{"title":"What AI “art” can teach us about art","authors":"Simona Chiodo","doi":"10.1080/20004214.2024.2395511","DOIUrl":"https://doi.org/10.1080/20004214.2024.2395511","url":null,"abstract":"In the last years, the use of the words “AI art”, i.e. art produced by artificial intelligence, has exponentially increased. Sometimes, they have been used without philosophical awareness, from pub...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"39 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142200211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly","authors":"Sara Callahan","doi":"10.1080/20004214.2024.2382875","DOIUrl":"https://doi.org/10.1080/20004214.2024.2382875","url":null,"abstract":"For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"5 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141929728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The unbearable lightness of objects: Günter Figal’s spatial aesthetics","authors":"Karam AbuSehly","doi":"10.1080/20004214.2024.2380412","DOIUrl":"https://doi.org/10.1080/20004214.2024.2380412","url":null,"abstract":"The main work of philosopher Günter Figal (1949–2024) was to undertake the continuation of hermeneutical philosophy after the deaths of its three major proponents: Heidegger, Gadamer, and Ricoeur. ...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"7 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141742322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The vertical axis and the agôn between theatre and philosophy","authors":"Ira Avneri","doi":"10.1080/20004214.2024.2359728","DOIUrl":"https://doi.org/10.1080/20004214.2024.2359728","url":null,"abstract":"This article explores the controversy between ancient Greek dramatists and their fellow philosophers over the vertical axis, with special reference to Socrates. I begin with a discussion of the ver...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"11 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141507132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Whose roar is it, anyway? Localization and ideological communication with respect to the toho Godzilla franchise”","authors":"Jeeshan Gazi","doi":"10.1080/20004214.2024.2367264","DOIUrl":"https://doi.org/10.1080/20004214.2024.2367264","url":null,"abstract":"Since the mid-1980s, film critics and audiences have come to recognize Ishirō Honda’s original cut of Gojira/Godzilla (1954) to be a substantial meditation on the atomic bombing of Japan, an analys...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"46 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141507005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Photorealism versus photography. AI-generated depiction in the age of visual disinformation","authors":"Liv Hausken","doi":"10.1080/20004214.2024.2340787","DOIUrl":"https://doi.org/10.1080/20004214.2024.2340787","url":null,"abstract":"In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"14 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140584621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Brutal truth: modern(ist) aesthetics and death metal","authors":"Benjamin W. McCraw","doi":"10.1080/20004214.2024.2328878","DOIUrl":"https://doi.org/10.1080/20004214.2024.2328878","url":null,"abstract":"Here, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"66 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140152730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cinematic TV drama","authors":"Erlend Lavik","doi":"10.1080/20004214.2024.2327662","DOIUrl":"https://doi.org/10.1080/20004214.2024.2327662","url":null,"abstract":"Several television scholars have objected to the frequently made claim that TV drama in recent decades have become “more cinematic”, partly because cinematic-ness is such an ill-defined concept. Th...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"23 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140152643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Staging division: power, violence, and theatricality in The Baby of Mâcon","authors":"Marco de Waard","doi":"10.1080/20004214.2024.2318816","DOIUrl":"https://doi.org/10.1080/20004214.2024.2318816","url":null,"abstract":"Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140003618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gazing at monsters: aesthetics, politics, and the national distribution of the sensible","authors":"Emre Keser","doi":"10.1080/20004214.2024.2315657","DOIUrl":"https://doi.org/10.1080/20004214.2024.2315657","url":null,"abstract":"The Humanity Monument, a gigantic monument in Kars, a northeastern border city of Turkey, was intended to be visible from the Armenian side of the border and supposed to send messages of peace, apo...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"38 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139977901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}