Book History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/BH.2018.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Book History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/BH.2018.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 1
摘要
摘要:1888年11月,有影响力的印刷和雕刻家埃默里·沃克(Emery Walker)在艺术与工艺展览协会(Arts and Crafts Exhibition Society)上做了一个关于历史字体的讲座,演讲中展示了早期印刷字体的幻灯片放大图。这些放大的字体促使威廉·莫里斯尝试设计字体。这篇文章通过关注莫里斯设计的规模,以及使他能够这样做的密集研究和当代技术的结合,重新考虑了他对排版和印刷的转向。通过研究使莫里斯的设计成为可能的放大技术,以及手写在他的字体设计中的重要作用,Kelmscott出版社的工艺和技术的相互依存关系出现了。
Photographs, Pens, and Print: William Morris and the Technologies of Typography
Abstract:In November 1888, influential printer and engraver Emery Walker gave a lecture on historical typefaces to the Arts and Crafts Exhibition Society, which featured lantern slide enlargements of early printed typographic examples. These enlargements prompted William Morris to try his hand at type design. This article reconsiders Morris’s turn to typography and printing through a focus on both the scale at which he designed, and the combined luxuries of intensive study and contemporary technology that allowed him to do so. In examining both the enlargement technologies that made Morris’s designs possible, and the vital role of handwriting in his type design, the interdependence of craft and technology at the Kelmscott Press emerges.