Studies in Documentary Film最新文献_第4页

Cinematic journalism: the political economy and ‘emotional truth’ of documentary film 电影新闻学:纪录片的政治经济学和“情感真相”

IF 0.6

Studies in Documentary Film Pub Date : 2023-10-24 DOI: 10.1080/17503280.2023.2270988

Gino Canella

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Historicizing twenty-first century documentary: A review of Jihoon Kim’s Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary and Kate Nash’s Interactive Documentary: Theory and Debate 21世纪纪录片的历史化:金纪勋纪录片的《扩展领域:新媒体与21世纪纪录片》与凯特·纳什纪录片的《互动纪录片:理论与辩论》述评

IF 0.6

Studies in Documentary Film Pub Date : 2023-10-19 DOI: 10.1080/17503280.2023.2270945

Daniel Rudin

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(Im)possible movements. Migratory flows and digital flows in contemporary documentary cinema （Im）可能的运动。当代纪录片电影中的迁徙流与数字流

IF 0.6

Studies in Documentary Film Pub Date : 2023-10-18 DOI: 10.1080/17503280.2023.2270964

Gala Hernández López

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Experiences of migration from Turkey to Germany: the female guest worker in contemporary documentaries 从土耳其移民到德国的经历：当代纪录片中的女性客工

IF 0.6

Studies in Documentary Film Pub Date : 2023-09-30 DOI: 10.1080/17503280.2023.2253574

Sirin Fulya Erensoy

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Worrying about China: storytelling, humanitarian intervention and the global circulation of independent Chinese documentary 为中国担忧:讲故事、人道主义干预与中国独立纪录片的全球发行

Studies in Documentary Film Pub Date : 2023-09-15 DOI: 10.1080/17503280.2023.2249590

Luke Robinson

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The truth of reenactments: reliving, reconstructing, and contesting history in documentaries on genocide 重演的真相：在种族灭绝纪录片中重温、重建和质疑历史

IF 0.6

Studies in Documentary Film Pub Date : 2023-08-28 DOI: 10.1080/17503280.2023.2244131

Juliann Koch

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The politics of video intimacy: Julie Gustafson’s feminist documentary practice 视频亲密的政治:朱莉·古斯塔夫森的女权主义纪录片实践

IF 0.6

Studies in Documentary Film Pub Date : 2023-05-29 DOI: 10.1080/17503280.2023.2217622

Rachel Fabian

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引用次数: 0

Documentary film as memory/memento mori in Aslaug Holm’s Brothers (Brødre) 纪录片作为记忆/纪念森在Aslaug Holm的兄弟（Brødre）

IF 0.6

Studies in Documentary Film Pub Date : 2023-03-15 DOI: 10.1080/17503280.2023.2185921

Aténé Mendelyté

{"title":"Documentary film as memory/memento mori in Aslaug Holm’s Brothers (Brødre)","authors":"Aténé Mendelyté","doi":"10.1080/17503280.2023.2185921","DOIUrl":"https://doi.org/10.1080/17503280.2023.2185921","url":null,"abstract":"ABSTRACT Seeing documentary film as an object for remembering and resurrecting the past is a complex issue touching upon questions pertaining to the ontology of photographic capturing, its ways of becoming an index, means of reinventing/fabricating the past through narrative and how such shared, cultural conventions impinge on the personal sphere, i.e. the singularity and authenticity of the experience preserved. While some past and present key media theorists regard such cinematization of memory as either a reduced or falsified form of pastness, I argue, employing Edward S. Casey’s influential phenomenological study of mnemonic modes and taking Aslaug Holm’s (auto)biographical documentary Brothers (Brødre, 2015) as an outstanding example, that documentary as an object perceived by a specific (not abstracted) consciousness is multiple and functions as a virtual reservoir for potential complex acts of memory to occur – it enlivens, not reduces one’s engagement with the past. Brothers is seen as both a form of reminiscence vehicle and commemoration vehicle. I furthermore identify a new mode of memory manifest in the film, not discussed by Casey, and its related object – anterior reminding and memento mori – which preserves the past and alludes to the future, this way determining what that past shall have been.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"269 - 284"},"PeriodicalIF":0.6,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42828503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Autopoiesis through agency in virtual reality nonfiction 虚拟现实非虚构作品中通过代理实现的自创生

IF 0.6

Studies in Documentary Film Pub Date : 2023-03-11 DOI: 10.1080/17503280.2023.2185922

Andrew Simon Tucker, M. Kiss

{"title":"Autopoiesis through agency in virtual reality nonfiction","authors":"Andrew Simon Tucker, M. Kiss","doi":"10.1080/17503280.2023.2185922","DOIUrl":"https://doi.org/10.1080/17503280.2023.2185922","url":null,"abstract":"ABSTRACT Documentary filmmakers are gradually embracing immersive media to create novel Virtual Reality Nonfiction (VRNF) content. Over the past twenty years initial experimentation in this new medium has brought forward numerous linearly structured 360° documentaries that maintain a close link to traditional documentary modes. More recently, we have observed a shift from the relatively passive 360° cinema towards more open-world, non-linear, game-like interactive experiences that challenge traditional definitions of the documentary genre. Volumetric world-building techniques provide nonfiction creators with additional tools that afford ‘viewer-users’ spatial and interactive agency, leading to a heightened autopoietic realisation of the storyworld. VRNF creators have the potential to allow their viewer-users enhanced control over framing, temporal ordering of the plot and spatial unfolding of the diegetic world, thus inviting them to become actual co-creators of a deeply personal and personalized experience. This article addresses how VRNF may go beyond the mere ‘documentation’ of people, places or past events that existed in a pre-filmic reality and provide viewer-users through augmented agency a unique present-tense autopoietic experience that pushes the boundaries of traditional 2D documentary.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"285 - 303"},"PeriodicalIF":0.6,"publicationDate":"2023-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45935635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From homonationalism to shame in the Israeli documentary Jonathan Agassi Saved My Life 从谐音到以色列纪录片《阿加西救了我的命》中的羞耻

IF 0.6

Studies in Documentary Film Pub Date : 2023-02-15 DOI: 10.1080/17503280.2023.2178609

R. Yosef

引用次数: 0