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Traces of the Past and Social Realities: Late Medieval Court Records from Dalmatian Cities 过去的痕迹和社会现实:达尔马提亚城市的中世纪晚期法庭记录
IF 0.5
Open Library of Humanities Pub Date : 2019-04-25 DOI: 10.16995/OLH.368
Tomislav Popić
{"title":"Traces of the Past and Social Realities: Late Medieval Court Records from Dalmatian Cities","authors":"Tomislav Popić","doi":"10.16995/OLH.368","DOIUrl":"https://doi.org/10.16995/OLH.368","url":null,"abstract":"Based on research of archival material from Dalmatian cities, the article aims to provide a framework for understanding the circumstances in creating medieval court records. The key questions are: why were records simplified, and what was their purpose? In order to answer these questions, the author relies on Niklas Luhmann’s study concerning the legitimization of social order, and further studies by James C. Scott on power relations and the simplification of social reality. Considering the key questions from these perspectives shows that court records offer only one version of reality by prioritizing information that was of some practical value to authorities.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41355088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Fusion, emprunt…dislocation, ou comment la rencontre de l’art occidental s’inscrit dans les écrits des critiques chinois 融合、借用……错位,或者西方艺术的相遇如何融入中国评论家的作品
IF 0.5
Open Library of Humanities Pub Date : 2019-04-24 DOI: 10.16995/OLH.351
Anny Lazarus
{"title":"Fusion, emprunt…dislocation, ou comment la rencontre de l’art occidental s’inscrit dans les écrits des critiques chinois","authors":"Anny Lazarus","doi":"10.16995/OLH.351","DOIUrl":"https://doi.org/10.16995/OLH.351","url":null,"abstract":"While from the beginning of the 20th century, art in China had the mission of supporting the young and fragile Chinese Republic, and to be as close as possible to its people, Chinese artists who left to study abroad were confronted with Western Modern art, which claimed its autonomy: two irreconcilable conceptions of art. In this article, I shall study how today’s Chinese art critics highlight this encounter with Western culture and analyse the various writings of the time, through the evolution of the lexicon used from the May Fourth (1919) movement to the globalised era. Resume Alors que l’art en Chine, des le debut du XXe siecle, a pour mission de soutenir la jeune et fragile republique chinoise et d’etre au plus pres du peuple, les artistes chinois partis etudier a l’etranger sont confrontes a l’art moderne occidental, qui revendique son autonomie : deux conceptions de l’art inconciliables. Cet article presente la maniere dont les critiques d’art chinois aujourd’hui caracterisent cette rencontre avec la culture occidentale et la maniere dont ils analysent les differents ecrits de l’epoque, a travers l’evolution du lexique employe, depuis le mouvement du Quatre mai (1919) jusqu’a l’ere de la mondialisation.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67506706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives Special Collection 右翼民粹主义与中介行动主义:创造性回应与反叙事文集
IF 0.5
Open Library of Humanities Pub Date : 2019-04-18 DOI: 10.16995/OLH.438
Elizabeth Poole, E. Giraud
{"title":"Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives Special Collection","authors":"Elizabeth Poole, E. Giraud","doi":"10.16995/OLH.438","DOIUrl":"https://doi.org/10.16995/OLH.438","url":null,"abstract":"This is an introduction to the Open Library of Humanities Special Collection ‘Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives’. It provides an overview of key issues and debates in discussions of social media activism, specifically in relation to populism, and the corresponding rise in hate speech. It provides a summary of the contributing articles which demonstrate the digital practices of the far right and the strategies of actors in challenging hate speech. The introduction also elaborates on the structure of the Special Collection.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43049560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Tarasankar Bandyopadhyay’s Caitālī ghūrṇi and The Dystopia of Hunger Tarasankar Bandyopadhyay的Caitālī ghūrṇi和《饥饿的反乌托邦
IF 0.5
Open Library of Humanities Pub Date : 2019-04-17 DOI: 10.16995/OLH.358
Sukla Chatterjee
{"title":"Tarasankar Bandyopadhyay’s Caitālī ghūrṇi and The Dystopia of Hunger","authors":"Sukla Chatterjee","doi":"10.16995/OLH.358","DOIUrl":"https://doi.org/10.16995/OLH.358","url":null,"abstract":"The article reviews one of the lesser-known novels of Tarasankar Bandyopadhyay, Caitali ghurni (1931), as a dystopian narrative. In an attempt to review potential dystopian elements in vernacular texts, the article evaluates and compares the prominent features of western dystopian fiction to explore the characteristics and uniqueness of Caitali ghurni as a dystopian novel. In the process, the study sheds light on the relationship of such texts with the rise of realism in literature or bastabbadi sahitya in early twentieth-century Bengal and how that ushered in literary modernism. The primary aims of the article are to chart the contribution of the novel in expanding the horizon of dystopia as a literary genre to accommodate similarly themed literature produced in the vernacular, and thus to look beyond the confines of a western definition of dystopia. This is achieved through a close content-oriented reading of the novel, especially focusing on the aspects of hunger, social and familial relationships, and sexuality.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46946914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Re-mapping the ‘Great Inquisition’ of 1245–46: The Case of Mas-Saintes-Puelles and Saint-Martin-Lalande 重新绘制1245-46年的“大宗教裁判所”:Mas Saints Puelles和Saint Martin Lalande案
IF 0.5
Open Library of Humanities Pub Date : 2019-04-16 DOI: 10.16995/OLH.414
J. Rehr
{"title":"Re-mapping the ‘Great Inquisition’ of 1245–46: The Case of Mas-Saintes-Puelles and Saint-Martin-Lalande","authors":"J. Rehr","doi":"10.16995/OLH.414","DOIUrl":"https://doi.org/10.16995/OLH.414","url":null,"abstract":"MS 609 of the Bibliotheque municipale de Toulouse contains the registry of the largest known medieval inquisition, the so-called ‘Great Inquisition’ lead by two Dominicans at Toulouse between 1245 and 1246. Since its discovery in the nineteenth century, this registry has remained unedited and is rarely studied in detail. Yet it has become famous for being the record of a broad inquisition into the ‘general state of the faith’, one that affirms that Catharism – the theory of a dualist, organized heretical counter-Church which brought the Albigensian crusade and eventual inquisition to the lands of the Count of Toulouse – was widespread between Toulouse and Carcassonne. This article argues that the registry does not record any general survey of Cathar heresy among the population, but rather it records an inquisition principally aimed at collecting evidence against village consulates who had no greater or lesser relationship to any ‘heresy’ than the rest of the population. This argument is made by challenging the historiographic bias towards sampling the registry anecdotally, replacing it with an evaluation based on a combination of macroanalysis and close reading facilitated by the author’s digital edition of MS 609 and network analysis techniques.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49385864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Local and the Global in Networks of Lebanese and Algerian Rappers 黎巴嫩和阿尔及利亚说唱歌手的本地和全球网络
IF 0.5
Open Library of Humanities Pub Date : 2019-04-05 DOI: 10.16995/OLH.419
Felix Wiedemann
{"title":"The Local and the Global in Networks of Lebanese and Algerian Rappers","authors":"Felix Wiedemann","doi":"10.16995/OLH.419","DOIUrl":"https://doi.org/10.16995/OLH.419","url":null,"abstract":"This article discusses border-crossing interconnections and processes of glocalization in Arab(ic) hip hop culture. It is based on an analysis of collaborative networks among Lebanese and Algerian rappers, and their Twitter networks. This approach is grounded in relational sociology, which assumes that culture is the product of interactions between individuals. Here, two interactions are modeled and analyzed as networks. At first, featurings as a form of artistic collaboration are examined. Secondly, Twitter followings, as an important form of online communication, are focused on. By analyzing network-structures like clusters and node properties like the number of connections to other nodes (degree), this article takes a quantitative viewpoint on a subject matter usually analyzed by qualitative tools. The article’s findings indicate the parallel existence of an Algerian and an Eastern Arab(ic) hip hop community excluding the Maghreb region. Both communities have social media connections to the US-American hip hop scene, while French hip hop seems to only play a bigger role in Algeria.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42007490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Some Human’s Rights: Neocolonial Discourses of Otherness in the Mediterranean Refugee Crisis 某些人权:地中海难民危机中的他者性新殖民话语
IF 0.5
Open Library of Humanities Pub Date : 2019-04-05 DOI: 10.16995/OLH.423
S. Holohan
{"title":"Some Human’s Rights: Neocolonial Discourses of Otherness in the Mediterranean Refugee Crisis","authors":"S. Holohan","doi":"10.16995/OLH.423","DOIUrl":"https://doi.org/10.16995/OLH.423","url":null,"abstract":"Taking as my starting point Hannah Arendt’s (1994/1943) observations on the public response to the mass exile of Jews during World War Two, I argue that the UK’s mediatised reaction to those escaping conflict during the Mediterranean refugee crisis followed similar ideological patterns: fear, suspicion, antipathy and reserved compassion. I then move on to examine the role that human rights organisations had in the sympathetic re-construction of migrants/refugees. Here, I argue that at the same time as media platforms have become progressively more intertwined, ideologically complex, and perhaps as a result more responsive to shifting narratives and the changing public mood about the other, non-governmental organisations continue to operate within an established system of representation that render the migrant abject in terms of western dominance. In response to this reading of the refugee crisis, I offer the conclusion that while discourses produced by the various actors with a stake in the construction and counter-construction of the crisis were multifaceted and dynamic in their response to the evolving situation, the competing narratives surrounding the event remained resolutely embedded within a neocolonial discourse of otherness.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44322730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Nishchindipur: The Impossibility of a Village Utopia Nishchindipur:乡村乌托邦的不可能
IF 0.5
Open Library of Humanities Pub Date : 2019-04-05 DOI: 10.16995/OLH.395
S. Chaudhuri
{"title":"Nishchindipur: The Impossibility of a Village Utopia","authors":"S. Chaudhuri","doi":"10.16995/OLH.395","DOIUrl":"https://doi.org/10.16995/OLH.395","url":null,"abstract":"This article seeks to examine the persistence, in Indian and specifically Bengali literature of the twentieth century, of a contradiction: the myth of an ideal or utopian village set against actual experiences of suffering, inequality, and deprivation. It traces some elements of this contradiction to Thomas More’s foundational text, Utopia (1516), and continues by examining the idealization of the self-sufficient and unchanging Indian village community in the social thought of the nineteenth-century British jurist Sir Henry Maine. Subsequently, the village becomes a focal concern for Indian nationalists, producing a strain of idealized ‘pastoralism’ as well as utopian dreams, countered by equally important critiques of rural obscurantism and decay. Both idealization and critique find their place in the literature and art of early twentieth century Bengal, but the category of the village Utopia proves impossible to sustain. The title of the article gestures towards this failure by citing the name (Nishchindipur, meaning ‘place of contentment’) of the village setting for Bibhutibhushan Bandyopadhyay’s Bengali novel Pather Panchali (1928), made into an iconic film (1955) by the director Satyajit Ray. The film generated a curious conjunction of the epithets ‘idyllic’ and ‘impoverished’, and was criticized for its unsparing depiction of rural suffering.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47521926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Climate, Power, and Possible Futures, from the Banks of the Humber Estuary 气候、能源和可能的未来,来自亨伯河口的银行
IF 0.5
Open Library of Humanities Pub Date : 2019-03-29 DOI: 10.16995/OLH.417
T. White
{"title":"Climate, Power, and Possible Futures, from the Banks of the Humber Estuary","authors":"T. White","doi":"10.16995/OLH.417","DOIUrl":"https://doi.org/10.16995/OLH.417","url":null,"abstract":"Nayan Kulkarni’s Blade, Lucy and Jorge Orta’s Raft of the Medusa, and Nikolaj Bendix Skyum Larsen’s Quicksand were exhibited in Hull during its year as the 2017 UK City of Culture. These artworks provide the impetus for an article that moves between the local, national, and global, in order to connect visual culture, climate politics, and questions of citizenship and borders in a warming world. In the first section, I discuss how Blade—a wind turbine rotor blade repurposed as a public art installation—provides the opportunity to examine the role of large-scale renewable energy transition in addressing the deep regional economic inequalities in the UK. In the second section, I consider how artworks displayed as part of the ‘Somewhere Becoming Sea’ exhibition linked Hull’s recent history to a global context of displacement and precarity, in the wake of the ongoing ‘refugee crisis’ within Europe and at its borders. In the final section, I seek to bring together a number of threads from the preceding discussion, in order to outline some alternative political horizons. I turn initially to Sean McAllister’s documentary A Northern Soul (2018) and its powerful examination of how personal debt, the toxic fuel of neoliberalism, forecloses the future. In opposition to a future of deepening inequality and climate breakdown, I trace a renewed politics of public ownership and expanded social welfare in the UK, and its place in a prospective global renewable energy transition. This is a hopeful vision, given the current political climate, I argue, but it is also an eminently feasible one.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42710788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Strategies for Constructing an Institutional Identity: Three Case Studies from the Liturgical Office of Saint Edmund Martyr 建构机构认同的策略:以殉道者圣艾德蒙礼仪室为例
IF 0.5
Open Library of Humanities Pub Date : 2019-03-27 DOI: 10.16995/OLH.310
Steffen Hope
{"title":"Strategies for Constructing an Institutional Identity: Three Case Studies from the Liturgical Office of Saint Edmund Martyr","authors":"Steffen Hope","doi":"10.16995/OLH.310","DOIUrl":"https://doi.org/10.16995/OLH.310","url":null,"abstract":"The following article explores some of the ways in which the leaders of a medieval ecclesiastical institution, in this case Bury St Edmund, could construct that institution’s own identity by textual production that was centred on the figure of their patron saint, Edmund Martyr. This textual production, and the formulation of Saint Edmund, underwent a continuous development from 1065 onwards, which can be most clearly seen in the composition of the liturgical office for Edmund’s feast day. By an examination of three examples taken from this office, I aim to demonstrate some of the ways in which the figure of Edmund was altered, how the narrative of his passion story was developed and what audiences these changes were aimed at. The purpose of the article is to emphasise the function of the office as a vehicle for the construction of institutional identity in the Middle Ages.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45806577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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