{"title":"‘And then … ’: new media’s conspiracy theories and counternarratives in Loose Change and The Power of Nightmares","authors":"Peter Bath","doi":"10.1080/17503280.2024.2412146","DOIUrl":"https://doi.org/10.1080/17503280.2024.2412146","url":null,"abstract":"This paper re-asserts the politically contested status of new media as a site of both conspiracy theories and counterhegemonic narratives through analyses of Dylan Avery’s Loose Change and Adam Cur...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"4 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142536750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"South Korean Documentary Cinema and remembrance: the past in the present, at Jeonju Film Festival 2024","authors":"Patricia Aufderheide","doi":"10.1080/17503280.2024.2411765","DOIUrl":"https://doi.org/10.1080/17503280.2024.2411765","url":null,"abstract":"Korean documentary film has historically both been designed as a contribution to political life and also as a creative exploration in the growing film industry. Documentary in the service of politi...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"32 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142451541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The image of the absent narrators: personal migrant memories in Žilnik’s docu-experiments","authors":"Boris Ružić","doi":"10.1080/17503280.2024.2378251","DOIUrl":"https://doi.org/10.1080/17503280.2024.2378251","url":null,"abstract":"The study is concerned with the possibility of reframing the visibility of migrants onscreen in Želimir Žilnik’s documentary films. It is claimed that Žilnik’s selected works such as the Kennedi tr...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"75 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141730701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring the empathic potential of 360-degree documentary","authors":"Danai Mikelli","doi":"10.1080/17503280.2024.2375464","DOIUrl":"https://doi.org/10.1080/17503280.2024.2375464","url":null,"abstract":"This paper provides an exploration of the creative and ethical challenges that emerged from producing a 360-degree documentary demo, focusing on two Greek drag artists who live in Athens. It introd...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"137 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141631638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The cinema of Rithy Panh: everything has a soul","authors":"Álvaro Martín Sanz","doi":"10.1080/17503280.2024.2359735","DOIUrl":"https://doi.org/10.1080/17503280.2024.2359735","url":null,"abstract":"Published in Studies in Documentary Film (Ahead of Print, 2024)","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"44 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141436119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cinematic hometactics: negotiating belonging in first-person documentary","authors":"Nadica Denić","doi":"10.1080/17503280.2024.2350603","DOIUrl":"https://doi.org/10.1080/17503280.2024.2350603","url":null,"abstract":"This article approaches first-person filmmaking as a potential home-making practice – a hometactic – that can actively negotiate reality to set forth new modes of belonging. With a focus on negotia...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"19 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Speculative worlds: anthropocentric realities and world-building in speculative documentaries","authors":"Eneos Çarka","doi":"10.1080/17503280.2024.2318803","DOIUrl":"https://doi.org/10.1080/17503280.2024.2318803","url":null,"abstract":"This paper examines the anti-anthropocentric world-building in documentaries that employ aspeculative mode of inquiry and reckon with the ecological crisis. Dubbed speculative documentaries, they m...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"8 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140142169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Working inside/out films division: the discursive documentary practices of Joshy Joseph","authors":"Rajesh James","doi":"10.1080/17503280.2024.2305265","DOIUrl":"https://doi.org/10.1080/17503280.2024.2305265","url":null,"abstract":"Films Division stands as one of the pioneering institutions in post-independent India that played a crucial role in shaping and envisioning the country's identity as a post-colonial nation. Establi...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"18 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139898812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Explaining aversion to true crime documentaries: why do audiences refuse to watch them?","authors":"M.T. Soto-Sanfiel, Diego F. Montoya-Bermúdez","doi":"10.1080/17503280.2023.2295040","DOIUrl":"https://doi.org/10.1080/17503280.2023.2295040","url":null,"abstract":"Despite the widespread fascination with media content, scholarly attention often overlooks aversion, refusal, or resistance to it. This qualitative study explores the rejection of True Crime docume...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"735 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138679568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The same and the Others in Eduardo Coutinho’s\u0000 Jogo de Cena\u0000 . Hospitality to the word","authors":"Luis Fernando Botía","doi":"10.1080/17503280.2023.2294396","DOIUrl":"https://doi.org/10.1080/17503280.2023.2294396","url":null,"abstract":"","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"26 38","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138966048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}