{"title":"When the Silent Past Gets a Troubling Voice","authors":"Nermin Elsherif","doi":"10.1163/18739865-20221001","DOIUrl":"https://doi.org/10.1163/18739865-20221001","url":null,"abstract":"\u0000 This article traces the contemporary (re)interpretations of a 14 minutes of American newsreel footage depicting 1928 Cairo as it circulated through popular Facebook communities dedicated to the nostalgic discourse of Egypt’s ‘good old days’ or ‘al-zaman al-gamīl,’ perceived as an era of morality and proper Egyptianness. Among the several orientalist scenes captured on the footage was a character improvisation perceived to be ‘profane’ by the proponents of this ideal imaginary of the past. Considering online and offline ethnography and discourse analysis of online commentaries, this article examines how nationalism, conspiracy theories, identity politics and post-revolutionary frustrations are discussed through the circulation of representations of the nation’s past. By tracing the pre-and post-digital life of this footage, it presents a case study on how cultural texts acquire meanings as they migrate from one medium to another and how online publics are formed around the (re)circulation and (re)interpretation of these texts.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42317115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Moulay Driss El Maarouf, Taieb Belghazi, Farouk El Maarouf
{"title":"Game without Game: Children’s Activism and the Politics of the Everyday","authors":"Moulay Driss El Maarouf, Taieb Belghazi, Farouk El Maarouf","doi":"10.1163/18739865-01403006","DOIUrl":"https://doi.org/10.1163/18739865-01403006","url":null,"abstract":"<p>The atmosphere of contestation in Moroccan streets post-2011 has offered children the unique opportunity to participate in mounting social critiques and political protests. This paper contributes to the emerging literature on children and social movements in <span style=\"font-variant: small-caps;\">MENA</span> by examining the role children play as social and political activists. We relate a number of examples from the post-2011 events in which children display a mastery of the protocols of protest, glaring back at power and reversing the stereotypes that have long since labeled them pre-political. By exhibiting flexibility at travelling through different (a)geographies and hetero-horologic spheres, children foreground a compelling and pressing plea to see their movements, serious and playful, within the spheres of socio-political action as deserving the system’s recognition as well as its academic attention.</p>","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138532743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sacred (re)Collections","authors":"Torsten Janson, Neşe Kınıkoğlu","doi":"10.1163/18739865-20219105","DOIUrl":"https://doi.org/10.1163/18739865-20219105","url":null,"abstract":"\u0000 This article discusses how state-organized, memory-cultural production drawing on religious signifiers contributes to a sacralization of Turkish public memory institutions and public space. This reinforces an Islamic-nationalist imagination of contemporary Turkey. The article explores state-led, disciplinary interventions in museal space (the Sacred Trusts exhibition of relics at Topkapı Palace Museum) and commemorative ritual in public space, display and education (the rise, fall and recalibration of Holy Birth Week (Kutlu Doğum Haftası). Drawing on theories of symbolic politics, nationalism, memory and space, the article elucidates the sacralization of Turkish memory production as a contesting yet malleable negotiation of nationalism. Innovative Islamic memory practice and ritualization requires careful discursive and disciplinary boundary drawing, catering to theological sensitivities and Sunni-orthodox mores. Then again, the spatial boundaries between various memory-cultural domains are becoming less distinct. Today, Islamic-nationalist imaginaries surface in the interstices of public memory institutions, public education and everyday public space.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64828859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cyber Tribes","authors":"H. Hussain","doi":"10.1163/18739865-01401009","DOIUrl":"https://doi.org/10.1163/18739865-01401009","url":null,"abstract":"\u0000 Tribal identity is an intrinsic part of the histories and cultures of the Gulf. Nonetheless, tribal communities rarely had access or the ability to control what was being said about them in media. The emergence of social media as a platform for sharing information and affirming social identities has transformed the way tribes interact, disseminate information and identify with others. This paper argues that Arab tribes, despite constantly being threatened by modernizing impulses that undercut nomadic ways of life, have enthusiastically embraced social media as an effective tool to revitalize tribal identities in the internet age. Historically, while maintaining nomadic lifestyles and oral literature, they were outside the circles of material literary production, which were usually based in urban areas and among settled populations. However, the internet and social media now allow tribes to overcome societal marginalization and material limitations to self-representation. In this manner, tribal communities no longer need the affirmation of the literate world; they can speak for themselves in a direct manner previously unavailable.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45824482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blogging from Egypt, Digital Literature 2005–2016, by Teresa Pepe","authors":"Nermin Elsherif","doi":"10.1163/18739865-01401012","DOIUrl":"https://doi.org/10.1163/18739865-01401012","url":null,"abstract":"","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44162590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Migrant Images","authors":"Bindu Menon","doi":"10.1163/18739865-01401015","DOIUrl":"https://doi.org/10.1163/18739865-01401015","url":null,"abstract":"\u0000 This paper is an exploration of the large corpus of vlogs and short films (produced by migrants) that carve out a moral language of citizenship in the city of Dubai. These visual materials were created by Filipinos, Pakistanis, Indians, Sri Lankans, Bangladeshis, Iranians and Nigerians; they circulate and function as visual maps that help migrants ‘see’ and negotiate the city. Speaking to categories of formal citizenship that evade them, the ‘undocumented’ and ‘illegal’ often erupt into visibility through these peripheral media texts. Set against the backdrop of formal media production in the highly organized media production zones of Dubai, this article explores what forms of aesthetic practice and cultural production emerge from the precarious conditions of migrant life. In doing so, the paper analyzes intersecting concepts of lateral agency, aesthetic forms, media labor and citizenship in the post-oil Dubai economy.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45889164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Female Representation in the Golden Age of Kuwaiti Television","authors":"Shahd Alshammari, Abrar Alshammari","doi":"10.1163/18739865-01401003","DOIUrl":"https://doi.org/10.1163/18739865-01401003","url":null,"abstract":"\u0000 This paper addresses the representation of female rebellion and madness in the Kuwaiti musalsal ʿIla al-dunya al-salam which was produced in 1987. The show revolves around two sisters, Mahthootha and Mabrooka, adult women who are residents of a mental institution. The law dictates that their uncle is their guardian and has complete control of their finances. He devises a plan to strip them of their rights and their inheritance by committing them to the psychiatric institution. At the hospital, the audience meets many women with similar fates. The stereotypes of madness present it as dangerous and as affecting more women than men. Male domination features as a recurrent theme throughout, as all the male characters abuse their power, whether in the form of familial or medical authority. The dichotomy of sane/insane is reversed as the characters outside the hospital are cruel, corrupt and yet empowered due to social factors, gender and class. The series raises important questions and considers patriarchal oppression and Kuwaiti women’s experience in both the private and public spheres.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":"213 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41298606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Comics in Contemporary Arab Culture: Politics, Language and Resistance, by Jacob Høigilt","authors":"Sara Shaker Rizkallah","doi":"10.1163/18739865-01401014","DOIUrl":"https://doi.org/10.1163/18739865-01401014","url":null,"abstract":"","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44241805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visual Storytelling in Arab Virtual Public Spheres","authors":"Mohammad Ayish","doi":"10.1163/18739865-01401005","DOIUrl":"https://doi.org/10.1163/18739865-01401005","url":null,"abstract":"\u0000 Across the Arab world, increasing digitization, spiking young demographics, expanding media education programs and rising cultural liberalism seem to be inducing greater visualization in the virtual sphere. This perception of the image as a key facet of online communications has been especially noted in the Arabian Gulf, where grand cultural and media projects embracing media cities, virtual museums, knowledge parks, online video platforms and film festivals are seen as critically supporting the region by telling its story to the world. But in order for the Arab world to sustain this visual momentum in the virtual public sphere, it must address certain challenges arising from its postcolonial visual media policies, historically-entrenched oral communication legacies, state authoritarianism and narrow Islamic views of the image as taboo. In a global communications environment, Arabs have much to gain by harnessing the power of the image in virtual space to enhance their international engagement. The Gulf region has already made some breakthroughs in this regard by fostering more open cultural policies, supporting online visual content creation, embracing creative young talent, maintaining world-class telecommunications infrastructures and solidifying visual media education programs. But more has yet to be done to realize the full visual potential of the virtual sphere.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45220385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond the Nation and the Diaspora","authors":"Sreya Mitra","doi":"10.1163/18739865-01401001","DOIUrl":"https://doi.org/10.1163/18739865-01401001","url":null,"abstract":"\u0000 The MENA (Middle East and North Africa) region has long been a site of Hindi film consumption and circulation, with Dubai emerging in recent years as a potent hub for Bollywood’s overseas distribution and marketing. Though the role of the “Gulf” in articulating immigrant experiences and regional identity among Malayali Indians is well documented (Radhakrishnan 2009), Hindi cinema’s popularity in the region has rarely received any scholarly attention. In the past decade, UAE has witnessed the launch of three cable and satellite television channels—Zee Aflam (2009), Zee Alwan (2012) and MBC Bollywood (2013)—with dedicated Bollywood content, much of which is dubbed in Arabic and targeted primarily at the local Emirati audience. This paper examines the consumption and dissemination of this dubbed Indian content, which includes Bollywood films as well as Hindi television series, among the Arabic-speaking audience. As I argue, the current popularity of “Bollywood in Arabic” can be historicized and traced back to popular Hindi cinema’s consumption in the Gulf during the sixties and seventies, particularly among the local Emirati audience. In doing so, I not only extend the scope of Hindi film scholarship beyond the hegemonic parameters of the nation and its citizens, but also, interrogate the role of Dubai and the “Gulf” as a cultural capital of transnational media economics.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43589891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}