{"title":"Decolonizing the Study of Religion","authors":"Malory Nye","doi":"10.16995/OLH.421","DOIUrl":"https://doi.org/10.16995/OLH.421","url":null,"abstract":"As with many other subject areas within the humanities, the contemporary study of religion is the product of European colonial history and remains firmly embedded in what Anibal Quijano (2007) described as the ‘colonial matrix of power’. This article explores questions about how to respond to these structures of history — in particular what the concept of ‘decolonization’ may mean and how it may be applied within the context of the study of religion. Such decolonization should be approached as not simply an exercise in ‘diversity’ but rather as a challenge to (and potentially a dismantling of) the field of study. Such an approach is relevant not only to those scholars who identify within the disciplinary boundaries of the ‘study of religion’ (or religious studies), but much wider to the broad academic study of (what is thought of as) ‘religion’ within humanities and social sciences. This article is, in short, an attempt to map out some of the key points about such a decolonization, in terms of curriculum and research practice, on the disciplinary level and within the wider institutional structures of the academy.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42298337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interrogating Green Space in Medieval Monasticism: Position, Powers and Politics","authors":"J. L. Smith","doi":"10.16995/OLH.283","DOIUrl":"https://doi.org/10.16995/OLH.283","url":null,"abstract":"This article explores three facets of green space within a medieval monastic context: its origin, its effects and properties and the way it was shaped into an expression of power. We learn a great deal about the history of green space through the nuances of monastic thought and vice versa. The term ‘green space’ in a medieval context may initially seem anachronistic and an artefact of twenty-first century health policy and neuroscience and yet, as this article argues, the use of medieval knowledge for moral and institutional power as well as medicine and spiritual contemplation tells us as much about monastic thought as its equivalent reveals of our urban and rural landscapes today. The term ‘green space’ is an insight into the medieval brain, an artefact of monastic self-fashioning and power. Medieval and modern perspectives should share the spotlight. In outlining properties and exploring political ecology, this article deploys a collection of rhetorical landscape descriptions, primarily from the Cistercian literature of the twelfth century, placing them in a wider context. In doing so, we understand another facet of monastic authority established and over landscape and articulated through the power structures of medicine, natural philosophy and other aspects of monastic learned discourse. Knowledge makes green, green promotes health, health valorises monasticism, monasticism shapes knowledge: a green circle of power.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41796661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Apport de la France, promotion de l’expression d’un style national vietnamien dans la première École des Beaux-Arts de l’Indochine","authors":"P. Paliard","doi":"10.16995/OLH.376","DOIUrl":"https://doi.org/10.16995/OLH.376","url":null,"abstract":"In 1924, Victor Tardieu planned to create a Beaux-Arts School in Indochina, which opened its doors in Hanoi in 1925. There he taught painting but also wanted to guide his students to produce a Vietnamese art consistent with a national culture. First the article describes how Tardieu played a major part in the definition of a national expression in the fields of silk painting, lacquer and architecture. Then it explores the reasons why he could not think of culture other than through the notions of national identity and ‘race’ as the vast majority of his contemporaries did: his humanistic and universalistic vision of art did not contradict his ambition to provide a singular Vietnamese identity. Finally, the article emphasizes the contribution of the anthropology of cultural transfer in the critical review of this colonial period. Resume En 1924, Victor Tardieu fait le projet d’une Ecole des Beaux-Arts de l’Indochine. Elle ouvre ses portes a Hanoi en 1925. Il y enseigne la peinture mais il entend aussi orienter les enseignements de telle sorte que les eleves formes en son sein soient a meme de produire un art vietnamien cense s’inscrire dans la continuite d’une culture nationale. L’article decrit d’abord comment, dans les domaines de la peinture sur soie, de la laque et de l’architecture Tardieu a joue un role majeur dans la definition d’une expression nationale. Il analyse ensuite les raisons pour lesquelles il ne pouvait penser la culture autrement qu’a travers les notions d’identite nationale et de « race », comme le faisaient la majeure partie des hommes de son temps : sa vision humaniste et universaliste de l’art ne lui paraissait pas opposee a l’ambition de faire vivre une identite singuliere vietnamienne. L’article souligne enfin la lumiere apportee par l’anthropologie des transferts culturels dans l’examen critique de ce moment de l’histoire coloniale.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46180999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bad Cases and Worse Lawyers: Patterns of Legal Expertise in Medieval Portuguese Court Records, c. 1200–1400","authors":"A. Vitória","doi":"10.16995/OLH.380","DOIUrl":"https://doi.org/10.16995/OLH.380","url":null,"abstract":"Fragmentary, complex and in short supply, medieval Portuguese court records have been largely overlooked by historians, with the result that the judicial and intellectual workings as well as the social dynamics of legal practice in medieval Portugal remain, for the most part, unknown. Drawing on various examples from several cathedral archives in Portugal and interweaving them with royal legislation and ius commune sources, this article contends that, far from merely conveying a disparate array of impressionistic and disconnected glimpses into legal practice, these records are evidence of patterns of legal expertise that can be reconstructed and analysed. It focuses on three such patterns in particular: the exploitation of Romano-canonical procedural law and its flaws; the appeal to the papal curia; and the recourse to authoritative legal counsel abroad. These constants of legal practice not only shaped the experience of the law and litigants’ awareness of legal mechanisms in a fundamental way, but also sparked serious social tensions and provided a rationale for the attempts of Portuguese kings, from the 1280s onwards, to exert a tighter control over the legal process.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43019960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Dichotomy Karima/Ruby in Italian Online Newspapers: Exclusions and Inclusions of Muslim Femininity in Post-feminist Culture","authors":"Ella Fegitz","doi":"10.16995/OLH.428","DOIUrl":"https://doi.org/10.16995/OLH.428","url":null,"abstract":"This paper focuses on the representation of Karima El Mahroug, alias Ruby Rubacuori (‘Ruby Heartstealer’), in the online editions of three Italian newspapers (Il Giornale, Repubblica, Corriere della Sera). Karima/Ruby, a young woman originally from Morocco, was placed in the media spotlight for her implication in a sexual scandal involving the ex-Prime Minister of Italy, Silvio Berlusconi. The analysis shows a dichotomy in the representation of the young woman: as an ‘at risk girl’ or as a ‘post-feminist sex worker’. Karima’s national and religious origins contribute to the construction of her as a vulnerable, voiceless and fragile girl, made so by a traditional and sexist culture of origin. However, as the trial proceeds, a different construction of Karima, now fully identified with the name Ruby, emerges: an agentic, determined and assertive post-feminist sex worker who knowingly employed her sexual desirability for her own personal gains. As part of this evolution, Ruby sheds her ‘otherness’, becoming not only symbolic of Italian younger generations, but of the moral degeneration of the whole country. The narrative parabola Karima/Ruby that is engendered in the newspapers sees the incorporation of the Muslim woman in post-feminist culture, as well as her naturalisation as Italian, as long as she subscribes to its specifically neoliberal gender relations. This article explores the inclusions and exclusions of post-feminist culture, by investigating the normative discourses employed to make sense of Muslim femininity.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42443077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Year of Pride: Revisiting the Activism Inspired by LGSM’s Support for the Onllwyn Miners","authors":"Jade Evans","doi":"10.16995/OLH.342","DOIUrl":"https://doi.org/10.16995/OLH.342","url":null,"abstract":"In 2015, the year following Pride’s distribution, UK and international fans were able to participate in events inspired by the film which supported activist causes. This article is a reminiscence of events I participated in with Lesbians and Gays Support the Miners (LGSM), and an examination of the extent to which they relate to the events in Pride. Events discussed which were directly inspired by Pride include a restaging of a photo of LGSM in Hyde Park at the 1985 London Pride, a fundraising party similar to the Pits and Perverts benefit ball where Bronwen Lewis performed ‘Bread and Roses’, and LGSM and the miners leading the 2015 London Pride march. The events which related to moments in Pride became symbolic of the politics expressed within the film, but linked to contemporary issues. I will reflect on how LGSM brought the politics of their miners’ strike activism into the events discussed, encouraging a younger generation, many of whom were not born when the miners’ strike happened, to become involved in the activism that emerged out of Pride. Finally, I will end the piece by reflecting on LGSM’s decision to wind down on activities not directly related to the miners’ strike or its politics to support newly established groups supporting various causes, including migrant rights and struggling industrial workers. LGSM marked this with a farewell party, which was particularly moving, as the date coincided with the final day of work in Britain’s last coal mine, making LGSM and Pride’s messages of political unity all the more potent.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47550445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Thoughts on Pride: No Coal Dug","authors":"Lucy Robinson","doi":"10.16995/OLH.317","DOIUrl":"https://doi.org/10.16995/OLH.317","url":null,"abstract":"Pride tells the story of a group of London lesbian and gay activists who offer their support to the striking miners in Dulais, South Wales. This article reflexively uncovers the layers through which the story of LGSM has been remembered, forgotten, and re-remembered through its personal and political connections.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44432827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Not Adopted’: The UK Orphan Works Licensing Scheme and How the Crisis of Copyright in the Cultural Heritage Sector Restricts Access to Digital Content","authors":"Merisa Martinez, Melissa Mhairi Terras","doi":"10.16995/OLH.335","DOIUrl":"https://doi.org/10.16995/OLH.335","url":null,"abstract":"This article is a discussion of how digitizing and disseminating Orphan Works in the GLAM (Galleries, Libraries, Archives, and Museums) sector could have the potential to significantly reframe coll ...","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46728787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Medieval Water Studies: Past, Present and Promise","authors":"J. L. Smith, H. Howes","doi":"10.16995/OLH.443","DOIUrl":"https://doi.org/10.16995/OLH.443","url":null,"abstract":"The articles in this Special Collection engage directly with the realities of water as they simultaneously explore its intellectual potential in various genres of medieval writing, from crusade chronicles to medieval romance. In this way they shed new light not only on the literature and history they explore but also on medieval conceptions of water more generally, paving the way for a new approach to medieval water studies. In assembling this Collection, it was the intention of the editors to reflect on the best next steps for the study of water in the Middle Ages. A new medieval water studies should be novel, critical, self-aware, global and above all inclusive. Water is more than a subject of academic research, a catalogue of tropes and idioms to be described. As fields such as ecocriticism, environmental history, geography, anthropology, archaeology and water governance have demonstrated, water is always entangled with a larger ecology. The articles in this Special Collection reveal a water that is a puzzle, but also a cipher for a variety of nuanced readings and inquiries. An overly instrumentalist and scientific mentality leads to water being studied as a passive and malleable resource, but this trend has also affected cultural and historical inquiry.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49372782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Precursor of Pride: The Pleasures and Aesthetics of Framed Youth","authors":"Ieuan Franklin","doi":"10.16995/OLH.326","DOIUrl":"https://doi.org/10.16995/OLH.326","url":null,"abstract":"This article explores the causal links between the 1983 Channel 4 documentary Framed Youth: Revenge of the Teenage Perverts and the feature film Pride (2014), via All Out: Dancing in Dulais (1986). It will be argued that Pride — the story of miners’ support group Lesbians and Gays Support the Miners (LGSM) — would never have been made if it had not been for its precursors, with several members of LGSM having previously ‘cut their teeth’ in queer video activism, including documenting the activities of LGSM on videotape. A case will be made for Framed Youth and Pride as examples of media texts that are radical and educational, but which also have popular appeal and generate pleasure and nostalgia for audiences. The origins of Framed Youth in the conjuncture of radical theatre and community video will be outlined, including the project’s synergy with Channel 4’s original remit (Channel 4 was the majority funder of the project and broadcast Framed Youth in 1986). Attention will be devoted in particular to the neglect of considerations around audiences in the independent film and video scene. Framed Youth and the Miners’ Campaign Tapes (1984) are cited as notable historical exceptions, due to their imaginative and successful approach to building audiences through distribution and exhibition. The article will conclude by considering the ‘pros and cons’ of the fact that the story of LGSM eventually found expression in a feel-good ‘retro’ feature film, rather than an activist or political documentary.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43057606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}