Museum Anthropology最新文献

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CURATORIAL NETWORKS AND MUSEUM CULTURE: Objects and Evidence in Museums of African Art 策展网络和博物馆文化:非洲艺术博物馆中的物品和证据
IF 0.4
Museum Anthropology Pub Date : 2020-05-19 DOI: 10.1111/muan.12215
Bennetta Jules-Rosette
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引用次数: 1
Better to Lose Your Head Than Use It: Working with Ethnographic Fiction and a New Evidential Paradigm at Minimalist Donald Judd’s The Chinati Foundation 失去你的头脑比使用它更好:在极简主义唐纳德·贾德的中国基金会与民族志小说和一个新的证据范式合作
IF 0.4
Museum Anthropology Pub Date : 2020-05-19 DOI: 10.1111/muan.12219
Emily Verla Bovino
{"title":"Better to Lose Your Head Than Use It: Working with Ethnographic Fiction and a New Evidential Paradigm at Minimalist Donald Judd’s The Chinati Foundation","authors":"Emily Verla Bovino","doi":"10.1111/muan.12219","DOIUrl":"10.1111/muan.12219","url":null,"abstract":"<div>\u0000 \u0000 <p>Writing through ethnographic fiction, art practice, and art historical research, this essay presents a study of minimalist Donald Judd’s The Chinati Foundation/La Fondacion Chinati (1979–1986), a museum in West Texas designed by the artist. It explores Chinati in relation to its site—the Texas-Mexico borderlands—focusing on three objects of evidence found in and around it: a World War II–era German-language sign inside the former military complex that Judd retrofitted for the museum, and that he dated and autographed; a wall of a derelict adobe building graffitied with a denouncement of Chinati; and a granite gravestone with an Arabic inscription, marking the final resting place of Lebanese peddler Ramon Karam, whose death on the Rio Grande in 1918 was used as evidence in Senate hearings in support of increased U.S. militarization at the border. The essay shows how working with ethnographic fiction toward a new evidential paradigm shifts perspectives on Chinati, Judd’s practice, the borderlands, and the relationship between scholarship and art practice.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2020-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12219","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42694571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transition in Uncertain Times 不确定时期的转型
IF 0.4
Museum Anthropology Pub Date : 2020-05-19 DOI: 10.1111/muan.12220
Emily Stokes-Rees, Phaedra Livingstone
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引用次数: 0
Issue Information 问题信息
IF 0.4
Museum Anthropology Pub Date : 2020-03-01 DOI: 10.1111/muan.12204
{"title":"Issue Information","authors":"","doi":"10.1111/muan.12204","DOIUrl":"https://doi.org/10.1111/muan.12204","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12204","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49363205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
AT HOME AND ABROAD: Reflections on Collaborative Museum Ethnography at the Mathers Museum of World Cultures 国内外:马瑟斯世界文化博物馆合作博物馆民族志的思考
IF 0.4
Museum Anthropology Pub Date : 2019-09-10 DOI: 10.1111/muan.12210
Jason Baird Jackson
{"title":"AT HOME AND ABROAD: Reflections on Collaborative Museum Ethnography at the Mathers Museum of World Cultures","authors":"Jason Baird Jackson","doi":"10.1111/muan.12210","DOIUrl":"10.1111/muan.12210","url":null,"abstract":"<p>In a reflective essay, the author draws upon experiences in two ongoing projects to suggest ways in which the literatures on museum-based ethnographic collaboration might be enriched and extended. One illustrative project is a binational, multi-institutional endeavor linking six museums within a larger program of cooperation led by two national scholarly societies. The other case is the work of an ethnographically oriented, museum-based public arts program working on a statewide basis in a midwestern state in the United States. The author concludes with a call to develop frameworks for fostering partnership activities between museums of ethnography.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12210","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46982511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
All the World Is Here: Harvard's Peabody Museum and the Invention of American Anthropology. Exhibit at the Peabody Museum of Archaeology and Ethnology. Cambridge, MA: Harvard University. April 22, 2017–present. 《全世界都在这里:哈佛皮博迪博物馆与美国人类学的发明》皮博迪考古与民族学博物馆展出。马萨诸塞州剑桥:哈佛大学。2017年4月22日至今。
IF 0.4
Museum Anthropology Pub Date : 2019-09-10 DOI: 10.1111/muan.12207
Ira Jacknis
{"title":"All the World Is Here: Harvard's Peabody Museum and the Invention of American Anthropology. Exhibit at the Peabody Museum of Archaeology and Ethnology. Cambridge, MA: Harvard University. April 22, 2017–present.","authors":"Ira Jacknis","doi":"10.1111/muan.12207","DOIUrl":"10.1111/muan.12207","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12207","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43743092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
COLONIAL, POPULAR, AND SCIENTIFIC? The Exposition du Sahara (1934) and the Formation of the Musée de l'Homme 殖民,流行,科学?撒哈拉博览会(1934)和穆斯林组织的形成
IF 0.4
Museum Anthropology Pub Date : 2019-09-10 DOI: 10.1111/muan.12213
Lisa Bernasek
{"title":"COLONIAL, POPULAR, AND SCIENTIFIC? The Exposition du Sahara (1934) and the Formation of the Musée de l'Homme","authors":"Lisa Bernasek","doi":"10.1111/muan.12213","DOIUrl":"10.1111/muan.12213","url":null,"abstract":"<p>This article explores the collection and exhibition practices surrounding the <i>Exposition du Sahara</i> (1934), an exhibit organized at a key moment in the transformation of the Musée d'Ethnographie du Trocadéro into France's modernized anthropological museum, the Musée de l'Homme. Through an analysis of archival material and exhibit publications, the article traces how the institutionalization of ethnographic collecting practices was shaped by interactions between museum personnel and collectors on the ground, and by the organizers’ desire to make the <i>Exposition du Sahara</i>, and the Musée d'Ethnographie itself, simultaneously scientific, popular, and a successful colonial institution. The account also tells the story of some of the objects from North Africa now housed at the Musée du Quai Branly, where very different modes of interpretation have been applied.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12213","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45512894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exploring New Horizons 探索新视野
IF 0.4
Museum Anthropology Pub Date : 2019-09-10 DOI: 10.1111/muan.12211
Lea S. McChesney
{"title":"Exploring New Horizons","authors":"Lea S. McChesney","doi":"10.1111/muan.12211","DOIUrl":"10.1111/muan.12211","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12211","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41795332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
ARCTIC HUNTERS, AMERICAN EXPLORERS, ADVENTURERS, AND ANTHROPOLOGISTS: The ex-Museum of the American Indian Collection of Kayaks at the Canadian Canoe Museum 北极猎人、美国探险家、冒险家和人类学家:加拿大独木舟博物馆前美国印第安人皮划艇收藏博物馆
IF 0.4
Museum Anthropology Pub Date : 2019-09-10 DOI: 10.1111/muan.12208
Sherry Brydon
{"title":"ARCTIC HUNTERS, AMERICAN EXPLORERS, ADVENTURERS, AND ANTHROPOLOGISTS: The ex-Museum of the American Indian Collection of Kayaks at the Canadian Canoe Museum","authors":"Sherry Brydon","doi":"10.1111/muan.12208","DOIUrl":"10.1111/muan.12208","url":null,"abstract":"<p>This case study introduces a legacy collection of historic Indigenous Arctic watercraft from North America and Greenland, composed of ten kayaks and an umiak, that were originally at the Museum of the American Indian/Heye Foundation (whose collections now form the core collection of the National Museum of the American Indian) in New York City. The collection was formed in the early twentieth century, sold to the Kanawa International Museum of Canoes, Kayaks and Rowing Craft in the 1970s, and acquired by the Canadian Canoe Museum in the 1990s. The museum catalog cards that accompanied the transfer of the MAI collection contain information about provenance and location. This article examines the provenance information, archival documentation, and related primary sources to explore the background of some of the early-twentieth-century Arctic hunters and non-Indigenous explorers and adventurers associated with these heritage items.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12208","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46829078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
PAOLO MANTEGAZZA'S VISION: The Science of Man behind the World's First Museum of Anthropology (Florence, Italy, 1869) 保罗·曼特加扎的愿景:世界第一座人类学博物馆背后的人类科学(佛罗伦萨,意大利,1869年)
IF 0.4
Museum Anthropology Pub Date : 2019-09-10 DOI: 10.1111/muan.12209
Paul Michael Taylor, Cesare Marino
{"title":"PAOLO MANTEGAZZA'S VISION: The Science of Man behind the World's First Museum of Anthropology (Florence, Italy, 1869)","authors":"Paul Michael Taylor,&nbsp;Cesare Marino","doi":"10.1111/muan.12209","DOIUrl":"10.1111/muan.12209","url":null,"abstract":"<p>This article examines some significant yet little-known early anthropological achievements in Italy. These include the world's first museum of anthropology, founded in 1869 by Paolo Mantegazza (1831–1910) at Florence (Firenze), Italy, where that same year he also established Italy's (and the world's) first <i>cattedra</i> (university professorship) of anthropology. Mantegazza sought to develop a unified “science of man,” with a broad definition of the new discipline that brought together human physiological, ethnographic, and “comparative psychology” collections within his new anthropology museum, later complemented by a companion “psychological” museum. Even though Mantegazza's Florentine school of anthropology ended under Fascism, today the surviving Museum of Anthropology in Florence is still the repository of important ethnographic collections from early Italian traveler-explorers and other contributors. Their study was an important component of Mantegazza's science, which is receiving new attention by modern Italian anthropologists.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12209","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41726555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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