“Whose roar is it, anyway? Localization and ideological communication with respect to the toho Godzilla franchise”

IF 0.4 Q3 CULTURAL STUDIES
Jeeshan Gazi
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引用次数: 0

Abstract

Since the mid-1980s, film critics and audiences have come to recognize Ishirō Honda’s original cut of Gojira/Godzilla (1954) to be a substantial meditation on the atomic bombing of Japan, an analys...
"到底是谁的怒吼?东宝哥斯拉系列的本土化和意识形态传播"
自 20 世纪 80 年代中期以来,影评人和观众逐渐认识到,本田石郎最初剪辑的《哥斯拉》(Gojira/Godzilla,1954 年)是一部关于日本原子弹爆炸的沉思之作,是对日本原子弹爆炸的分析。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
15
审稿时长
14 weeks
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