DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU最新文献

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"So that finally it is all about life in poetry". Lyrics by Bogusław Kierc “所以,最后,这一切都是关于诗歌中的生活”。歌词:Bogusław Kierc
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9887
Karol Maliszewski
{"title":"\"So that finally it is all about life in poetry\". Lyrics by Bogusław Kierc","authors":"Karol Maliszewski","doi":"10.5604/01.3001.0012.9887","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9887","url":null,"abstract":"The author of this article analyzes the poetry of Bogusław Kierc, a poet\u0000from Wrocław, pointing to the separateness and originality of this artist.\u0000Originality is revealed in risky and bold themes and a form that is a combination\u0000of something avant-garde with something very traditional. The\u0000language used by the poet, concerning ultimate and mystical problems,\u0000captivates with harmonious, musical finesse. Pictures in this poetry are\u0000seen, heard and experienced. The hero of these poems sees in his somatic\u0000and erotic experiences the source of potential mysticism, the possibility\u0000of approaching transcendence.\u0000\u0000","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127025026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performatywne alter ego
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9857
A. Szuba
{"title":"Performatywne alter ego","authors":"A. Szuba","doi":"10.5604/01.3001.0012.9857","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9857","url":null,"abstract":"The dynamic development of the Internet and the constant search for new ways of reaching the user bring about the availability of materials that were previously unattainable. Performance art, thanks to its special openness to new methods of expression, reaches the mass media, while showing the individual’s psyche and character of the author’s work. The set of gestures, their sequence and narration are the basis for creating performance art, understood not only as a clear alternative to conventional art, but also characterized by unpredictability, in which the viewer is not prepared for the way messages are received. Undoubtedly, social platforms create an illusion. “The influencer” can reach thousands of viewers and gain fame without leaving home. Without a doubt, social media have created a new entry point to the global art scene, opening way to a wide spectrum of diverse artistic activities. The method of recording, the non-cutaneous nature of the phenomenon makes it possible to own performative actions. The context of a performance is particularly important. It affects what can be universally recognized as art. The question arises (since we distinguish two values of the performative action: in the art gallery and on the street), what frames on the social media allow the audience to interpret it as art, and assuming that it is an art, does it change the perception of a given phenomenon?","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114710923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Obrus, o definicji performansu 当然,没有明确的性能
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9870
Władysław Solski Zbigniew
{"title":"Obrus, o definicji performansu","authors":"Władysław Solski Zbigniew","doi":"10.5604/01.3001.0012.9870","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9870","url":null,"abstract":"From its very beginning the development of performatics was influenced by two kinds of performance activities: performance art and theatre. In Poland theatrologists became proponents of performatics. The translation of Schechner’s book about performance studies was used to homogenise Polish performative vocabulary: the translator reached for the polonized word “performans” and created a new term: “performatyka”. Thanks to Schechner’s general definition – performances are actions, while the subject of performatics are behaviours – the concept of “performans” proved to be very useful because the Polish language lacks such “transparent tool of description”. When in the U.S.A. the researchers dealing with performance studies radically broadened the area of performative activities, their representative in Poland, Jacek Wachowski, became involved in the process of limiting the notion of “performans” and theatre’s influence on performatics. This article is devoted to his innovative proposal.","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124934359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dzieło jako zdarzenie - Performans rekonstruowany w wyobraźni
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9868
Marek Śnieciński
{"title":"Dzieło jako zdarzenie - Performans rekonstruowany w wyobraźni","authors":"Marek Śnieciński","doi":"10.5604/01.3001.0012.9868","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9868","url":null,"abstract":"An exceptionally interesting case of performance in contemporary art are\u0000artworks, in which artists do not present a performance itself but rather\u0000its effects. For these artists a performance is somehow included in the\u0000tissue of the artwork; it was indispensable for the artwork to be created,\u0000yet it is hidden so the viewer needs to make an effort to reconstruct this\u0000performative character of the artwork and understand (become aware\u0000of) the resulting consequences. The text analyses works by Akira Komoto\u0000(the Seeing series), the realization by Lech Twardowski (Generator Bez\u0000Maszyn), three series of works by Urszula Wilk (Niewysłane listy) as well\u0000as selected sculptures by Shen Shaomin (the Bonsai series). Although in\u0000these works we deal with various forms of performativeness, their joint\u0000feature is the fact that in each of them the viewer must discover and reconstruct\u0000the hidden performance in his/her memory.\u0000\u0000","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123548361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Finding and losing a place. Łódź underground towards experience of everyday life of a city 找到和失去一个地方。Łódź地下朝向城市日常生活的体验
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9883
Błażej Filanowski
{"title":"Finding and losing a place. Łódź underground towards experience of everyday life of a city","authors":"Błażej Filanowski","doi":"10.5604/01.3001.0012.9883","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9883","url":null,"abstract":"The Łódź underground had emerged from the punk aesthetic, yet it absorbed\u0000successive genres surprisingly quickly: hardcore, industrial, later\u0000also, among others, techno and rave. It utilized diverse forms of expression:\u0000most of all sound, but also projections, site-specific actions, graphic\u0000design or fashion. The article, drawing from the memories and output of\u0000several most important participants of the movement, poses the question,\u0000in what way the underground so easily absorbed new genres and\u0000aesthetic patterns on the one hand, while on the other – it remained so\u0000strongly separate.\u0000The separation is revealed in the tension between experiencing new,\u0000experimenting musical and aesthetic trends, and the overwhelming everyday\u0000life of the post-industrial city. This tension was the reason why the\u0000underground movement was so intensely performative in its character, in\u0000which new knowledge and new inspirations were mostly created in action.\u0000\u0000","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129323246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performative alter ego 表演的另一个自我
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9880
Á. Szuba
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引用次数: 0
Fotografia jako przedłużenie ciała
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9869
Zbigniew Tomaszczuk
{"title":"Fotografia jako przedłużenie ciała","authors":"Zbigniew Tomaszczuk","doi":"10.5604/01.3001.0012.9869","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9869","url":null,"abstract":"The text concerns the performativeness of the process of making photographs.\u0000It discusses examples of experiencing photography through such\u0000medium as the photographer’s body. The relations between the photographer\u0000and the technological changes of photography have been analysed.\u0000The main subject is the process of making photographs concluded with\u0000a reflection on the relation between the viewer and the large format photographic\u0000artwork.\u0000\u0000","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"NS29 8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116552156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zaczarowanie świata na przykładzie East side story Igora Grubića. Lekcja estetyki performatywności
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9859
Anna Dzierżyc-Horniak
{"title":"Zaczarowanie świata na przykładzie East side story Igora Grubića. Lekcja estetyki performatywności","authors":"Anna Dzierżyc-Horniak","doi":"10.5604/01.3001.0012.9859","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9859","url":null,"abstract":"In her The Transformative Power of Performance. A New Aesthetics Erika\u0000Fischer-Lichte argues that everything which happens in a performance\u0000can be described as a repeated enchanting of the world and transformation\u0000of all the participants of the event. The text is an attempt to consider\u0000the videoinstallation East Side Story by Igor Grubić exactly from this\u0000perspective. It discusses key concept categories utilized by the German\u0000theatre researcher, and at the same time undertakes an attempt to fit\u0000them into the installation of the Chroatian artist. The analysis points out\u0000to the bodily co-presence of the actors and the viewers, the performative\u0000production of materiality of the performance and the way in which the\u0000performance becomes an event. Questions were asked about a performance\u0000live as opposed to a mediated performance.\u0000\u0000","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131090999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tablecloth definition of performance 桌布性能的定义
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9889
Z. W. Solski
{"title":"Tablecloth definition of performance","authors":"Z. W. Solski","doi":"10.5604/01.3001.0012.9889","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9889","url":null,"abstract":"From its very beginning the development of performatics was influenced by two kinds of performance activities: performance art and theatre. In Poland theatrologists became proponents of performatics. The translation of Schechner’s book about performance studies was used to homogenise Polish performative vocabulary: the translator reached for the polonized word “performans” and created a new term: “performatyka”. Thanks to Schechner’s general definition – performances are actions, while the subject of performatics are behaviours – the concept of “performans” proved to be very useful because the Polish language lacks such “transparent tool of description”. When in the U.S.A. the researchers dealing with performance studies radically broadened the area of performative activities, their representative in Poland, Jacek Wachowski, became involved in the process of limiting the notion of “performans” and theatre’s influence on performatics. This article is devoted to his innovative proposal.","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132788673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PERFORMATIVE PERFORMATIVE 表述行为的表述行为的
DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU Pub Date : 2019-09-01 DOI: 10.5604/01.3001.0012.9926
Á. Szuba
{"title":"PERFORMATIVE PERFORMATIVE","authors":"Á. Szuba","doi":"10.5604/01.3001.0012.9926","DOIUrl":"https://doi.org/10.5604/01.3001.0012.9926","url":null,"abstract":"The dynamic development of the Internet and the constant search for\u0000new ways of reaching the user bring about the availability of materials\u0000that were previously unattainable. Performance art, thanks to its special\u0000openness to new methods of expression, reaches the mass media, while\u0000showing the individual’s psyche and character of the author’s work. The\u0000set of gestures, their sequence and narration are the basis for creating\u0000performance art, understood not only as a clear alternative to conventional\u0000art, but also characterized by unpredictability, in which the viewer\u0000is not prepared for the way messages are received. Undoubtedly, social\u0000platforms create an illusion. “The influencer” can reach thousands of\u0000viewers and gain fame without leaving home. Without a doubt, social\u0000media have created a new entry point to the global art scene, opening\u0000way to a wide spectrum of diverse artistic activities. The method of recording,\u0000the non-cutaneous nature of the phenomenon makes it possible\u0000to own performative actions. The context of a performance is particularly\u0000important. It affects what can be universally recognized as art. The question\u0000arises (since we distinguish two values of the performative action: in\u0000the art gallery and on the street), what frames on the social media allow\u0000the audience to interpret it as art, and assuming that it is an art, does it\u0000change the perception of a given phenomenon?\u0000\u0000","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130655592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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