{"title":"Meanings of the “Museum Boom” in Contemporary Poland and Elsewhere","authors":"Erica Fontana","doi":"10.1111/muan.12217","DOIUrl":"10.1111/muan.12217","url":null,"abstract":"<div>\u0000 \u0000 <p>The “museum boom” is a global phenomenon with various local manifestations and wide-ranging antecedents. The recent museum boom in Poland, in which a number of national museum complexes have either opened or undergone significant remodeling, is related to changing evidential discourses about collective identity. These discourses are part of the national narratives surrounding the Polish state. This essay asks what can be learned from the Polish museum boom. Notably, museums and museum-like institutions within Poland serve as a space for education and dialogue that both complements and contrasts with history education in schools and written history books. Through comparative case studies, this essay addresses how the museum boom is rooted in the particularities of Poland’s history. Museums elsewhere are experiencing similar shifts, and we ask here what these changes can tell us about the transformations of history museums in Poland.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"43 1","pages":"45-59"},"PeriodicalIF":0.4,"publicationDate":"2020-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12217","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45463692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MUSEUM TRAJECTORIES AND PROBLEMS OF EVIDENCE IN PUBLIC DISCOURSE: Introduction to the Special Issue","authors":"Bennetta Jules-Rosette, J.R. Osborn","doi":"10.1111/muan.12216","DOIUrl":"10.1111/muan.12216","url":null,"abstract":"<div>\u0000 \u0000 <p>As conservators of heritage and protectors of patrimony, museums are key players in public discourse about national identity and collective memory. The cultural roles and meanings of the museum as an institution are changing in relationship to local and global currents. Factors include the adoption of digital technologies, the repatriation of cultural artifacts, and the opening of new blockbuster museums. This special issue of <i>Museum Anthropology</i> builds upon a nodal taxonomic model for classifying museum practices, audiences, and the organization of evidence. The collected articles juxtapose cross-cultural case studies drawn from Africa, Europe, and the United States. Topics include the use of evidence in the global circulation of popular African art, discussions of repatriation and decolonization in German museums, the “museum boom” in Poland’s new political climate, and the development of a unique local museum based on minimalist art near the US–Mexican border. The comparative cases demonstrate how museums of different types respond to civic contestations, public debates, and institutional transformations. Curatorial narratives support the use of evidence in contrasting ways as museums build and revitalize their collections. These shifts influence the interpretation of evidence and the display of artifacts both within individual museums and across the global museum landscape.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"43 1","pages":"4-13"},"PeriodicalIF":0.4,"publicationDate":"2020-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12216","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44713937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CURATORIAL NETWORKS AND MUSEUM CULTURE: Objects and Evidence in Museums of African Art","authors":"Bennetta Jules-Rosette","doi":"10.1111/muan.12215","DOIUrl":"10.1111/muan.12215","url":null,"abstract":"<div>\u0000 \u0000 <p>The valuation and display of African art in museum contexts entails contrasting strategies of objectification. In this process, objects may be used as material evidence for larger cultural trends and new movements. This essay examines the role of curatorial networks in creating discourses about African art objects that reframe their cultural significance and economic value. These curatorial networks are treated as a habitus for the art and a discursive framework for its valuation. This analysis builds upon a taxonomic nodal model, which may be used to identify the reconfiguration of museum discourses, curatorial knowledge, and markets for artistic circulation. Two case studies, examining the paintings of Congolese artist Tshibumba Kanda Matulu (1947–circa 1981) from the 1970s and the collection of legendary Malian photographer Seydou Keïta (1921–2001) from the 1960s and the 1970s, demonstrate how curatorial networks reframe the circulation and evidential status of African art over time. The article concludes with an assessment of repatriation claims with relationship to a framework for analyzing the evidential claims of museums.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"43 1","pages":"14-28"},"PeriodicalIF":0.4,"publicationDate":"2020-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12215","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42597712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Better to Lose Your Head Than Use It: Working with Ethnographic Fiction and a New Evidential Paradigm at Minimalist Donald Judd’s The Chinati Foundation","authors":"Emily Verla Bovino","doi":"10.1111/muan.12219","DOIUrl":"10.1111/muan.12219","url":null,"abstract":"<div>\u0000 \u0000 <p>Writing through ethnographic fiction, art practice, and art historical research, this essay presents a study of minimalist Donald Judd’s The Chinati Foundation/La Fondacion Chinati (1979–1986), a museum in West Texas designed by the artist. It explores Chinati in relation to its site—the Texas-Mexico borderlands—focusing on three objects of evidence found in and around it: a World War II–era German-language sign inside the former military complex that Judd retrofitted for the museum, and that he dated and autographed; a wall of a derelict adobe building graffitied with a denouncement of Chinati; and a granite gravestone with an Arabic inscription, marking the final resting place of Lebanese peddler Ramon Karam, whose death on the Rio Grande in 1918 was used as evidence in Senate hearings in support of increased U.S. militarization at the border. The essay shows how working with ethnographic fiction toward a new evidential paradigm shifts perspectives on Chinati, Judd’s practice, the borderlands, and the relationship between scholarship and art practice.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"43 1","pages":"60-76"},"PeriodicalIF":0.4,"publicationDate":"2020-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12219","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42694571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"AT HOME AND ABROAD: Reflections on Collaborative Museum Ethnography at the Mathers Museum of World Cultures","authors":"Jason Baird Jackson","doi":"10.1111/muan.12210","DOIUrl":"10.1111/muan.12210","url":null,"abstract":"<p>In a reflective essay, the author draws upon experiences in two ongoing projects to suggest ways in which the literatures on museum-based ethnographic collaboration might be enriched and extended. One illustrative project is a binational, multi-institutional endeavor linking six museums within a larger program of cooperation led by two national scholarly societies. The other case is the work of an ethnographically oriented, museum-based public arts program working on a statewide basis in a midwestern state in the United States. The author concludes with a call to develop frameworks for fostering partnership activities between museums of ethnography.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"42 2","pages":"62-70"},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12210","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46982511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring New Horizons","authors":"Lea S. McChesney","doi":"10.1111/muan.12211","DOIUrl":"10.1111/muan.12211","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"42 2","pages":"59-61"},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12211","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41795332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"All the World Is Here: Harvard's Peabody Museum and the Invention of American Anthropology. Exhibit at the Peabody Museum of Archaeology and Ethnology. Cambridge, MA: Harvard University. April 22, 2017–present.","authors":"Ira Jacknis","doi":"10.1111/muan.12207","DOIUrl":"10.1111/muan.12207","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"42 2","pages":"145-149"},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12207","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43743092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"COLONIAL, POPULAR, AND SCIENTIFIC? The Exposition du Sahara (1934) and the Formation of the Musée de l'Homme","authors":"Lisa Bernasek","doi":"10.1111/muan.12213","DOIUrl":"10.1111/muan.12213","url":null,"abstract":"<p>This article explores the collection and exhibition practices surrounding the <i>Exposition du Sahara</i> (1934), an exhibit organized at a key moment in the transformation of the Musée d'Ethnographie du Trocadéro into France's modernized anthropological museum, the Musée de l'Homme. Through an analysis of archival material and exhibit publications, the article traces how the institutionalization of ethnographic collecting practices was shaped by interactions between museum personnel and collectors on the ground, and by the organizers’ desire to make the <i>Exposition du Sahara</i>, and the Musée d'Ethnographie itself, simultaneously scientific, popular, and a successful colonial institution. The account also tells the story of some of the objects from North Africa now housed at the Musée du Quai Branly, where very different modes of interpretation have been applied.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"42 2","pages":"89-108"},"PeriodicalIF":0.4,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12213","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45512894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}