{"title":"Deepfakes in documentary film production: images of deception in the representation of the real","authors":"Dominic Lees","doi":"10.1080/17503280.2023.2284680","DOIUrl":"https://doi.org/10.1080/17503280.2023.2284680","url":null,"abstract":"Deepfakes are a technological innovation that might be understood to violate the documentary film’s relationship with the real. Yet documentary makers have been among the first screen producers to ...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"111 21","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138455120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Making room for empathy in contemporary virtual reality cinema","authors":"Philippe Bédard","doi":"10.1080/17503280.2023.2270957","DOIUrl":"https://doi.org/10.1080/17503280.2023.2270957","url":null,"abstract":"This article seeks to redeem the idea that virtual reality (VR) might serve to foster empathy by rethinking both the notion of empathy and the ways contemporary VR films have attempted to generate ...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"1 12","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138297725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Collaborative modes of audiovisual media: literature review and conceptual proposal","authors":"Juanjo Balaguer, Jordi Alberich-Pascual","doi":"10.1080/17503280.2023.2272772","DOIUrl":"https://doi.org/10.1080/17503280.2023.2272772","url":null,"abstract":"There is no consensus on the definition of participatory or collaborative practices in relation to audiovisual media. The same term has been used to name a range of similar practices although they ...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"59 5","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71474898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cinematic journalism: the political economy and ‘emotional truth’ of documentary film","authors":"Gino Canella","doi":"10.1080/17503280.2023.2270988","DOIUrl":"https://doi.org/10.1080/17503280.2023.2270988","url":null,"abstract":"News organizations in recent years have embraced documentary film. From streaming ventures to Academy Award nominations, newsrooms are producing documentaries to reach new audiences and maintain th...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"2 7","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71417730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Historicizing twenty-first century documentary: A review of Jihoon Kim’s Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary and Kate Nash’s Interactive Documentary: Theory and Debate","authors":"Daniel Rudin","doi":"10.1080/17503280.2023.2270945","DOIUrl":"https://doi.org/10.1080/17503280.2023.2270945","url":null,"abstract":"What counts as documentary in the twenty-first century? More importantly, is documentary studies capable of contributing to a discourse that can both define the contours of and point beyond the pas...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"11 40","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71416937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"(Im)possible movements. Migratory flows and digital flows in contemporary documentary cinema","authors":"Gala Hernández López","doi":"10.1080/17503280.2023.2270964","DOIUrl":"https://doi.org/10.1080/17503280.2023.2270964","url":null,"abstract":"This paper addresses some fundamental aesthetic (and thus political) questions which arise when faced with the problem of the representation of migratory flows in documentary cinema: how to represe...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"9 11","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Experiences of migration from Turkey to Germany: the female guest worker in contemporary documentaries","authors":"Sirin Fulya Erensoy","doi":"10.1080/17503280.2023.2253574","DOIUrl":"https://doi.org/10.1080/17503280.2023.2253574","url":null,"abstract":"This article examines two documentaries that go beyond the audio-visual canon representing the guest worker from Turkey to Germany. Look, Listen Carefully (Özlem Sarıyıldız, 2021) and Gurbet is a H...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"8 7","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Worrying about China: storytelling, humanitarian intervention and the global circulation of independent Chinese documentary","authors":"Luke Robinson","doi":"10.1080/17503280.2023.2249590","DOIUrl":"https://doi.org/10.1080/17503280.2023.2249590","url":null,"abstract":"This article explores the impact of cross-border collaboration on independent Chinese documentary. Through a study of Wang Jiuliang’s Plastic China, I argue that the film, which passed through training events run by CNEX and the Sundance Institute’s Documentary Film Programme in China, bears the formal impact of the industrial-humanitarian logic central to these workshops: character-driven storytelling as the key to generating a global Anglophone public for independent Chinese documentary. Tracing this logic through the workshop mechanism, the film’s form, and audience reactions to its screening in the UK, I suggest the result is a viewer response privileging personal action over structural critique—what in this context I term “worrying about China.” This allows me to locate the documentary in relation to broader liberal arguments over China’s place in the world system and assess the limitations of this approach to “going global” for independent Chinese documentary.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"2012 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135395164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The truth of reenactments: reliving, reconstructing, and contesting history in documentaries on genocide","authors":"Juliann Koch","doi":"10.1080/17503280.2023.2244131","DOIUrl":"https://doi.org/10.1080/17503280.2023.2244131","url":null,"abstract":"ABSTRACT This article seeks to renegotiate the relationship between reenactment, truth, history, and the archive in documentaries on genocide. It moves away from the common binaries surrounding the supposed creativity and fictionality of reenactments as opposed to the evidentiary and static archive, and instead reads reenactments as facilitating access to truth. Through four case studies of Claude Lanzmann’s Shoah (1985), Laurence Rees’s Auschwitz: The Nazis and the ‘Final Solution’ (2005), Rithy Panh’s The Missing Picture (2013), and Joshua Oppenheimer’s The Act of Killing (2012), it contends that reenactments in documentaries on genocide problematize the associations of an image’s supposed indexical link to a past event with truth. Instead, reenactments confront us with the constructed nature of historical narrative and enable us to see affective, factual, and ethical truths of the past unavailable through the archive.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"320 - 337"},"PeriodicalIF":0.6,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45538782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The politics of video intimacy: Julie Gustafson’s feminist documentary practice","authors":"Rachel Fabian","doi":"10.1080/17503280.2023.2217622","DOIUrl":"https://doi.org/10.1080/17503280.2023.2217622","url":null,"abstract":"ABSTRACT This article historicizes and theorizes the feminist documentary practice of Julie Gustafson, focusing on The Politics of Intimacy: Ten Women Talk About Orgasm and Sexuality (US, 1973) and Desire (US, 2005). Employing archival research and original interviews with Gustafson, it argues that both works interrogate intimacy’s use value for navigating new modes of documentary witnessing afforded by video. It begins by contextualizing The Politics of Intimacy’s modes of ‘intimate witnessing’ in relation to 1970s guerrilla TV movements, feminist documentary filmmaking, and women’s video art, as well as in terms of Gustafson’s involvement in the Manhattan-based Global Village Video Resource Center. It then analyzes how The Politics of Intimacy utilizes a ‘voice-centered’ feminist documentary method, which foregrounds video’s intimate appeals and polyvocal modes of address to create a multilayered account of women’s sexual experiences. Finally, the article contends that The Politics of Intimacy’s voice-centered approach crucially informs the interplay of generational voices in Desire, which documents Gustafson’s long-term collaboration with the Teenage Girls’ Documentary Project. Gustafson’s documentary practice takes on added complexity in Desire, as it maps emergent solidarities across generations of women video makers to reveal feminist voicing to be a complex, at-times contradictory expression of the self-in-relation.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"304 - 319"},"PeriodicalIF":0.6,"publicationDate":"2023-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48248072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}