{"title":"Resistance in Indian Documentary Film: Aesthetics, Culture and Practice","authors":"Anish Mundra, Shyamkiran Kaur","doi":"10.1080/17503280.2025.2456352","DOIUrl":"https://doi.org/10.1080/17503280.2025.2456352","url":null,"abstract":"","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"37 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Image, oral testimony, and the workings of (post)colonial memory in Diana Andringa’s microhistorical documentaries","authors":"Miguel Mesquita Duarte","doi":"10.1080/17503280.2025.2457184","DOIUrl":"https://doi.org/10.1080/17503280.2025.2457184","url":null,"abstract":"","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"172 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2025-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘And then … ’: new media’s conspiracy theories and counternarratives in Loose Change and The Power of Nightmares","authors":"Peter Bath","doi":"10.1080/17503280.2024.2412146","DOIUrl":"https://doi.org/10.1080/17503280.2024.2412146","url":null,"abstract":"This paper re-asserts the politically contested status of new media as a site of both conspiracy theories and counterhegemonic narratives through analyses of Dylan Avery’s Loose Change and Adam Cur...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"4 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142536750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"South Korean Documentary Cinema and remembrance: the past in the present, at Jeonju Film Festival 2024","authors":"Patricia Aufderheide","doi":"10.1080/17503280.2024.2411765","DOIUrl":"https://doi.org/10.1080/17503280.2024.2411765","url":null,"abstract":"Korean documentary film has historically both been designed as a contribution to political life and also as a creative exploration in the growing film industry. Documentary in the service of politi...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"32 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142451541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The image of the absent narrators: personal migrant memories in Žilnik’s docu-experiments","authors":"Boris Ružić","doi":"10.1080/17503280.2024.2378251","DOIUrl":"https://doi.org/10.1080/17503280.2024.2378251","url":null,"abstract":"The study is concerned with the possibility of reframing the visibility of migrants onscreen in Želimir Žilnik’s documentary films. It is claimed that Žilnik’s selected works such as the Kennedi tr...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"75 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141730701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring the empathic potential of 360-degree documentary","authors":"Danai Mikelli","doi":"10.1080/17503280.2024.2375464","DOIUrl":"https://doi.org/10.1080/17503280.2024.2375464","url":null,"abstract":"This paper provides an exploration of the creative and ethical challenges that emerged from producing a 360-degree documentary demo, focusing on two Greek drag artists who live in Athens. It introd...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"137 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141631638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The cinema of Rithy Panh: everything has a soul","authors":"Álvaro Martín Sanz","doi":"10.1080/17503280.2024.2359735","DOIUrl":"https://doi.org/10.1080/17503280.2024.2359735","url":null,"abstract":"Published in Studies in Documentary Film (Ahead of Print, 2024)","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"44 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141436119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}