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Deep Roots, Bama Soil: Narrative multimodal anthropology and fugitive histories
This article explores the concept of fugitive histories through narrative multimodal anthropology in Black memory spaces. The aim of this research was to understand how multimodal anthropology and fugitive histories can be used to preserve and re-imagine narratives that counteract erasure. This article presents a narrative multimodal podcast I produced exploring my personal connection to racial violence, in conversation with a visit to the National Memorial for Peace and Justice and Legacy Museum to consider the ways in which narrative multimodal production and curation may benefit the health and well-being of Black communities, with a focus on Black fugitivity refusal, and reclamation as a strategic application of the Black Radical Tradition.
期刊介绍:
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.