艺术家对她第一次民权之旅的反思

IF 0.7 Q3 ANTHROPOLOGY

Museum Anthropology Pub Date : 2024-08-29 DOI:10.1111/muan.12297

Gwendolyn Frazier Smith

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引用次数: 0

摘要

踏上参观黑人博物馆和民权遗址的探险之旅，是了解历史和文化的最佳机会之一。这可以通过专家导游、实地参观以及纪录片和视频录像来实现。想象一下，从这些录像中了解到一个最小的孩子，一个 4 岁的孩子，听到他询问自己参加民权抗议的情况；他自豪地回答 "为了 Teedom"（自由），这一定会让你记忆犹新。这句话深深地印在我的脑海里，以至于在我的艺术创作中，这句话成为了我对参与社会正义的勇敢青少年的称呼。这些 "Teedom "行为在整个民权之旅中体现得淋漓尽致，这是我一生中最美好的冒险经历之一。

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An artists' reflection of her First Civil Rights Tour

Embarking on an adventure to tour Black museums and Civil Rights sites provides one of the best opportunities to understand history and culture. It is accomplished via an expert tour guide, site visits, as well as through documentaries, and video footage. Imagine learning from such footage about the youngest child, a 4-year-old and hearing him questioning about his participation in a Civil Rights protest; he proudly responds “for Teedom” [Freedom] that is bound to stick with you. It stuck with me so much that it became a term used in my art for brave youth involved in social justice. These acts of “Teedom” were evident throughout the Civil Rights Tour, one of the best adventures of my life.

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来源期刊

Museum Anthropology ANTHROPOLOGY-

CiteScore

0.80

自引率

75.00%

发文量

期刊介绍： Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.