{"title":"Piers Plowman and the Poetics of Enigma: Riddles, Rhetoric, and Theology by Curtis A. Gruenler (review)","authors":"Noelle Phillips","doi":"10.1353/rel.2020.0010","DOIUrl":"https://doi.org/10.1353/rel.2020.0010","url":null,"abstract":"","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"1 1","pages":"141 - 144"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89401776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Give me your hand and say you will be mine\": Containing Catholicism in Thomas Middleton's Measure for Measure","authors":"Gabriel A. Rieger","doi":"10.1353/rel.2020.0000","DOIUrl":"https://doi.org/10.1353/rel.2020.0000","url":null,"abstract":"Abstract:This essay posits a reading of Measure for Measure which hinges upon John Jowett's argument that \"the 1623 text,\" the earliest extant text, \"had undergone adaptation by Middleton.\" Specifically, I argue that by considering the play in the context of Middleton's revisions and the historical moment specific to those revisions (when the Hungarian prince Bethlen Gabor was attempting to negotiate a peace with the Holy Roman Empire), we might read Measure for Measure as an anti-Catholic allegory in which the novice nun Isabella is, through her imposed marriage to the Duke, removed from the structures of feminine resistance (the convent and the larger Catholic church) and forcibly reintegrated into a patriarchal, heteronormative, and implicitly Protestant social economy. Given the character's close association with the Catholic Church (she, the nun Francisca, and the friar Peter are the only representatives of actual, as opposed to fraudulent, Catholic clergy in the comedy), her marriage might also read as a timely allegorical containment, and punishment, of Roman Catholicism. Such a reading may prove productive in that it allows for a fresh consideration of one of the most problematic aspects of this notoriously problematic play, specifically the character of Isabella, whose enigmatic silence in response to the Duke's proposal of marriage in the final scene has challenged generations of audiences, directors, and scholars.","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"61 1","pages":"1 - 24"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84474821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"A Sensuous Embodiment\": Sacramental Poetics in T. S. Eliot's Ariel Poems","authors":"Asher Gelzer-Govatos","doi":"10.1353/rel.2020.0001","DOIUrl":"https://doi.org/10.1353/rel.2020.0001","url":null,"abstract":"Abstract:Building on recent scholarship that seeks to bridge T. S. Eliot's poetic output before and after his conversion to Anglo-Catholicism, this article sees in his Ariel poems, written immediately after his conversion, a discrete phase of his career that is distinguished from what comes before and after by a use of \"sacramental poetics.\" Exploring the specifically Anglo-Catholic form of Eliot's belief, I argue that, while influenced by the neo-Thomism of Jacques Maritain, he sought a more ambiguous instantiation of sacramentalism than that found in neo-Thomism. The Ariel poems enact Eliot's sacramental vision not only in their treatment of the sacraments of baptism and extreme unction but in their method of combining disparate historical moments into a unitive poetic moment. The \"temporal loop\" created by this conjunction gives the poems a circular structure that elicits re-reading, an act that lends itself simultaneously to the readerly act of \"squeezing and squeezing\" and to an embrace of ambiguity. The Ariel poems are best seen as Eliot's attempt to create a poetic instantiation of the complexities of religious belief in an age of skepticism, a goal which sets them apart from the more fragmented earlier poems as well as the more wide-ranging cultural project of the Four Quartets.","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"80 1","pages":"25 - 44"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78105154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Othello: Shakespeare's Realistic Samson","authors":"M. Kietzman","doi":"10.1353/rel.2020.0004","DOIUrl":"https://doi.org/10.1353/rel.2020.0004","url":null,"abstract":"Abstract:The essay studies the significance of the biblical Samson to early modern reformers, artists, and, primarily, Shakespeare. A long allusion in Love's Labor's Lost identifies Samson as a prototypical lover who learns from Delilah's wit and teaches the play's \"book-men\" that vow-breaking is necessary for love-making. But the focus of the essay is Othello, and the essay shows how Shakespeare used the biblical story to create a hero who struggles to grow beyond his martial occupation and idolatrous proclivities through the marriage covenant he enters with Desdemona that is devastating to his self-willed loneliness but finally enabling. The essay reveals Shakespeare's compositional process. He buries biblical allusions in the dramatic subtexts and uses touchpoints from Samson's story in Judges—the maternal annunciation, \"magical\" hair, inter-racial marriage, identity riddles, love bonds experienced as bondage, and, finally, self-sacrifice—to create the psychological conflicts and struggles of his titular character. To recognize Samson's saga as a macro-structure for the drama restores dignity to a character viewed as a noble dupe or a racist stereotype. Othello, like Samson, has a project that is also ours: to identify, call out, and root out cultural stereotypes (mental idols) wherever they lie even in one's own heart.","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"432 1","pages":"114 - 91"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82872797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"You learn me Noble Thankfulness\": Restoring a Graceful Cycle of Giving and Receiving in Much Ado About Nothing","authors":"P. Patrick","doi":"10.1353/rel.2020.0002","DOIUrl":"https://doi.org/10.1353/rel.2020.0002","url":null,"abstract":"Abstract:While it is well known that the names of Beatrice and Benedick mean \"the one who blesses\" and \"the one who is blessed,\" their exchange of blessing has a richer significance than is usually recognized. Blessing represents not only the dynamics of a happy marriage, but a model of exchange that shores up the stability of the whole community. Shakespeare's vision draws on two sources especially influential for thinking about community in early modern England—Seneca's On Benefits and The Book of Common Prayer. Both of these works define social stability as derived from the working of a kind of grace which resides in exchanges that are freed from calculation, commodification, and vengeance. In Much Ado about Nothing Shakespeare synthesizes Seneca's paradigm for graceful exchange with The Book of Common Prayer's depiction of how God's graceful gift of salvation inspires blessings of for-giveness and charity that should circulate among a congregation. The play chronicles the collapse of community when its members engage instead in the payback of revenge and when they commodify priceless benefits of love, friendship, and grace. The union of Beatrice and Benedick represents the possible transformation of these marred kinds of exchange, replacing them with a healing cycle of blessing, which revitalizes the relationship between givers and thankers, revises repressive gender roles, and repudiates harmful patterns of score-keeping and vengeful payback.","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"35 1","pages":"45 - 66"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84455478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ted Hughes and Christianity by David Troupes (review)","authors":"T. Gifford","doi":"10.1353/rel.2020.0017","DOIUrl":"https://doi.org/10.1353/rel.2020.0017","url":null,"abstract":"","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"29 1","pages":"159 - 161"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87714871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dominion Built of Praise: Panegyric and Legitimacy Among Jews in the Medieval Mediterranean by Jonathan Decter (review)","authors":"David Torollo","doi":"10.1353/rel.2020.0006","DOIUrl":"https://doi.org/10.1353/rel.2020.0006","url":null,"abstract":"","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"38 1","pages":"139 - 141"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80922969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scotland's Forgotten Treasure: The Visionary Romances of George MacDonald by Colin Manlove (review)","authors":"S. Prickett","doi":"10.1353/rel.2020.0016","DOIUrl":"https://doi.org/10.1353/rel.2020.0016","url":null,"abstract":"","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"22 1","pages":"157 - 159"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90385375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Church in the Wild: Evangelicals in Antebellum America by Brett Malcolm Grainger (review)","authors":"R. Brantley","doi":"10.1353/rel.2020.0014","DOIUrl":"https://doi.org/10.1353/rel.2020.0014","url":null,"abstract":"","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"25 1","pages":"152 - 154"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82242363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of Dashes, Gashes, and Wounds: Radclyffe Hall and the Medieval Devotion of \"Miss Ogilvy Finds Herself\"","authors":"J. Watts","doi":"10.1353/rel.2020.0003","DOIUrl":"https://doi.org/10.1353/rel.2020.0003","url":null,"abstract":"Abstract:This article places Radclyffe Hall's \"Miss Ogilvy Finds Herself\" in relation to a variety of discursive contexts, particularly medieval iconography and Old and New Testament biblical allusions. I show that while the story gestures toward the familiar images of a wounded Christ, Hall is less interested in a Messiah who saves and is more interested in a collective vulnerability that embraces and tarries with the grief of gendered wounding. To this end, my discussion performs a pair of linked functions: first, it delivers a new interpretive mechanism for reading \"Miss Ogilvy Finds Herself\" in light of the medieval Christian tradition; and second, it blazes a specific path through the annals of wound iconography, parsing a quatrain of orientations—psychic wound, war wound, side wound, and cloth wound—as I unravel Hall's spiritual, psychological, and deeply philosophical account of gendered identity.","PeriodicalId":43443,"journal":{"name":"RELIGION & LITERATURE","volume":"42 4 1","pages":"67 - 90"},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83144412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}