Staging division: power, violence, and theatricality in The Baby of Mâcon

IF 0.4 Q3 CULTURAL STUDIES
Marco de Waard
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引用次数: 0

Abstract

Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...
分化:《马孔的宝贝》中的权力、暴力和戏剧性
彼得-格林纳威的《马孔的宝贝》(1993 年)在上映时引起了很大争议;该片对电影窥阴癖和观众的可利用性进行了批判,并被认为是一种 "亵渎"。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
15
审稿时长
14 weeks
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