Animating origins: the 1920s Australian oil film

IF 0.5 0 FILM, RADIO, TELEVISION
Ruby Arrowsmith-Todd
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引用次数: 0

Abstract

ABSTRACT In the early twentieth century, oil companies transitioned from merchants of light to merchants of movement. A discreet network of pipelines began to crisscross the Australian landscape. By the 1950s, the presence of petroleum was visible everywhere, circulating across a vast cultural infrastructure of sponsored cinema. Oil films extolled fertilisers which turned a wasteland into pasture, fitness programs to train a ‘nation of weaklings’ into a wartime army reserve and the promise of ever-more refined fuels to supercharge a motile world. Companies enlisted cinema to excite emotions and ready the mind to accept prompts for future action. In this article, I explore the emergence of the 1920s Australian animated oil film to trace a new structure of feeling attuned to energetic increase, growth and ease.
动画起源:20世纪20年代的澳大利亚石油电影
20世纪初,石油公司从“光商”转型为“动商”。一个谨慎的管道网络开始在澳大利亚纵横交错。到了20世纪50年代,石油的存在随处可见,在赞助电影院的庞大文化基础设施中流通。石油电影颂扬了把荒地变成牧场的肥料、把“弱国”训练成战时后备军的健身项目,以及为机动世界提供动力的日益精炼的燃料的承诺。公司利用电影来激发人们的情感,让人们的头脑做好接受未来行动提示的准备。在这篇文章中,我探索了20世纪20年代澳大利亚动画油电影的出现,以追踪一种新的感觉结构,这种结构与能量的增加、增长和放松相协调。
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来源期刊
Studies in Documentary Film
Studies in Documentary Film FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
16.70%
发文量
26
期刊介绍: Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
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