{"title":"Neutralizing Temporary Inequities in Moral Status: Chinese Street Singers and the Gift Economy","authors":"Samuel Horlor","doi":"10.1353/AMU.2019.0013","DOIUrl":null,"url":null,"abstract":"Abstract:The cash tips that audience members offer to singers are a central part of the informal performances of popular songs held daily in public spaces of Wuhan, China. The singing, plus various forms of attention and material offerings, temporarily raise performers' moral status over that of audience members, inspiring reciprocal obligations that are neutralized by the giving of cash. By understanding the money as gifts rather than as part of transactions, the article explores the interpersonal dimensions of economic dealings around the music. Reciprocal obligations, rather than notions of collective belonging, are the main focal point for social meaning here.","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"3 - 32"},"PeriodicalIF":0.2000,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0013","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIAN MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/AMU.2019.0013","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 3
Abstract
Abstract:The cash tips that audience members offer to singers are a central part of the informal performances of popular songs held daily in public spaces of Wuhan, China. The singing, plus various forms of attention and material offerings, temporarily raise performers' moral status over that of audience members, inspiring reciprocal obligations that are neutralized by the giving of cash. By understanding the money as gifts rather than as part of transactions, the article explores the interpersonal dimensions of economic dealings around the music. Reciprocal obligations, rather than notions of collective belonging, are the main focal point for social meaning here.