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Film-Philosophy最新文献

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The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction 电影的怪异印记：穆赫兰道、球面学与电影小说的“虚拟空间”
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0246
James Dutton
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引用次数: 0
Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema 玛丽·安·多恩（2021）《比生命更伟大：电影中的特写和尺度》
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0249
Alicia Byrnes
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引用次数: 0
Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema Alyssa DeBlasio（2019）电影制作人的哲学家：Merab Mamardashvili与俄罗斯电影
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0248
Ilia Ryzhenko
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引用次数: 0
Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate Martin P.Rossouw（2021）电影的转型伦理：在电影哲学辩论中思考电影改造
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0247
Colin Davis
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引用次数: 0
The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze 密集的影像与诗意的电影传统——鲁伊斯、德仁、帕索里尼、布努埃尔与德勒兹札记
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0240
Cristóbal Escobar
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引用次数: 0
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema 克服劣势：停滞是尚塔尔·阿克曼电影中的一个解放的极简主义遗产
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0243
Charlotte Wynant
{"title":"Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema","authors":"Charlotte Wynant","doi":"10.3366/film.2023.0243","DOIUrl":"https://doi.org/10.3366/film.2023.0243","url":null,"abstract":"Film-Philosophy, Volume 27, Issue 3, Page 488-506, October, 2023. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"9 3","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Cinematic Poethics 黑人电影诗人
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0239
William Brown
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引用次数: 0
Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film 失落与美丽还是抒情小品电影的（环境）伦理
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0242
Laura Rascaroli, Paolo Saporito
{"title":"Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film","authors":"Laura Rascaroli, Paolo Saporito","doi":"10.3366/film.2023.0242","DOIUrl":"https://doi.org/10.3366/film.2023.0242","url":null,"abstract":"Film-Philosophy, Volume 27, Issue 3, Page 464-487, October, 2023. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"9 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial: Film-Philosophy-Poetry 社论：电影哲学诗歌
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0237
Dominic Lash
{"title":"Editorial: Film-Philosophy-Poetry","authors":"Dominic Lash","doi":"10.3366/film.2023.0237","DOIUrl":"https://doi.org/10.3366/film.2023.0237","url":null,"abstract":"Film-Philosophy, Volume 27, Issue 3, Page 375-376, October, 2023. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"8 10","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Re)sounding Audre Lorde: Queer Crip Chorus in Lana Lin’s Experimental Documentary (再)听起来像奥德丽·洛德:林兰娜实验纪录片中的酷儿Crip合唱
3区 艺术学
Film-Philosophy Pub Date : 2023-10-01 DOI: 10.3366/film.2023.0241
Hyunjung Kim
{"title":"(Re)sounding Audre Lorde: Queer Crip Chorus in Lana Lin’s Experimental Documentary","authors":"Hyunjung Kim","doi":"10.3366/film.2023.0241","DOIUrl":"https://doi.org/10.3366/film.2023.0241","url":null,"abstract":"This article discusses the artist, filmmaker, and writer Lana Lin’s “revisioning” of Audre Lorde’s The Cancer Journals (1980) to consider how the poetic encounter between two artists from different generations exemplifies the relational praxis that Lorde pursued throughout her life. In revealing the ways in which Lorde opens acoustic sensory spaces for contemporary readers and listeners of her work, I specifically focus on the political and aesthetic dynamic of recitation in Lin’s experimental documentary The Cancer Journals Revisited (2018). I trace how recitation becomes a coalitional practice of feminist chorus through which readers and listeners embody the sonorous space they co-create through and with Lorde. The article further looks into the ways Lin pairs recitation performance with visceral images of body parts on the screen to argue that the film’s visuals dwell in and extend the form of the chorus; which is to say, the film expands the meaning and practice of chorus beyond the realm of the sonic. The bodies on the screen extend the chorus, immersing the audience in a participatory rethinking of the experience of cancer (particularly breast cancer) not merely as an individual misfortune or an aesthetic concern. In adjoining textual, visual, and acoustic elements, Lin’s film provides a powerful transformative sensory environment, reverberating through the reciters and the audience.","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135661812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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