{"title":"当沉默的过去传来令人不安的声音","authors":"Nermin Elsherif","doi":"10.1163/18739865-20221001","DOIUrl":null,"url":null,"abstract":"\n This article traces the contemporary (re)interpretations of a 14 minutes of American newsreel footage depicting 1928 Cairo as it circulated through popular Facebook communities dedicated to the nostalgic discourse of Egypt’s ‘good old days’ or ‘al-zaman al-gamīl,’ perceived as an era of morality and proper Egyptianness. Among the several orientalist scenes captured on the footage was a character improvisation perceived to be ‘profane’ by the proponents of this ideal imaginary of the past. Considering online and offline ethnography and discourse analysis of online commentaries, this article examines how nationalism, conspiracy theories, identity politics and post-revolutionary frustrations are discussed through the circulation of representations of the nation’s past. By tracing the pre-and post-digital life of this footage, it presents a case study on how cultural texts acquire meanings as they migrate from one medium to another and how online publics are formed around the (re)circulation and (re)interpretation of these texts.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"When the Silent Past Gets a Troubling Voice\",\"authors\":\"Nermin Elsherif\",\"doi\":\"10.1163/18739865-20221001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article traces the contemporary (re)interpretations of a 14 minutes of American newsreel footage depicting 1928 Cairo as it circulated through popular Facebook communities dedicated to the nostalgic discourse of Egypt’s ‘good old days’ or ‘al-zaman al-gamīl,’ perceived as an era of morality and proper Egyptianness. Among the several orientalist scenes captured on the footage was a character improvisation perceived to be ‘profane’ by the proponents of this ideal imaginary of the past. Considering online and offline ethnography and discourse analysis of online commentaries, this article examines how nationalism, conspiracy theories, identity politics and post-revolutionary frustrations are discussed through the circulation of representations of the nation’s past. By tracing the pre-and post-digital life of this footage, it presents a case study on how cultural texts acquire meanings as they migrate from one medium to another and how online publics are formed around the (re)circulation and (re)interpretation of these texts.\",\"PeriodicalId\":43171,\"journal\":{\"name\":\"Middle East Journal of Culture and Communication\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-03-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Middle East Journal of Culture and Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18739865-20221001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle East Journal of Culture and Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18739865-20221001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
This article traces the contemporary (re)interpretations of a 14 minutes of American newsreel footage depicting 1928 Cairo as it circulated through popular Facebook communities dedicated to the nostalgic discourse of Egypt’s ‘good old days’ or ‘al-zaman al-gamīl,’ perceived as an era of morality and proper Egyptianness. Among the several orientalist scenes captured on the footage was a character improvisation perceived to be ‘profane’ by the proponents of this ideal imaginary of the past. Considering online and offline ethnography and discourse analysis of online commentaries, this article examines how nationalism, conspiracy theories, identity politics and post-revolutionary frustrations are discussed through the circulation of representations of the nation’s past. By tracing the pre-and post-digital life of this footage, it presents a case study on how cultural texts acquire meanings as they migrate from one medium to another and how online publics are formed around the (re)circulation and (re)interpretation of these texts.
期刊介绍:
The Middle East Journal of Culture and Communication provides a transcultural academic sphere that engages Middle Eastern and Western scholars in a critical dialogue about culture, communication and politics in the Middle East. It also provides a forum for debate on the region’s encounters with modernity and the ways in which this is reshaping people’s everyday experiences. MEJCC’s long-term objective is to provide a vehicle for developing the field of study into communication and culture in the Middle East. The Journal encourages work that reconceptualizes dominant paradigms and theories of communication to take into account local cultural particularities.