Obrus, o definicji performansu

Władysław Solski Zbigniew
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引用次数: 0

Abstract

From its very beginning the development of performatics was influenced by two kinds of performance activities: performance art and theatre. In Poland theatrologists became proponents of performatics. The translation of Schechner’s book about performance studies was used to homogenise Polish performative vocabulary: the translator reached for the polonized word “performans” and created a new term: “performatyka”. Thanks to Schechner’s general definition – performances are actions, while the subject of performatics are behaviours – the concept of “performans” proved to be very useful because the Polish language lacks such “transparent tool of description”. When in the U.S.A. the researchers dealing with performance studies radically broadened the area of performative activities, their representative in Poland, Jacek Wachowski, became involved in the process of limiting the notion of “performans” and theatre’s influence on performatics. This article is devoted to his innovative proposal.
当然,没有明确的性能
从一开始,表演艺术的发展就受到两种表演活动的影响:表演艺术和戏剧。在波兰,戏剧学家成为了表演艺术的支持者。Schechner关于表演研究的书的翻译被用来统一波兰的表演词汇:译者将波兰化的单词“performans”译为“performatyka”,创造了一个新词。由于Schechner的一般定义——表演是动作,而表演的主体是行为——“表演”的概念被证明是非常有用的,因为波兰语缺乏这种“透明的描述工具”。在美国,研究表演研究的学者们从根本上拓宽了表演活动的领域,他们在波兰的代表人物雅切克·沃卓斯基(Jacek Wachowski)则参与了限制“表演”概念和戏剧对表演的影响的过程。这篇文章专门讨论他的创新建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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