{"title":"标准化、机械化和注释化的身体。卡伊萨-达尔伯格、卡勒-布洛林和汉尼-卡马利近期录像作品中作为文化技术的碎片化现象","authors":"Sara Callahan","doi":"10.1080/20004214.2024.2382875","DOIUrl":null,"url":null,"abstract":"For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"5 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly\",\"authors\":\"Sara Callahan\",\"doi\":\"10.1080/20004214.2024.2382875\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...\",\"PeriodicalId\":43229,\"journal\":{\"name\":\"Journal of Aesthetics & Culture\",\"volume\":\"5 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Aesthetics & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20004214.2024.2382875\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Aesthetics & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20004214.2024.2382875","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly
For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...
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