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Experiencing Armenian Music in Turkey: An Ethnography of Musicultural Memory by Burcu Yıldız (review) 在土耳其体验亚美尼亚音乐:Burcu的音乐文化记忆民族志Yıldız(评论)
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2020-01-13 DOI: 10.1353/amu.2020.0005
E. Bates
{"title":"Experiencing Armenian Music in Turkey: An Ethnography of Musicultural Memory by Burcu Yıldız (review)","authors":"E. Bates","doi":"10.1353/amu.2020.0005","DOIUrl":"https://doi.org/10.1353/amu.2020.0005","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"51 1","pages":"121 - 125"},"PeriodicalIF":0.3,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2020.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47565752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Resilient Music at the Margins, Vols 1–3 by José S. Buenconsejo (review) 《边缘的弹性音乐》，第1-3卷，作者:jos<s:1> S. Buenconsejo
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2020-01-13 DOI: 10.1353/amu.2020.0009
Mary Talusan
{"title":"Resilient Music at the Margins, Vols 1–3 by José S. Buenconsejo (review)","authors":"Mary Talusan","doi":"10.1353/amu.2020.0009","DOIUrl":"https://doi.org/10.1353/amu.2020.0009","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"51 1","pages":"142 - 147"},"PeriodicalIF":0.3,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/amu.2020.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49175238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alain Daniélou: Into the Labyrinth dir. by Riccardo Biadene (review) 阿兰·达尼埃卢：走进迷宫导演里卡多·比亚德内（评论）
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0019
Leonardo D’Amico
{"title":"Alain Daniélou: Into the Labyrinth dir. by Riccardo Biadene (review)","authors":"Leonardo D’Amico","doi":"10.1353/AMU.2019.0019","DOIUrl":"https://doi.org/10.1353/AMU.2019.0019","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"170 - 175"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0019","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49368437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gifts from the Waves? Cultural Identity, the Rise of Performing Arts Communities, and Women's Performance Practice in Post-tsunami Aceh 来自海浪的礼物?文化认同，表演艺术社区的兴起，以及海啸后亚齐省妇女的表演实践
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0016
Maho A. Ishiguro
{"title":"Gifts from the Waves? Cultural Identity, the Rise of Performing Arts Communities, and Women's Performance Practice in Post-tsunami Aceh","authors":"Maho A. Ishiguro","doi":"10.1353/AMU.2019.0016","DOIUrl":"https://doi.org/10.1353/AMU.2019.0016","url":null,"abstract":"Abstract:This article examines how the performing arts have changed in Banda Aceh since the time of the tsunami (2004–16). It discusses how Acehnese musicians and dancers negotiate their creativity and livelihoods in relation to the sociopolitical and religious transformations they have experienced in last 12 years. These transformations have resulted in the recognition of the performing arts as an expression of Acehnese cultural identity, the rise of sanggar, and the impact of changes in the religious climate on women's performing arts. Finally, it presents four strategies performers use to negotiate the changing performance context in Banda Aceh today.Abstract:Di dalam artikel ini, saya melihat perubahan-perubahan dalam seni pertunjukan yang terjadi di Banda Aceh sejak setelah tsunami Aceh (2004–16). Saya membicarakan tentang kreativitas dan kehidupan para pemusik serta para penari di Aceh yang disesuaikan dengan aspek sosial, politik dan agama yang mereka alami selama 12 tahun terakhir. Hasil dari perubahan-perubahan tersebut membuat seni pertunjukan Aceh sebagai identitas budaya Aceh di masa kini. Ini juga tercermin antara lain dengan adanya perkembangan sanggar-sanggar seni di Banda Aceh. Dampak dari perubahan-perubahan tersebut juga bisa dilihat ketika para perempuan yang berkesenian akan selalu menyesuaikan dengan perkembangan agama yang berlaku dalam masyarakat Aceh. Oleh karena itu, saya mendiskusikan empat cara bagaimana para pelatih seni di Banda Aceh menyikapi perubahan-perubahan tersebut dalam konteks seni pertunjukan.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"121 - 90"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45061341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Gender Wayang Music of Bapak I Wayan Loceng from Sukawati, Bali: A Musical Biography, Musical Ethnography, and Critical Edition by Brita Renée Heimarck (review) 来自巴厘岛苏卡瓦提的巴巴克·I·瓦扬·洛曾的性别Wayang音乐:音乐传记、音乐人种学和评论版，作者:Brita rensame heimmark(评论)
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0023
Meghan Hynson
{"title":"Gender Wayang Music of Bapak I Wayan Loceng from Sukawati, Bali: A Musical Biography, Musical Ethnography, and Critical Edition by Brita Renée Heimarck (review)","authors":"Meghan Hynson","doi":"10.1353/AMU.2019.0023","DOIUrl":"https://doi.org/10.1353/AMU.2019.0023","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"161 - 163"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0023","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47455574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Asakusa-Tsugaru-jamisen: Musical Place Making and Conceptual Blending in Twenty-First-Century Tokyo 浅草-津garu-jamisen:二十一世纪东京的音乐场所制造与概念融合
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0015
Megan Hill
{"title":"Asakusa-Tsugaru-jamisen: Musical Place Making and Conceptual Blending in Twenty-First-Century Tokyo","authors":"Megan Hill","doi":"10.1353/AMU.2019.0015","DOIUrl":"https://doi.org/10.1353/AMU.2019.0015","url":null,"abstract":"Abstract:Master player Fukui Kōdai uses Tsugaru-jamisen to create a rustic and traditional-Japanese sense of place at his restaurant, Waentei Kikkō, in the Tokyo neighborhood of Asakusa. However, the historical status of the shamisen in Asakusa and the present-day popularity of Tsugaru-jamisen among Japanese youth complicate Fukui's musical place making. These factors create contradictions in how time period, genre categories, and geography conceptually define the restaurant for contemporary visitors. This article proposes to resolve these contradictions by introducing the idea of conceptual blending, demonstrating how Fukui's musical restaurant encompasses both past and present, urban and rural, remote and local, Japanese and global.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"58 - 89"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0015","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48435388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Neutralizing Temporary Inequities in Moral Status: Chinese Street Singers and the Gift Economy 化解道德地位的暂时不平等：中国街头歌手与礼品经济
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0013
Samuel Horlor
{"title":"Neutralizing Temporary Inequities in Moral Status: Chinese Street Singers and the Gift Economy","authors":"Samuel Horlor","doi":"10.1353/AMU.2019.0013","DOIUrl":"https://doi.org/10.1353/AMU.2019.0013","url":null,"abstract":"Abstract:The cash tips that audience members offer to singers are a central part of the informal performances of popular songs held daily in public spaces of Wuhan, China. The singing, plus various forms of attention and material offerings, temporarily raise performers' moral status over that of audience members, inspiring reciprocal obligations that are neutralized by the giving of cash. By understanding the money as gifts rather than as part of transactions, the article explores the interpersonal dimensions of economic dealings around the music. Reciprocal obligations, rather than notions of collective belonging, are the main focal point for social meaning here.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"3 - 32"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47049704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Qin Music: Two Recordings 秦乐:二录
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0021
A. Judd
{"title":"Qin Music: Two Recordings","authors":"A. Judd","doi":"10.1353/AMU.2019.0021","DOIUrl":"https://doi.org/10.1353/AMU.2019.0021","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"175 - 177"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0021","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41951367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Funeral of King Rama IX: Mourning and the Thai State 拉玛九世国王葬礼：哀悼与泰国政府
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0017
S. D. Adler, D. Wong
{"title":"The Funeral of King Rama IX: Mourning and the Thai State","authors":"S. D. Adler, D. Wong","doi":"10.1353/AMU.2019.0017","DOIUrl":"https://doi.org/10.1353/AMU.2019.0017","url":null,"abstract":"Abstract:The royal funeral for HRH King Bhumibol Adulyadej (King Rama IX) of the Chakri dynasty of Thailand was held on October 25–29, 2017. Based on ethnographic research, we describe the sprawling and immersive character of the funeral and the national mourning that it demanded. This article concerns the five days of the official royal funeral. We offer an overview of the many kinds of music, dance, and performance featured in the funeral, with an eye to the long histories of royal performance in mainland Southeast Asia.Abstract:","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"122 - 160"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48024955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
China with a Cut: Globalisation, Urban Youth and Popular Music by Jeroen de Kloet (review) Jeroen de Kloet的《带切口的中国：全球化、城市青年与流行音乐》（评论）
IF 0.3 2区 艺术学
ASIAN MUSIC Pub Date : 2019-06-25 DOI: 10.1353/AMU.2019.0022
Luo Mei
{"title":"China with a Cut: Globalisation, Urban Youth and Popular Music by Jeroen de Kloet (review)","authors":"Luo Mei","doi":"10.1353/AMU.2019.0022","DOIUrl":"https://doi.org/10.1353/AMU.2019.0022","url":null,"abstract":"","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"164 - 166"},"PeriodicalIF":0.3,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0022","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45812813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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